...supernatural atmosphere. Usher feels that it is the form and substance of his family mansion that affects his morale. The narrator observes the house “upon the bleak walls—upon the vacant eye-like windows— upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul” (Poe 4). He believes that, as a result of the arrangement of the stones, the house has taken on life. When entering the house, the narrator becomes increasingly convinced that the house has some supernatural effect on those living there after observing the odd behavior and personalities of its inhabitants. Throughout the story, Poe's imagery...
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...Fall of the House of Usher is often considered as one of Poe's most sophisticated and therefore a lot of alternative critical interpretations are given. This tale might even be Poe's tale with the most reviews. These reviews mainly deal with the decay of the house or the role of Roderick Usher (cf. Magistrale 66). That is the reason why I have chosen this short story of Edgar Allan Poe. I was amongst other things fascinated by the complex composition and the impossibility of understanding the story with the first reading. I will analyze Poe's tale with regard to comparing the degeneration of the house to the degeneration of one of the main characters, Roderick Usher. At first I will sum up how the mansion and Roderick Usher are characterized, thereupon I will analyze how you can regain the description of the mansion in the description of Roderick Usher and why they have to collapse together in the end and explain it amongst others with the help of Poe's 'theory of totality' and symbolism. The Outside: Description of the House of Usher The description of the House of Usher can be divided into two parts. In the first one it is said that the mansion in which Roderick Usher is living together with his sister Lady Madeline lays in a grim and plain neighborhood. The narrator, who is an old childhood friend of Roderick Usher and sees and describes the scenery, tells the reader of a strong dark feeling which overcomes him, when he sees the House of Usher for the first time...
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...Fall of the House of Usher” possesses the key features needed in order to create a Gothic tale: a spooky house, a dull landscape, and a mysterious illness. The narrator, in Poe’s eerie short story, upon looking at the Usher house describes it as “an utter depression of soul which I can compare to no earthly sensation” (702). This depression the narrator speaks of is the same type of depression the owner, Roderick Usher, has felt his entire life while living in the house. The romantic element of nature that covers the house has affected Roderick psychologically and physically. The narrator portrays the house with vivid details of imagery: “…bleak walls…,” “…vacant eye-like windows…,” and “…a few rank sedges…” (702). Anyone living in such...
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...Fall of the House of Usher is a short story by Edgar Allen Poe that details the remainder of Roderick Usher’s life with his mental disorder alongside the narrator and how his mental disorder affects him and those around him. The short story is a literal tale of Rodericks decent into insanity which is paralleled by the fleeting conditions of the house as well as causes supernatural occurrences at the end of the story as well as, the fall of the house of usher in two ways. In the beginning of the short story the reader finds out that the narrator and Usher were childhood friends and that the narrator was on his way to be with Usher upon his request. The narrator proceeds to describe the house detailing its macabre exterior as a “remodelled...
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...“The Fall of the House of Usher” is a short story of Gothic horror written in first person point of view. The Narrator was a friend with Roderick, which they both met at camp many years ago. The Narrator came to a house alone with his horse where he got invited by his friend Roderick. Roderick was in a situation where he would be a different person from before and would be acting strange, since the narrator saw him. Roderick had a twin sister named Madeline. Madeline never knew the narrator as much as Roderick. A death is involved with Madeline which is supposed that Roderick probably killed her. Madeline was buried alive in a tomb. The narrator had changed over the days and would act the same as Roderick, but Roderick was getting worse and worse for the death of his twin sister Madeline. The narrator would see Roderick acting and would do such the same as Roderick for being there for him. Madeline was dead, but her spirit was still in the house just like Roderick. “Roderick has on the external world at all is his twin sister, who is less...
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...Briana Eng 201 Final Paper 20 April 2015 Poe’s The Fall of the House of Usher: Literary Elements Exemplify Gothic Style As the Romantic Movement swept through nineteenth century American literature, Edgar Allan Poe emerged as one of the central literary figures of the Romantic era. Along with other authors like Nathaniel Hawthorne, Poe’s Romantic style of writings often introduced his readers to the dark side of literature present during the time. As Poe sets out to explore and expose different elements of darkness within humanity, he familiarizes his readers with the experience of fear and horror that are so commonly present throughout his works. As a result of the recurrent themes of fear, horror and mystery that he elicits through his writings, Poe is often credited as one of the most important writers of Gothic fiction, an extension of the romantic style of writing. While most of his works of fiction are told from the perspective of a first person narrator, in Edgar Allan Poe’s The Fall of the House of Usher he implores the use of the peripheral narrator to introduce his readers to the many elements in the story that exemplify his distinctly gothic style. By allowing readers into the mind of the narrator, Poe gives his audience the opportunity to discover, analyze and interpret different key literary devices used to highlight important characteristics that classify the gothic style of writing. Utilizing the peripheral narrators experience with mystery and suspense allows...
