...Around the time of the industrial Revolution many people wanted to join the aristocratic societies. However there were those people who decided to revolt against these people and thus the Romantic era began. It was a way for people to express their emotions in life with those related to nature. Many people began to embrace their thoughts and experiences regarding nature. During this time the ideas of those who began this revolution also known as the Romantic era influenced not only literature and art but also history. Romantic era not only embraced nature rather showed a true perspective to what how those felt about themselves and the world they lived in. In a sense this was a way for people to express themselves and take them away from the world they were living in. During the romantic era artists began to express themselves as writers did. They began to paint with a new focus on nature showing there emotions and there view of nature weather it be a panting of beauty or one reflecting the sadness through nature and the natural world. The artist during this time could use not only the ideas from real life to express but also the freedom of their imagination. This was a chance for them to be taken from this world and express how they saw fit and it is show through out their works. Adolf Hiremy-Hirschl was a painter in the era of romanticism. His painting Seaside Cemetery 1897 reminded me of the Poem Tell tale heart by Edgar Allen Poe while he describes the silence that...
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...The second Great Awakening comes 35 years after the First Great Awakening. And it came in several episodes and different denominations. It reflected Romantism which brought about enthusiasm, emotion and super-natural beliefs; rejecting in the process anything to do with rationalism, deism and sceptism. The Great Awakening is well known for bringing a large group of people together which led to a high conversion of human belief through an enthusiastic form of preaching to the people where by with a great participation of the audience as well. It portrayed God as benevolent, and a compassionate ruler who wanted salvation for mankind rather that angry and vengeful. One major feature of the 19th century religion was religious revival. A religious...
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...Yellow analysis and interpretation A short story by Peter Carty In a contrast to nature mankind has always seemed small. Nature with its dark rivers, gigantic mountains, forests filled with danger and endless oceans. Nature can swallow you in one breath if you let it and can through your life make you scared and make you feel not noticeable and hopeless. Suicide is normally caused by problems like these that a person cannot seem to overcome and either way it’s a desperate act. In the novel Yellow written in 1999 by Peter Carty, a man named Jon is sent to Egypt to write an article about scuba diving. An Italian man named Berto is to teach him on a team containing Jon and another student, Brian. Through the considerations and reflections of this protagonist, Jon, the reader gains information about his fears, problems and inner conflicts, which end up causing his suicide. In this analysis of the story I will focus on characterization of the protagonist, Jon, narrative technique, language, the significance of the setting, symbols and at the ending and at last I will elaborate on themes, draw perspectives to other texts and finally make a conclusion. Through the analysis I’ll focus, among other things, on the question: can nature be tamed, owned and transferred into something that is subject to mankind? The story starts out with no introduction, in other words: in medias res. The reader is thrown directly into the story and that emphasizes that nothing is given to the reader...
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...MAXWEBER Etica protestantă şi spiritul capitalismului - Traducere de IHOR LEMNIJ Postfaţă de IOAN MIHĂILESCU �HUMANITAS BUCUREŞTI Coperta seriei IOANA DRAGOMIRESCU MARDARE Citatele în limbile latină şi elină au fost traduse de MARIANA BĂLUŢĂ-SKULTETY Descrierea CIP a Bibliotecii Naţionale a României WEBER,MAX Etica protestantă şi spiritul capitalismului 1 Max Weber; trad. Thor Lemnij; postf.: Ioan Mihăilescu. - Bucureşti: HLUnanitas, 2003 ISBN 973-50-0390-2 1. Lemnij, Thor (trad.) IL Mihăilescu, Ioan (postf.) 316.323.6 284 MAXWEBER DIE PROTESTANTISCHE ETHIK UND DER GEIST DES KAPITALISMUS Verlag von J. C. B. Mohr (Paul Siebeck) Tiibingen 1934 ©HUMANITAS, 2003, pentru prezenta versiune românească EDITURA HUMANITAS Piaţa Presei Libere 1, 013701 Sector 1 Bucureşti-România, Tel. 021/222 85 46, Fax 021/222 36 32 www.humanitas.ro www.librariilehumanitas.ro Comenzi CARTE PRIN POŞTĂ, tel. (021) 223 15 01 • ISBN 973-50-0390-2 INTRODUCERE Cel născut în universul cultural european modem va trata în mod inevitabil şi justificat problemele de istorie universală punîndu-şi întrebarea: ce înlănţuire de factori a dus tocmai pe solul Occidentului şi numai pe acesta la apariţia unor fenomene culturale care totuşi - cel pu ţin aşa ne place să ne închipuim- se situează pe o di recţie de dezvoltare de însemnătate şi valabilitate univer sală? Numai în Occident există "ştiinţă" ajunsă la stadiul pe care îl recunoaştem astăzi drept "valabil"...
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