...Goethe’s, The Sorrows of Young Werther, and others. The American Romantic movement was influenced from the European gothic style of writing; the American writer, Washington Irving acts as a bridge, displaying this style in his works, and essentially sparking the American Romantic movement. Of course, to start a movement so widespread, Irving needed inspiration; fortunately, his trip to Europe included scores of opportunities for such, and played an integral role Irving’s starting of the American Romantic Movement. Specifically, one such inspiration he picked up from Europe was the habit of keeping journals. Irving’s journals became one of his most prized possessions, and in them, he was constantly trying to improve on his writing. (Williams). Another source of inspiration for Irving was the European myths and legends that he learned of. In fact, “Irving's most important friendship in Granada, both now and during his second visit in 1829, was with this Spanish peasant, Mateo Ximénez, who acted as his guide and who told him many tales which later appeared in Irving book. (The Alhambra 1832)” (Williams) (22) “Irving wanders into the town of Sleepy Hollow, New York, and is told of the story of the Headless Horseman, also known as the Galloping Hessian.” (Characteristics) (Booksie)A final source of influence for Irving’s writings are the, “delightful letters,” that Irving wrote to Mlle. Antoinette Bolviller, a niece of M. D'Oubril, the Russian minister at Madrid. Irving took great...
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...American Romanticism * Early Romanticism * Washington Irving * James Cooper * Transcendentalism * Ralph Emerson * Henry Thoreau * Others: eg. Edgar Allen Poe, Nathaniel Hawthorne… * Romanticism---a retrospect * Background of Romanticism in Europe? * The Industrial Revolution * The French Revolution * Ideological change * Definition & Features of Romanticism? * Romanticism(The Romantic Movement) * 5 key features * Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century, recognized for expressions of exoticism, individualism, emotionalism, and the beauty of nature, rejecting the ordered rationality of the Enlightenment as mechanical, impersonal, and artificial. * Imagination; * Nature; * Individualism; * Glorification of the Commonplace; * The Lure of the Exotic * American Romanticism * Time: Romantic period---early 19th century to the outbreak of the Civil War * Forms: novels, short stories, and poems replaced sermons and manifestos as America’s principal literary forms * Background: * exterior: Romantic movement in Europe (inheritance) * interior: Westward movement and economic boom; * Literary themes: * Highly imaginative and subjective * Emotional intensity * Escapism * Common man as hero ...
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...Name Teacher Class Date Romanticism and Rationalism In Our Modern Society In the modern world today there are two types of perspectives, Romanticism and Rationalism. Rationalism is the belief or theory that states that opinions and actions should surround reason and knowledge rather than emotion or religion. Romanticism is based on art and literature that originated in the late 18th century emphasizing inspiration, subjectivity, and the individual. There have been many questions about whether or not our society is based on Romanticism or Rationalism, but both play a key role in the balance of our society. Both of these perspectives are prevalent worldwide, but the three main areas where these views are the most important are in careers in the 20th century, the role of women, and religion. The primary subject that revolves around Romanticism and Rationalism are careers in modern society. Careers usually are more Rationalistic, but some represent the Romantic view as well. According to the U.S. Bureau of Labor Statistics, in 2010 there were 139,415,000 different Romantic or Rationalistic careers to choose from. These careers included different activities such as working with children, painting, or performing an intricate surgery. Rationalism is based primarily on the science industry and education, which includes mechanics, the medical field, and school. Romanticism is found more commonly in the arts such as dancing, painting, or writing a novel...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...Ministry of Education of the Republic of Moldova State Pedagogical University “Ion Creangă” Foreign Languages and Literature Faculty English Philology Department DIPLOMA PAPER Figurative Language, Language Shaped by Imagination in Katherine Mansfield’s Short Stories Submitted by: the 4th year student Paşcaneanu Mariana Group 404 Scientific adviser: Tataru Nina Senior Lecturer Chişinău 2012 Contents INTRODUCTION 2 CHAPTER I: SHORT STORY AS A FORM OF FICTION 5 I.1.Common Characteristics of a Short Story as a Form of Fiction. Its Plot and Structure. 5 I.2. Figurative Language. Definition. Function. 9 I.3. Imagery – Language that Appeals to the Senses 11 I.3.1. Simile, Metaphor and Personification. 13 1.3.2. Symbol and Symbolism. 26 I.3.3 Allegory. 30 CHAPTER II: LANGUAGE SHAPED BY IMAGINATION IN K. MANSFIELD’S SHORT STORIES 36 II.1. Figurative Language, Symbolism and Theme in "Her First Ball": 37 II.2. Katherine Mansfield – Techniques and Effects in A Cup of Tea. 41 II.3. Literary Colloquial Style in “Miss Brill” by K. Mansfield. 49 II.3.1. Lexical features—Vague Words and Expressions 49 II.3.2 Syntactical and Morphological Features 52 II.3.3 Phonological Schemes of the Figures of Speech 55 II.4. Simplifying Figurative Language in K.Mansfield’s Short Stories 60 CONCLUSION 64 BIBLIOGRAPHY 66 APPENDIX 70 INTRODUCTION Figurative Language is the use of words that...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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