...Roslyn Marshall Mr. Lerma English 1B 1 December 2014 Word Count: 3,399 Grendel: A Symbol for the Unknown In the history of human civilization, stories have always had an educative role. In the literary works of fiction, authors use diverse images and symbols in order to trigger a particular reaction from the audience. Some authors, however, use traditional images in new contexts challenging the audience's perception of those iconic characters. Authors often argue that characters can have different meanings and symbolism in different cultures and different times. The best example of these new meanings is seen through the writing about iconic monsters in different time periods. From the analysis’ of Beowulf and Grendel: The Truth Behind England’s Oldest Legend by John Grigsby and Grendel by John Gardner, the character of Grendel in both books is the symbolic meaning of how society is afraid of the unknown. When people are confronted with an unfamiliar circumstance, it is human nature to twist the unknown into something frightening and unacceptable....
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...Beowulf's downfall can be interpreted in various different ways. Someone once said “Beowulf is the story of a dual ordeal: an external battle with vicious opponents and an internal battle with human tendencies of pride, greed, cowardice, betrayal, and self- concern”. This quote means that along with apparent physical conflicts between demons and foes, Beowulf also faces conflicts within himself with his character traits. This quote is very accurate because Beowulf confronts physical opposition with Grendel, Grendel's mother and the dragon but, also he faces internal battles with pride, greed, cowardice, betrayal, and self- concern with his self image and men he relied on. There are many external battles throughout this epic where Beowulf fends off an enemy. Beowulf is first faced with Grendel, a horrible monster terrorizing Herot. He battles and kills Grendel for King Hrothgar. After Grendel's death, Beowulf is faced with another external struggle with Grendel's mother whom he also defeats. Then after this battle he is King of Geatland for 50 years where he is eventually faced with another challenge with the dragon. Lastly he defeats the external conflict of the dragon by killing it, his men were though and did not follow their leader into the battle leaving Beowulf more unlikely to succeed. In the end he loses his life in the struggle. All of these conflicts further prove how part of the dual ordeal of Beowulf is external conflicts between Beowulf and an anti- hero or his...
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...giving us a specific meaning to hold onto, while some are less clear which gives more mystery to the passage. The diction is mostly concrete, speaking of the chasm and his voice, not of other abstract ideas mentioned previously in the chapter. The words are also cacophonous, not sounding pleasant together and further expressing the distress Grendel seems to be experiencing as the monster he is. The words are mostly monosyllabic, making it easier for us to understand. The diction used clearly expresses the idea that Grendel pretends to be intrigued by the idea of the dark chasm seizing him, he also understands that this would only be possible if he gave in and jumped. | Personal Response I think this quote relates to me because I too, often talk to inanimate things as if they could hear me, while still realizing they can’t. I mostly do this when I am lonely, which relates me to Grendel in this instance. He seems like the lonely type. In a way I pity him, in a way I don’t. I’m sure if he tried hard enough he could find some friends, and stop talking to dark chasms, threatening them to kill him. I like this quote because Grendel realizes the frailty of...
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...different circumstances in the tale. Reading Beowulf brings out lots of similarities with many pieces of literature from the Ancient Greek and the Modern literature. The Beowulf carries is similar to many Greek dramas that focused on a protagonist who was turned out to be a tragic hero. There was an element of belief in the gods who had super- human powers and had unique and ultimate special skills of their own, and overcame unsurmountable problems. However, in Beowulf, there is no Greek or Roman gods, but there are other supernatural beings defined as monsters that exist and are difficult to win over. Beowulf is extra-ordinarily strong, agile, and super intelligent. He is portrayed as one who overcomes many obstacles and was able to kill Grendel and his mother and the others in the sea. In addition, the wide character list and meaningful names is similar to those of other types of literature of the early eras. The story of Paradise lost opens in hell. Satan and his followers are recovering from defeat after they waged war against God. They decide to build a palace, known as Pandemonium, where after holding a meeting they decide to agree on whether or not to return to battle. Paradise Lost is all about man’s disobedience to God and his subsequent fall from God’s grace. Milton states in the prologue that he intends to “justify the ways of God to...
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...safe at all costs even if it puts their own life in danger. An Anglo-Saxon hero is someone from noble ancestry and reflects the image of a “knight and shiny armor”. A modern hero like Harry Potter, from the Harry Potter series, and an Anglo- Saxon hero like Beowulf, from Beowulf, are fairly similar, yet are completely different. These heroes have different motives, these two heroes are set in different times. Harry Potter was set in the nineties and Beowulf in the eighth century. Having different time settings makes the motives of the heroes different. Harry Potter’s reasoning to do things is based out of love. Love is a big part of his life even though his parents, his godfather and his mentor died he is still able to love. Without love he wouldn’t be alive, he would have died an infant. Harry relies on love to trust in his friends to help him in his battles. Beowulf never really had anything close to family, so he did not have anything equivalent to love. Which made him have different motives. That were simply fighting in favor of his king. His battles were never for personal reasons because he did not have an emotional attachment to anything. For example, when he went to go fight Grendel it was because he owed him a favor not because the battle was centered around him. Beowulf is very self-confident. When he was waiting in the hall he said that “Grendel is no braver, no stronger than I am! I could kill him with my sword; I shall not, easy as it would be.” (Raffel 44). Beowulf...
