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In “As U.S. Embassy Moves, Dozens Die in Gaza” (2018), an image published in The New York Times, Patrick Chappatte, an editorial cartoonist, reveals that the opening of a new United States Embassy in Jerusalem and corresponding celebrations, while deadly protests rage nearby, signifies the deleterious façade politicians promote regarding foreign endeavors, ultimately diminishing the significance many overseas situations possess. Chappatte, with meticulous detail, utilizes pathos to dramatically juxtapose the orderly festivities Americans in the foreground are partaking in to the savage riots and chaos in the background representative of the Palestinian people, highlighting the irony surrounding the severe disconnect between the two portrayed

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