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...The Fall of the House of Usher “In the Fall of the House of Usher, a sense of insufferable gloom pervaded my spirit.”(Poe). This story is Gothic Literature using grotesque characters, bizarre situations, and violent events. The narrator describes the grotesque or Roderick Usher Madeline Usher, the strange sounds, and the crashing of the house and the violent event of Madeline being buried alive. Inside the House of Usher there are two grotesque characters. Roderick Usher is a man with a corpse-like appearance. He has pale skin, thin lips, and bright eyes. He suffered from sensitive skin to certain textures, odors to flowers, his eyes were sensitive to light, only certain sounds sooth him and insipid foods. Madeline, Roderick’s sister...
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...“The Fall of the House of Usher” by Edgar Allan Poe is a prime example of American gothic literature. Poe is known for his great gothic works and “The Fall of the House of Usher is no exception. Poe’s work retells an unnamed narrator’s experience inside the House of Usher when he goes to visit his sick friend, Roderick Usher. “The Fall of the House of Usher” excellently shows the gothic elements of sin and guilt, mysterious/violent events, and madness and death. Along with Roderick there is another Usher, Madeline, in the house of Usher through which Poe conveys sin and guilt. Soon after we are introduced to the character of Madeline she dies and is buried in the basement in the House of Usher. At the end it is revealed that Madeline was alive the whole time and Roderick says: I now tell you that I heard her first feeble movements in the hollow coffin. I heard them – many, many, days ago – yet I dared not – I dared not speak!... Is she not hurrying to upbraid me for my...
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...whole new meaning. The first person point of view in Poe’s “The Fall of the House of Usher” is used strategically to elevate the mystery and tension of the story, illustrating the importance of the theme: perspective. The same story told from a different perspective can have a completely different interpretation. Throughout the story, there are many clear differences between the narrator and Roderick Usher. These differences range from mental state, to family life, to character traits. It is these traits that shape the character into who the reader sees them as. The reader then sees the story from their perspective. The same story told from a different perspective can have a whole new meaning depending on how different the characters are. In the “Fall of the House of Usher” the two prominent characters are very different. Poe talks about the characters using such detail to allow the readers to...
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...arriving at the house of his boyhood friend, Roderick Usher, having received a letter from him in a distant part of the country complaining of an illness and asking for his help. Although Poe wrote this short story before the invention of modern psychological science, Roderick's symptoms can be described according to it. They include hyperesthesia 感觉过敏(hypersensitivity to light, sounds, smells, and tastes), and acute anxiety.急性焦虑 It is revealed that Roderick's twin sister, Madeline, is also ill。The narrator try every possible method to cheer his friend, and Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be sentient有感情的.Roderick later informs the narrator that his sister has died and insists that she be entombed for two weeks in a family tomb in the house before being permanently buried. The narrator helps Roderick put the body in the tomb, and he notice something strange. Then the writer use a storm to introduce the climax of the story. Both the narrator and Roderick notices that the tarn surrounding the house seems to glow in the dark although there is no lightning. The bedroom door is then blown open to reveal Madeline standing there. The narrator then flees the house and roderick is scared to death. At the end, a flash of light cause the narrator to look back upon the House of Usher, in time to watch it break in two, the fragments sinking into the tarn. "The Fall of the House of Usher" was published widely in the September...
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...The Fall of the House of Usher Summary BACK NEXT How It All Goes Down An unnamed narrator arrives at the House of Usher, a very creepy mansion owned by his boyhood friend Roderick Usher. Roderick has been sick lately, afflicted by a disease of the mind, and wrote to his friend, our narrator, asking for help. The narrator spends some time admiring the awesomely spooky Usher edifice. While doing so, he explains that Roderick and his sister are the last of the Usher bloodline, and that the family is famous for its dedication to the arts (music, painting, literature, etc.). Eventually, the narrator heads inside to see his friend. Roderick indeed appears to be a sick man. He suffers from an "acuteness of the senses," or hyper-sensitivity to light, sound, taste, and tactile sensations; he feels that he will die of the fear he feels. He attributes part of his illness to the fact that his sister, Madeline, suffers from catalepsy (a sickness involving seizures) and will soon die, and part of it to the belief that his creepy house is sentient (able to perceive things) and has a great power over him. He hasn’t left the mansion in years. The narrator tries to help him get his mind off all this death and gloom by poring over the literature, music, and art that Roderick so loves. It doesn’t seem to help. As Roderick predicted, Madeline soon dies. At least we think so. All we know is that Roderick tells the narrator she’s dead, and that she appears to be dead when he looks...
