Sammy, the narrator of “A&P,” is an opinionated, sarcastic, disaffected teenager with a healthy interest in the opposite sex and a keen observational sense. Sammy notices everything around him, and he drinks in every detail of the girls’ physical appearance, from the texture and patterns of their bathing suits to the different boundaries of their tan lines. Sammy goes beyond the surface details to glean insights about the people he observes. For example, Queenie’s dangling bra straps are intensely interesting in a purely sensual way, but they are also clues from which he begins to construct an image of her inner life. Once he hears the girls speak, his image becomes even more detailed, as he is able to get an impression of Queenie’s social status. Sammy’s focused observations and descriptions reveal his own prejudices and blind spots. For example, Sammy’s frankly lustful ogling of the girls reveals a certain immaturity, and he is dismissive and contemptuous of the A&P customers, seeing them as “sheep” and “houseslaves.” He is equally dismissive of his coworker Stokesie, whom Sammy sarcastically presents as an unimaginative drone. The irony of Sammy’s sense of superiority is that he realizes that, in the eyes of the rich, carefree Queenie, he must seem just like Stokesie and the straight-laced Lengel. His desire to set himself apart from them—to prove that he is different—compels him to quit his job. However, he announces, “I quit” primarily because he wants the girls to overhear him, and the gesture loses resonance when he realizes they didn’t notice it. It seems less wise when he is left not with admiration but with a vague guilt and doubt about his rash action. Sammy’s desire for Queenie, which begins merely as a young man’s interest in a pretty girl, ends up as a desire for escape from the A&P and, in effect his own life. The world he imagines through Queenie—a