...“There is a snake in Eden; corruption in paradise.” To what extent do you agree that the Brideshead estate embodies a corrupted paradise in the novel? June 2010 Within the context of pastoral literature, change is typically seen as a destructive force, intrinsic with the movement away from a harmony with the natural world towards modernisation and corruption. In ‘Brideshead Revisited’ the same pattern appears to be followed; moving from the peaceful harmony of Sebastian and Charles’ life in Oxford into corruption and turmoil or the shifting power balance between the social classes, from the nobility to the lower classes. However, change is not exclusively a negative force in the novel. The title of book one ‘Et in Arcadia Ego’ suggests that even in paradise there is corruption or more accurately, death. The slightly morbid dorm room décor of Charles’ in book one which includes a skull as an ornament suggests that there is more to than meets the eye in reference to appearances in Brideshead revisited. Although Oxford appears to have been one of the places Charles remembers most fondly, there still is evidence of corruption/sinister events to come. Another places which exposes this paradise/death dichotomy is in the two passages from book one when Charles and Sebastian are picnicking and Sebastian states, ‘Just the place to bury a crock of gold…I should like to bury something precious in every place where I’ve been happy and then, when I was old and miserable I could come back...
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...Vincent Marziano MUS 361U Dr. Bluestone 5/16/2013 841 words #20 Bob Dylan Highway 61 Revisited Can words describe the amount of sound that came out the speakers after playing Bob Dylan’s Highway 61 Revisited? The many sounds that make up this remarkable piece of what one could only describe as artwork is a phenomenal mix of instruments and vocals to produce a sound that is of no other. Dylan combines everything from a simple harmonica (which he makes sound anything but simple) all the way up to electric guitars, drums, acoustics, tambourines, banjos and even what sounds to be like a Kazoo in track 7! His background falls under influences coming from the blues with an emphasis on delta blues, and a strong country back ground as well. He ties these older sounds together with the new sounds of today’s rock and roll to create even flowing and cohesive piece of work. His music is made for the youth and even in a time when folk and country music is something we would relate to our parents, his music brings out a young vibrantness that no person, old or young, could ignore. His overall CD encompasses many mixed emotions. Dylan seems to incorporate personal stories of his own life along with random stories which when combined produce songs of happiness as well as desperation to the modern world. His CD doesn’t carry a main story line, and in fact really sounds like a mix of random feelings and emotions that he kind of slapped together into one cohesive motion. His first...
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...Deep Learning more at http://ml.memect.com Contents 1 Artificial neural network 1 1.1 Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1.2 History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 1.2.1 Improvements since 2006 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 1.3.1 Network function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 1.3.2 Learning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1.3.3 Learning paradigms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1.3.4 Learning algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 1.4 Employing artificial neural networks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 1.5 Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 1.5.1 Real-life applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 1.5.2 Neural networks and neuroscience . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 1.6 Neural network software ...
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