...Associate Level Material Appendix E Critical Analysis Forms Fill out one form for each source. |Source 1 Title and Citation: Disclaimer: You have requested a machine translation of selected content from our databases. This | |functionality is provided solely for your convenience and is in no way intended to replace human translation. Neither Gale nor its | |licensors make any representations or warranties with respect to the translations. | |Black Women Are Too Often Singled Out as the Ones Who Oppose Interracial Dating | |Nadra Kareem, "Interracial Dating: Black Women Aren't the Only Foes of Interracial Romance," Racialicious, June 12, 2009. | |www.racialicious.com | | | |Black women are often singled out as the ones who are against interracial | |1 |Identify the principal issue presented by the |dating when it’s actually a factor in the white race too. | | |source. | | | | |The author is biased because she feels that if she is having problems with | |2 |Identify any examples of bias presented...
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...objective in reaching a final conclusion of Karla, one that is not admirable. It is difficult to imagine, from my point of view, that someone would defend Karla for the crimes she is convicted of. However, these people do exist and Rosie DiManno makes it her objective in this essay to show Karla’s true colours. She explains Karla’s actions, interprets and then criticizes them to allow the audience to realize Ms. Teale’s underlying intentions. I feel Rosie makes this point clear through her use of rhetorical questions to mock, ridicule and demonstrate Karla’s lack of sentiment. An example of this literary device is seen through the quotation “It’s Karla Leanne Teale who petitioned the warden at the Joliette Institution for escorted day passes, ostensibly designed to ease her gradually from prison to freedom before her mandatory release… Does that speak to the sentiments that might still exist in Karla’s treacherous heart?” (DiManno). I believe this use of a rhetorical question emphasizes the author’s point about how unremorseful...
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...Steve McQueen’s 12 Years a Slave revolves around the film’s realism, specifically its realistic portrayal of the violence and trauma of slavery and the image of the tortured slave body. McQueen creates prolonged, unflinching images of slave torture and suffering, lingering on graphic scenes of brutality, including whipping, hanging, beatings, and rape. In fact, in the very act of attempting to resolve the ambiguity of McQueen’s images, this competing discourse strangely repeats and performs the very paradox of realism itself. In this way, the discourse surrounding McQueen’s realist images of the trauma and violence of slavery perform a fundamental split that continuously reflects and implicates the images themselves. This analysis contextualizes the paradoxical instability of McQueen’s realist images of the trauma and violence of slavery and the discourse that surrounds them within a larger lineage of the history and politics imbedded in the depiction of slavery within visual culture. The audience is confronted simultaneously with the violence of slavery as well as with the inherent impossibility of its representation, this analysis probes the ways in which McQueen’s realist images actively resist and exceed the historical frame, getting at fundamental questions of trauma and representation in...
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...There is little action; rather there is a call for concern and involvement in crucial issues. Leila Brammer says that “Ecofeminists do participate in the formation of ideology and recruitment in that, conferences and books are explicitly for the development and spread of ecofeminist thought. The message has spread . . . But, Ecofeminism has not resulted in collective action in a way Black Power as a philosophy did . . . Rhetorical analysis is the key to understanding phenomena like ecofeminism because their manifestation is rhetorical( Brammer 1-2). In phenomena like Ecofeminism ideology and meaning are more important than structure. People use new words or attribute new meaning to old words in order to express their thoughts and feelings, thus exhibiting a consciousness of their environment in the meanings. One’s feelings fuse with the symbols and images which carry the feeling in communication and sustain it over time. One is led into a pshychodramatic fantasy world, in which meaning in present, reality becomes clearer and involves others with similar...
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...Examination of John Keats’ Ode to a Nightingale Outline and Thesis of “Ode to A Nightingale” by John Keats. Thesis: John Keats correlated the nightingale’s transcendent song with man’s desire for immortality. I. Brief History of Poem A. Outline details, including when, where written. B. Outline interesting relevant historical facts II. Break down of poem – stanza by stanza A. Include description of title. B. Identify rhyme and metrical device employed in poem. C. Include theme, setting description. D. Identify literary devices utilized by Keats III. Closing Analysis A. Speculate about Keats ultimate inspiration. B. Relate inspiration theme to Ode to a Nightingale theme. C. Close with analysis of irony of respective poems compared. D. Repeat thesis statement in closing for synchronicity of essay. Written in May of 1819, “Ode to a Nightingale” was one of five “odes” written by John Keats during that year [1]. The poem, which was published July of the same year in the Annals of Fine Art, was originally titled “Ode to the Nightingale”, but was apparently changed by the publisher twenty years following the death of John Keats(reference here) . According to a recollection of Keats’ good friend, Charles Brown, Keats’ inspiration for the poem came while sitting under a plum tree growing upon Hampstead Heath. There, Keats was said to be mesmerized by the melodic song of a nightingale who proved...
