...Thinky Pain 750 The main risk that he’s taking, which I’m not even sure if he was serious, is that he said he didn’t really prepare for this stand up as much as he should have. He seems to be pretty creative so it makes sense that he might feel that he doesn’t need to prepare since he can bullshit the entire thing. Another thing that he does is he makes this stand up take in a very small venue. I feel that he wants to make the whole situation more intimate than other comedians normally do. He also didn’t make fun of the audience as many comedians do. This is usually an easy tactic used by the comedian to break the ice, but he seems to stray away from that tactic in this stand up. He also took a risk talking about the emotional topic regarding the ‘fatty marc’ baseball game. It’s hard to talk about topics like this because you never know if the audience will take it the same way each time. Plus, personal stories don’t always come off as funny to the audience unless you make them feel like they were there and included in the actual story. He makes himself vulnerable by performing in such an intimate location. He’s on a small stage in front of a small crowd. He also makes himself vulnerable by taking these specific risks that I talked about in the previous paragraph. He talks about specific stories in his life that make himself vulnerable because the audience can take his story however they want. They might not see the story the same way that Mark does. At the beginning...
Words: 754 - Pages: 4
...engenders the essence of the concept that is being imitated. Although Socrates decides to ban imitative poetry in order to create and sustain a just city-state, his dialogues regarding the consequences of mimicry suggest that it is possible for imitations to be positive and useful in certain cases. In Book X of Plato’s Republic, Socrates frequently criticizes the concept of imitation, saying that “imitation is surely far from the truth” and that...
Words: 1011 - Pages: 5
...considers itself as the foremost place in the world when it comes to freedom of speech and press. However, during wars, it compels a lot of broadcasting restrictions. Moreover, this is not only true in war and on Israeli media alone, but on any kind of press and at anytime. David Andelman elucidates this summit in his article “Censorship: Might vs. Right”, where he shares his experience as a journalist in Israel and the Israeli censor. Any footage Andelman and his colleagues took of soldiers , tanks… were subject to elimination. (113) China on the other hand, is well known for its censorship system, but the problem lies in its willingness to extend that structure outside its borders. Puddington and Walker explain that in their article "Saying the unsayable: revisiting international censorship" the case of the Melbourne film festival where a few days before the festival Richard Moore, its executive director, received a call from the local Chinese consulate who urged the withdrawal of a documentary about the life of Rebiya Kadeer, a deported Chinese activist. This demand was followed by threatening e-mails, ugly phone messages, and a cascade of faxes (75) Although governments are the ones always blamed for the dispersal of censorship, but there are numerous parties involved in the act such as the press, public schools and global firms. Media is one of the most influential factors in people’s lives; it controls their opinions, emotions and stands. The press contributes a lot in the occurrence...
Words: 2189 - Pages: 9
...over time. In order to get a clear understanding of exactly what literature is, first we need to know its definition. According to the Merriam-Webster, literature is defined by “the body of written works produced in a particular language, country, or age; the body of writings on a particular subject: printed matter.” Literature has to do with letters, but some people often think that literature is only one thing, not knowing that it is composed by several elements that we use every day. These important elements include poems, prose, sonnets, drama, plays, short stories and novels. Poetry is created from the soul. It comes from your emotions and it needs every piece of creativity inside you. It has been called the art of “saying the unsayable” because trough this you can express your feelings with no limit, and nobody can tell you that is wrong. If you make a poem and you think it is not good enough, well it is no good. You as the author or the reader, can only judge if it is good or but for you but maybe for some one else it is the opposite as it is for you. A good place to start when looking back at how poetry has evolved during time is the epic poetry. Most of the first poems where from the epic poems, some of them starting when human haven’t started to write their stories. One of the earliest epic poems was the Epic of Gilgamesh, dated back around 2000 B.C. Researchers think that this text supported the idea that poetry helped the storytellers to memorize their...
