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Robert Frost

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I think I would be a good writing center advisor since I’m not naturally talented at writing. While this may seem counter intuitive, I think it gives me an even greater edge over other applicants. Because I’ve struggled with my writing I understand how to help others who are also struggling with their writing. Writing the perfect paper, or finding the perfect word for a sentence is one of my favorite parts of writing an English paper since it doesn’t come naturally to me. I look forward to be able to help other people like me who may have struggled with their writing, and hope you consider me as a writing advisor.

RKO Outta Nowhere!!!
10/19/15
English Paper
The Power of the Pen
Graham Greene, author of The Power and the Glory, expertly employs vivid imagery, allowing readers insight into The Priest’s ideas and ongoing mental conflicts. In a society slipping away from god, this novel still remains relevant and continually draws praise, but has never been adapted as a first rate film. This is presumably because the meaningful details Greene provides us with are what make this story a classic. Throughout the story vital details of The Priest’s mentality, self-struggle, and character development are provided, that would be inexpressible through film.
Graham Greene tends to define The Priest’s character through his ideas, rather than through dialogue, while extremely effective in the novel, these thoughts would not translate well into a film. While in prison The Priest encounters a fellow inmate who considers herself a pious woman, during their time in the jail the woman points out two other inmates having sex, and orders The Priest “stop them. It’s a scandal”. The priest, tempted by his alcohol addiction, then admits he wishes he had brandy more than god, and acknowledges, “that’s a sin too”. In disbelief with The Priest’s actions, the woman responds “I can see you’re a bad priest now (…) you sympathize with these animals (133). While this dialogue alone brings the priests empathy towards others weaknesses to light, We receive a better insight when he later contemplates what happened. After spending time in the prison alone he ultimately decides that “it sometimes seemed to him that venial sins- impatience, an unimportant lie, pride, a neglected opportunity- cut you off from grace more than the worst sins of all” (141). Even though the woman believed she was extremely religious, by judging other inmates and ignoring her own sins of “impatience” and “pride”, she slips farther away from god since she is unaware of her sins. On the other hand, the priest, who has an illegitimate daughter and a drinking problem, remains close to god since he admits his sins and can atone. By revealing the priests thoughts on his interactions with the various people he meets, we as readers receive a more truthful insight on The Priest’s morals and mentality, something that a movie would be left unable to convey.
While The Priest’s actions express his struggle of being a bad man but a good priest, deeper insight on The Priest’s conflict of his own paradox is revealed through his thoughts, a concept too difficult for a movie to portray. Fleeing from religious persecution, The Priest seeks refuge in his hometown, where his daughter and a woman he had a brief affair with are living. Upon hearing talk of his illegitimate daughter referred to as a bastard his “heart moved painfully (…) Bastard! The word filled him with miserable happiness.”(126). The Priest, caught in the paradox of desiring a family life, wants nothing more than to have a loving relationship with his daughter, but can barely look at her since she is a living representation of his sins. While the conversation alone reveals some of The Priest’s pain, it fails to address the inherent paradox of The Priests suffering. Graham Greene emphasizes this paradox by referring to The Priest’s affection as a “miserable happiness”, and shows his pain through his reaction, “he repeated her name as a tender-ness disguised as indifference”(127). Attempting to describe The Priest’s mixed emotions through film would be nearly impossible. The Priest also finds difficulty continuing his service to God as a sinner. While watching the lieutenant on the verge of taking children as hostages, The Priest decides to turn himself in. In questioning what his obligations are as a priest, versus what is best for the people around him, he ultimately decides, “If he left them, they would be safe, and they would be free from his example”. Serving as the last priest in Mexico puts an unbelievable amount of pressure on him, because he is the sole face of Christianity, and feels unable to well represent his religion. Although he feels inadequate to represent God, in his contemplation he realizes that without him as religions last stand, “ it would be as if God in all the space between the sea and the mountains would cease to exist. Wasn’t it his duty to stay?”(69). Being left as the sole representative of an entire religion as someone who feels inadequate to even be a priest, is much too complex of a concept to easily visualize in film, and would leave the viewer lacking vital information on The Priest’s struggle with his paradox.
While The Priest originally seems troubled by his inability to properly represent his religion, once death seems imminent, Graham Greene uses unique language to show The Priest’s shift in mental state. The Priest, after being informed of his impending execution, has a change of heart once he knows his end is near. Left in the abysmal, unclean jail cell, sentenced to death, The Priest finally finds some sense of happiness in the realization “This place was very like the world: overcrowded with lust and crime and unhappy love, it stank to heaven; but he realized after all it was possible to find peace there, when you knew for certain time was short”(127). While the Priest still acknowledges his unfortunate surroundings, he finally claims solace in the fact that he will soon die as a martyr. Unlike most of the other inmates, The Priest can take comfort in dying, because he did everything he could as a priest to follow God’s orders. While this is a change of heart for The Priest, he still remains consistent in his moral of placing God’s will above his. This internal change would be undetectable in a movie and would miss a key point of The Priest’s character development. The Power and the Glory is highly regarded as a novel, and for good reason. Graham Greene uses eloquent but lucid wording in order to show internal thoughts, struggles, and development. These indispensible aspects of the story, which a movie would be unable to communicate, would render the movie only a portion as expressive and elegant as the book. While The Power and the Glory is a classic novel, it may have to stay that way in order to keep its beauty.

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