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...[pic] [pic] [pic] TABLE OF CONTENTS `McDonalds Advertisement Analysis 3 Dolce & Gabbana Advertisement Analysis 4 Givenchy Perfume Ange Ou Demon Advertisement Analysis 6 McDonalds Advertisement Analysis McDonalds’ advertisements are everywhere. The advertisements are on TV, radio, and in magazines. It is nearly impossible to go one day without seeing one. The company spends millions of dollars on advertising their product each and every year to a number of different target audiences. In this advertisement McDonalds is advertising one of the value meals on their menu. The target audience that McDonalds is aiming the advertisement to is middle to upper-class people. It is very effective because it shows that the high class restaurants do not give people the quantity of food that they are paying for. The main feature of the advertisement is a man in a nice restaurant looking at his small portioned meal in disgust. In the bottom of the picture there is a larger portioned meal from McDonalds which is more food for only a fraction of the cost of the meal in the restaurant. The advertisement consists of a middle aged man sitting in a restaurant. On the table is the silverware arranged neatly on the table and a flower. Also in the photograph is a waitress bringing out an exquisite plate of food to the table. It is obviously a formal restaurant. The man is wearing a suit which leads one to believe he is a middle or upper class individual. The man has a...
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...The process of legalization is a delicate matter because of the vast moral questions that it raises. Technically, if there are supply and enormous demand, there must not be any problems with providing particular services, just a profitable deal, and successful cooperation. Nevertheless, there is one great problem, an ethical one. Also, the fact is that prostitution will exist no matter what because men will always degrade women, and women, in turn, can do the same to men, even though these moral aspects are not connected with the legalization process, mostly depending on moral qualities of the society members, and not on a position on prostitution. Thus, the essay will try to prove why prostitution should not be legal with the help of analysis of the articles of the well-known scientists. While feminist theory represents prostitution as a working activity that lets women use their “agency” or “free choice”, calling them “migrant workers”, even despite the fact that a bigger part of those women are working to pay debts, or under duress, it serves to normalize prostitution concept and its rapid growth. Nevertheless, most of the problems, such as violence against women, organized crime, trafficking, early sexualization, that become more pressing day after day are seen as a substantial part of sex industry functioning. The feminist theory pays less attention to violence against women than to work and economy question. Moreover, the idea of sexual work has already caused a significant...
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...One of William Shakespeare’s great advantages as a writer was that, as a dramatist working in the public theater, he was afforded a degree of autonomy from the cultural dominance of the court, his age’s most powerful institution. All over Europe, even if belatedly in England, the courts of the Renaissance nation-states conducted an intense campaign to use the arts to further their power. The theater, despite its partial dependency on court favor, achieved through its material products (the script and the performance) a relative autonomy in comparison with the central court arts of poetry, prose fiction, and the propagandistic masque. When Shakespeare briefly turned to Ovidian romance in the 1590’s and, belatedly, probably also in the 1590’s, to the fashion for sonnets, he moved closer to the cultural and literary dominance of the court’s taste—to the fashionable modes of Ovid, Petrarch, and Neoplatonism—and to the need for patronage. Although the power of the sonnets goes far beyond their sociocultural roots, Shakespeare nevertheless adopts the culturally inferior role of the petitioner for favor, and there is an undercurrent of social and economic powerlessness in the sonnets, especially when a rival poet seems likely to supplant the poet. In short, Shakespeare’s nondramatic poems grow out of and articulate the strains of the 1590’s, when, like many ambitious writers and intellectuals on the fringe of the court, Shakespeare clearly needed to find a language in which to speak—and...