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...Gothic elements. In "The Fall of the House of Usher" Poe utilizes suspense in order to bring forth fear in his writing. In the story the narrator states "Vigilae Mortuorum secundum Chorum Ecclesiae Maguntinae...the wild ritual of this work...of preserving[Lady Madeline's] corpse"(Poe 304). Now this embeds suspense into the readers thoughts because they in turn understand that the narrator is also in fear of the insanity his friend is experiencing due to the death of his beloved sister. Later in the story the narrator explains a meeting with Roderick Usher stating "his countenance was...wan...a species of mad hilarity in his eyes... evidently[restraining]hysteria"(306). Suspense is yet again brought into the picture with the narrators explanation of Usher. Roderick is described as...
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...The Fall of the house of Usher The Gothic style found in the majority of Edgar Allen Poe’s short stories is obvious to the average reader. The grotesque, the desolate, the horrible, the mysterious, the ghostly, and, ultimately, the intense fear are all the primary aspects of the stories which are emphasized. Edgar Allen Poe's autobiographical short story is the quintessential haunted house story featuring dreary scenes, mysterious sicknesses and untimely deaths. The vagueness of the story is the main part of its terror with its unidentifiable Gothic elements. It is not clear to the reader when or where the story takes place. Poe instead describes dark barren landscapes and inclement weather to set the mood. All the reader knows and understands is they are alone with the unnamed author and neither knows why. The unnamed author describes his mind and personality as he rides toward the somber house. He meets his own insanity, superstitions, and horror when he describes his boyhood friend Roderick Usher. Poe asks the reader to question Roderick's decision in contacting the unnamed narrator in his time of need as well as the unnamed narrator's response. Poe contrasts the standard form of the gothic tale, with a plot of inexplicable, unexpected interruptions. The short story begins without a reason for the narrator's arrival at the house and this uncertainty drives this short story's plot, which blurs into the real and fantastic. Roderick Usher shows his sanity slipping when he...
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...her inquire about things around them. Although people should never assume, they should always speculate and investigate. In “The Fall of the House of Usher,” Poe uses an imperfectly informed narrator because he wanted the reader to play with – and question – reality, to use their senses and imagination, and be able to tell the difference between dreams and reality. One theory on why Poe makes his narrator limited is that he wants the reader to search for the truth, not just have it handed to them. For instance, the reader – nor the narrator – knows anything about Roderick Usher. The narrator says, “Although, as boys, we had been even intimate associates, yet I really knew little of my friend”. What, then, would cause the narrator to travel to the House of Usher after Roderick had written him a letter? A person such as the narrator can only truly call Usher an acquaintance. In reality, who would drop everything and anything for an associate? The unknown information on Roderick Usher only causes more questions that, in the end, still remain unanswered. Little by little, as the tale goes on, the reader, as well as the narrator, discovers that Roderick and his late sister, lady Madeline, are twins. After nights of turmoil, Madeline appears to the narrator and Usher, who she ends up killing. The death of the twins causes the Usher House to fall. One can only wonder why the death of the inhabitants would cause a house to crumble. James W. Gargano says that, “Through the irony of...
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...in Edgar Allan Poe’s The Fall of the House of Usher In his Philosophy of Composition, Edgar Allan Poe informs us that he begins writing with “the consideration of an effect” (430). Most of Poe’s poetry and fiction exemplifies his assertion that a preconceived effect upon a reader is undoubtedly fundamental to his creative work. Poe’s tales of terror in particular epitomize the supremacy of his craft in that each component of his narrative strategy functions to achieve the final effect of generating unmitigated terror in his readers. Focusing primarily on The Fall of the House of Usher, I argue that Poe employs a preconceived narrative strategy that ultimately functions to evoke terror; I assert that Poe elicits fear to challenge us to reexamine out perceptions of ostensibly impossible circumstances and recognize the limits of our intellect. I will first examine the aspects of Poe’s narrative style that culminate to achieve his desired effect of the evocation of terror. I will then analyze the narrator’s response to this evocation of terror and how this emergent response elicits fear in the reader. Last, I will illustrate how the narrator’s evolving response is emulated in the style through which the tale is narrated. In The Fall of the House of Usher, Poe tactically exploits a first person narrator, setting, imagery, and tone to achieve a “unity of effect,” the aforethought effect of which is terror. The narrator in Usher acts as the primary medium through which the reader...
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