As I walked through the door and caught a glimpse of the theatre, I wondered how the production staff managed to make a number of people fit into such a small space. This was the first reaction I had with the theatre. Indeed, the staff had a hard time looking for available spaces so that the other viewers can be seated. While they were doing this, I was able to take a good look at the theatre and evaluate it before the lights were turned off. The stage was one of a kind. I watched quite a lot of plays and so far, “Screen Macbeth” had the most unique structure. In the other plays I watched, the stage was just the traditional stage. It was at the front, it is positioned a little lower than the seats of the audience, and the audience were facing the same side. However, “Screen Macbeth” had a platform at the center of the audience. The audience from opposite sides of the theatre were facing each other. It is not the typical four-cornered platform though. It was like a catwalk with four directions. And I think that structure of the stage helped me understand the play even more because I can see the actors’ and actresses’ expressions up-close and it somehow made me feel what emotions the characters were experiencing. The lights were a bit dark. However, with a tragic plot such as Macbeth, dim lighting system is the most appropriate. Fear is one of the feelings emphasized in the play and with the dusky atmosphere in the theatre, I guess the feeling was conveyed perfectly to the audience. The sounds system was great. I guess that is just one of the advantages of a small theatre. The actors and actresses were not even using microphones and yet, their voices can be heard pretty well anywhere in the theatre. And not using microphone or lapels helped the performers act out their roles. Also, because the actors and actresses use their raw voices, the tones of their voices