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...FACULTY OF FOREIGN LANGUAGES LINGUISTIC MEANS OF POTRAYING MAIN CHARACTERS IN “THE CANTERBURY TALES” BY GEOFFREY CHAUCER COURSE PAPER PRESENTED BY LILIA YAREMA a fourth year student of the English department SUPERVISED BY SPODARYK O. V. an assistant professor of the English department LVIV 2012 TABLE OF CONTENTS INTRODUCTION…………………………………………………………… 3-4 CHAPTER I. THEORETICAL ISSUES IN LINGUISTIC ANALYSIS…… 5-16 1.1 Linguistic analysis……………………………………………… 5-8 1.2 Discourse and Text analyses….…………….………………….. 9-11 1.3 Stylistic analysis ………………………………………………… 12-16 CHAPTER II. LINGUISTIC ANALYSIS OF CHAUCER’S CHARACTERS 17-28 2.1 “The Wife of Bath’s Tale” ……………………………………… 18-22 2.2 “The Pardoner’s Tale” ………………………………………….. 23-28 CONCLUSION………………………………………………………………. 29-30 REFERENCES...… ………………………………………………………….. 31-32 INTRODUCTION The theme of the course paper is “Linguistic means of portraying main characters in “The Canterbury tales” by Geoffrey Chaucer”. This paper intends to make an analysis of the language in the collection of stories “The Canterbury Tales”, written by Geoffrey Chaucer at the end of 14th century. We will analyze the language used to describe characters. It was based on the idea that every choice made by the author of a sentence is meaningful. Therefore, once we understand the choices the author makes when describing a character, we are able to have a better understanding of what this author...
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...take the main responsibility of protecting and nurturing this quality. No matter what the changes in the external conditions of life for women, they must not lose their essentially spiritual (ie feminine) virtues; they must not, in other words, become essentially westernized.” - Partha Chatterjee, “The Nationalist Resolution of the Women’s Question”* “What was gradually and carefully constituted, brick by brick, in the interaction between colonialism and nationalism is now so deeply embedded in the consciousness of the middle classes that ideas about the past have assumed the status of revealed truths…It has led to a narrow and limiting circle in which the image of Indian womanhood has become, both a shackle and a rhetorical device that nevertheless functions as a historical truth.” - Uma Chakravarti “Whatever happened to the Vedic Dasi?: Orientalism, Nationalism and a Script for the Past.”* Who/where is the Indian woman? Since this conference focuses on the theme “Identity, Difference and Conflict: Postcolonial Critique”, I think this question could well serve as a starter for our discussion on this issue from an Indian feminist perspective. In order to situate this question bringing into relief its complexities, I wish to begin this paper narrating an event recorded by Shobha De, a feminist writer and analyst. According...
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...Abstract The aim of this dissertation, which is based on secondary research involving analysing a range of books, journal articles, Government publications, newspaper articles and videos, is to critically examine the position of the victim in the criminal justice system. The paper looks at the role of political interests in establishing victimfocus policies and the direction towards their placement at the heart of the justice system. This includes the managerialistic values, modernization of the Government and covering-up of punitive measures taken against the offender that all point to the political rhetoric around the centeredness of the victim. Furthermore, the view of traditional justice is accounted for in order to get a grasp of the many underlying factors that can be attributed to the so called rebirth and the consequent concentration on the victim. The paper firstly discusses characteristics of victims, the impact of crime on victims and also their needs for a better understanding of who they are and what can be done to help them. Particular attention is drawn to stereotypes associated with victims and constructions of the ideal victim. Secondly, the adversarial nature of English justice and implications for victims are discussed, as well as some tensions between the interests of the offender and the victim, and the opposed nature of the two. Procedural and service rights especially play an important role in defining whether victims are given appropriate...