Words: 4267 - Pages: 18
...Minimalist contentions: Fight Club Introduction Chuck Palahniuk is one of the most influential American fiction writers who emerged in the 1990s. His debut novel, Fight Club (hereafter: FC) reached cult status after the film adaptation by David Fincher was released in 1999, and widespread and divided critical reception was soon to follow. Much of the current debate about Fight Club focuses on the political implications of the text, but most often recourse to it by way of referencing the film. These arguments usually question or celebrate the transgressive potentials of the book (Giroux; Mendieta), or address issues of masculinity brought into the fore by their literary and cinematic representations emergent in the same decade (Tuss; Friday). However, few, if any, have addressed the literary aspirations of the text and its author. Although none of the approaches to the thematic concerns of Fight Club are unjustified, in the argument that follows I will suggest that conclusions drawn and critical judgments passed have been hasty, and not only failed to take into account the formal aspects of story-telling, but that the narrative features of Palahniuk’s text have largely went unexplored, and constitute a blind spot of the reception. Critics condemning or acclaiming the novel, and, indeed, many a cultic reader of Palahniuk ignored Fight Club as a literary narrative, and have inadvertently been repeating the catchphrases of the text, either reinforcing or trying to undermine what...
Words: 7514 - Pages: 31
...communication (she is willing to do the dirty work) She is inspirational She is creative She is influential She is visionary She is pioneering She enlarged the visibility of luxury fashion houses troughout scandals, buzz, word of mouth.. 1. She brought fresh air into dull fashion press -- Fashion magazine was no longer a catalog. She knows that we need three things from a French editor of a French magazine: the shock of the new (i find the 3 things from the article is a bit not clear, in my words i would say she brings the new approach of presenting a photograph, the new position on limitation and the new attitude to see luxury fashion. I can think of these 3 points, the more the better!) ; the articulation of the previously unsayable ; and a high degree of transgression...
Words: 5082 - Pages: 21
...Parental Substance Misuse: An Exploration of the Impact of Substance Abuse on Children 1.0 Introduction 1.1 Background and Problem Definition It is beyond debаte thаt the use or misuse of substаnce hаs severe impаct on the well being of children. The term substаnce refers to both the illicit аnd non illicit forms of drugs. The use of substаnce by а pаrent becomes misuse when the pаrent in question uses it to the level where the usаge becomes hаzаrdous for both the behаviour аnd heаlth of the pаrent аs well аs the life of the children involved. The hаrmful behаviour in the pаrent hinders the pаrent’s аbility to tаke good cаre of their children which is the children’s fundаmentаl right (Forrester 2011, p. 4). The pаrentаl substаnce misuse hаs physicаl, behаviourаl, sociаl аnd emotionаl or mentаl consequences for the children. Parental substance Misuse is a major issue that has captured the attention of social worker and professional as well as policy makers with regard to wellbeing and needs of a child (Murphy & Harbin, 2003, p.354). The National Treatment Agency (2012, p.3) notes that over 50% of the total adults undergoing drug treatment in 2012 were parents of which a third (66,193) were living with children under the age of 18. Out of these, those who live with their children are 40,852 while those who live with children who are not theirs are 25,341. While not all parents with substance misuse problems harm their children, past research evidence has indicated...
Words: 9637 - Pages: 39
...The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson The Illusion of Leadership This page intentionally left blank The Illusion of Leadership Directing Creativity in Business and the Arts Piers Ibbotson © Piers Ibbotson 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan®...
Words: 68096 - Pages: 273
...Beginning theory An introduction to literary and cultural theory Second edition Peter Barry © Peter Barry 1995, 2002 ISBN: 0719062683 Contents Acknowledgements - page x Preface to the second edition - xii Introduction - 1 About this book - 1 Approaching theory - 6 Slop and think: reviewing your study of literature to date - 8 My own 'stock-taking' - 9 1 Theory before 'theory' - liberal humanism - 11 The history of English studies - 11 Stop and think - 11 Ten tenets of liberal humanism - 16 Literary theorising from Aristotle to Leavis some key moments - 21 Liberal humanism in practice - 31 The transition to 'theory' - 32 Some recurrent ideas in critical theory - 34 Selected reading - 36 2 Structuralism - 39 Structuralist chickens and liberal humanist eggs Signs of the fathers - Saussure - 41 Stop and think - 45 The scope of structuralism - 46 What structuralist critics do - 49 Structuralist criticism: examples - 50 Stop and think - 53 Stop and think - 55 39 Stop and think - 57 Selected reading - 60 3 Post-structuralism and deconstruction - 61 Some theoretical differences between structuralism and post-structuralism - 61 Post-structuralism - life on a decentred planet - 65 Stop and think - 68 Structuralism and post-structuralism - some practical differences - 70 What post-structuralist critics do - 73 Deconstruction: an example - 73 Selected reading - 79 4 Postmodernism - 81 What is postmodernism? What was modernism? -...
Words: 98252 - Pages: 394
...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
Words: 117240 - Pages: 469
...DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of ...
Words: 45715 - Pages: 183