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...Instructor’s Manual to Accompany The Longman Writer Rhetoric, Reader, Handbook Fifth Edition and The Longman Writer Rhetoric and Reader Fifth Edition Brief Edition Judith Nadell Linda McMeniman Rowan University John Langan Atlantic Cape Community College Prepared by: Eliza A. Comodromos Rutgers, The State University of New Jersey New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal NOTE REGARDING WEBSITES AND PASSWORDS: If you need a password to access instructor supplements on a Longman book-specific website, please use the following information: Username: Password: awlbook adopt Senior Acquisitions Editor: Joseph Opiela Senior Supplements Editor: Donna Campion Electronic Page Makeup: Big Color Systems, Inc. Instructor’s Manual to accompany The Longman Writer: Rhetoric, Reader, Handbook, 5e and The Longman Writer: Rhetoric and Reader, Brief Edition, 5e, by Nadell/McMeniman/Langan and Comodromos Copyright ©2003 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may reproduce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Please visit our website at: http://www.ablongman.com ISBN: 0-321-13157-6 1 2 3 4 5 6 7 8 9 10 - D O H - 05 04 03 02 CONTENTS ...
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...Name Ronald Kent Robey Course BIBL 104 Date September 21, 2011 (Summary of the books of the Old Testament Books) Exodus The Book of Exodus Exodus is a history book in the Bible's Old Testament. And Exodus is also a law book. The people called Hebrews were slaves in Egypt. God sent Moses to free them (Exodus 3). The people in Egypt did not want to free these slaves. But God caused many terrible troubles in Egypt. These troubles forced the people in Egypt to free their Hebrew slaves. So, the Hebrew people left Egypt. God promised the land called Israel to the Hebrew people. But the journey to Israel was through a desert. God did many wonderful things to help the people through the desert. God provided water (Exodus 17) and food (Exodus 16). Moses met God at a mountain called Sinai (Exodus 19). There, God gave the law to Moses (Exodus chapters 20-30). Moses made a special tent where the priests would serve God (Exodus chapters 35-40). We are writing books and articles to help you to study this Bible book. You can download these books and articles free. Please click on the links below to select our other books and articles. (space) The Book of Exodus begins more than four hundred years after Joseph, his brothers, and the Pharaoh he once served have all died. The new leadership in Egypt—feeling threatened by Jacob’s descendants, who have increased greatly in size—embarks on a campaign to subdue the Israelites, forcing them into slavery and eventually...
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...Feminist perspectives are slowly becoming the standard for deconstructing popular culture. When doing so issues of masculine hegemony, gender roles, heteronormativity, objectivity, and an abundance of other concepts that stir up controversy are brought to the surface. Popular culture allows for the challenging of problems women have faced for many years, but it some cases is adheres to these traditions. It is vital to be able to see the overall message in a pop culture text in order to understand its implications. Some texts hold messages that were not intended to be there in the first place. There will forever be controversy when it comes to pop culture, especially when it comes to television shows, as the average Canadian watches 30 hours of T.V a week. (Ryan, 2013) When being constantly exposed to these messages it is important to know what information you are being fed. Some shows are more complex than others, and consist of mixed messages when looking at them from a feminist standpoint. One example of this would be The Mindy Project, a sitcom that first aired in 2012, and has since gained an average of $2.34 million viewers per episode, (IMDb, 2012) The Mindy Project is packed full of messages that can be depicted from a feminist standpoint, but are often blurred behind the hilarity it is known for. To give a brief synopsis of the show, Mindy Lahiri, played by Mindy Kaling, also the director of the show is the main character and also the narrator. The show is about her...
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...writings, the Gothic era is frequently defined as a period in which the oppression of females was at its most intense. In response to fin de siècle anxieties of a social revolution in which gender stereotypes could be overhauled, gothic writers, it is claimed, sought to reassert cultural and gender norms – a reassertion which inevitably resulted in the oppression of women. In view of such contemporary analysis, it is thus all too tempting to offer a sweeping judgement of gothic literature as victimising, oppressive and misogynistic; Dracula’s “victims” are all “unambiguously women[1]”, Poe victimises through an “idealised and dehumanising image of women[2]”, while Carter is a “pseudo feminist” who merely “reinforces patriarchal views” with her “pornographic” writing[3]. Yet such views are largely artificial, and are primarily based on potted summaries of the above works, rather than a closer textual analysis. If one takes the definition of a victim as a being who is subject to the successful predatory actions of another, and who is resultantly devoid of power[4], then such primitive analysis in blindly labelling “all women as victims of the beastly male[5]” becomes flawed. Read in the context of Carter’s ironic foreword[6] to Perrault’s Short Stories, a deeper exploration reveals women as being willingly complicit in adopting the role of victim. Such complicity can be further explained through the...
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