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...one in the land is willing to fight but him showing tremendous courage. But aside from his mystical fights with terror the poem really highlights the qualities in what makes him this fearless leader. For example he is courageous, generous, strong, cunning, fearless, selfless, wise, and has good morals. This is almost a heroic code that has followed all heroes in literature and in our culture today and throughout time with the same kind of qualities that deems the hero in the story. In the time period when Beowulf was written there were many things that line up in the story making it a very controversial poem that makes the reader to think, could this have been a real man. There is no solid evidence that this was a real man or a heroic image of a savior of that time in history. Heroes are just as important back then as they are today. Heroes are a part of the world of literature and the world that we all...
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...accept responsibilty is to meet the challenges of life and to truly live it.... [tags: Existentialism, ] 675 words (1.9 pages) $14.95 [preview] Understanding Existentialism - Do we matter. Do we seek personal happiness in life. These are questions from existentialism. The dictionary defines existentialism as an individual’s experience filled with isolation in a hostile universe where a human being attempts to find true self and the meaning of life through free will, choice, and personal responsibility. Hamlet is an existentialist character who believes that he is forced to avenge his father’s death and the hatred builds in his heart because of the many betrayals which direct him towards a senseless life and constant thoughts about suicide; this ultimately leads to his demise and he is left with naught.... [tags: Existentialism] 872 words (2.5 pages) $14.95 [preview] Life Value vs. Existentialism in Grendel - A main theme in John Gardner’s Grendel, is the constant competition of the ideas of meaning in life versus existentialism. Throughout the novel, Grendel makes a steady spiritual decay to the point of denying any value or significance in life itself. He believes the world is nothing more than “a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears”(16). This progression starts at a young age, and...
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...From How to Read Literature Like a Professor Thomas C. Foster Notes by Marti Nelson 1. Every Trip is a Quest (except when it’s not): a. A quester b. A place to go c. A stated reason to go there d. Challenges and trials e. The real reason to go—always self-knowledge 2. Nice to Eat With You: Acts of Communion a. Whenever people eat or drink together, it’s communion b. Not usually religious c. An act of sharing and peace d. A failed meal carries negative connotations 3. Nice to Eat You: Acts of Vampires a. Literal Vampirism: Nasty old man, attractive but evil, violates a young woman, leaves his mark, takes her innocence b. Sexual implications—a trait of 19th century literature to address sex indirectly c. Symbolic Vampirism: selfishness, exploitation, refusal to respect the autonomy of other people, using people to get what we want, placing our desires, particularly ugly ones, above the needs of another. 4. If It’s Square, It’s a Sonnet 5. Now, Where Have I Seen Her Before? a. There is no such thing as a wholly original work of literature—stories grow out of other stories, poems out of other poems. b. There is only one story—of humanity and human nature, endlessly repeated c. “Intertexuality”—recognizing the connections between one story and another deepens our appreciation and experience, brings multiple layers of meaning to the text, which we may not be conscious of. The more consciously...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...Prologue Florence, 1283 The poet stood next to the bridge and watched as the young woman approached. The world ground to a near standstill as he remarked her wide, dark eyes and elegantly curled brown hair. At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared. As she approached him with her companions, he bowed his head and body in a chivalrous salute. He had no expectation that his presence would be acknowledged. She was both perfect and untouchable, a browneyed angel dressed in resplendent white, while he was older, world-weary and wanting. She had almost passed him when his downcast eyes caught sight of one of her slippers — a slipper that hesitated just in front of him. His heart beat a furious tattoo as he waited, breathless. A soft and gentle voice broke into his remembrances as she spoke to him kindly. His startled eyes flew to hers. For years and years he’d longed for this moment, dreamed of it even, but never had he imagined encountering her in such a serendipitous fashion. And never had he dared hope he would be greeted so sweetly. Caught off balance, he mumbled his pleasantries and allowed himself the indulgence of a smile...
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...INHERITANCE BOOK ONE By Christopher Paolini ALFRED A. KNOPF New York THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Text copyright © 2003 by Christopher Paolini Illustrations on endpapers copyright © 2002 by Christopher Paolini All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York. Originally published, in different form, by Paolini International, LLC in 2002. Copyright © 2002 by Christopher Paolini. KNOPF, BORZOI BOOKS, and the colophon are registered trademarks of Random House, Inc. www.randomhouse.com/teens LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Paolini, Christopher. Eragon / Christopher Paolini. p. cm. — (Inheritance ; bk. 1) SUMMARY: In Alagaësia, a fifteen-year-old boy of unknown lineage called Eragon finds a mysterious stone that weaves his life into an intricate tapestry of destiny, magic, and power, peopled with dragons, elves, and monsters. eISBN 0-375-89036-X [1. Fantasy. 2. Dragons—Fiction.] I. Title. PZ7.P19535Er 2003 [Fic]—dc21 2003047481 SAPHIRA’S EYE (From the original Front Cover done by the author) This book is dedicated to my mom, for showing me the magic in the world; to my dad, for revealing the man behind the curtain. And also to...
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...• Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States The Origins and Development of the English Language: Sixth Edition John Algeo Publisher: Michael Rosenberg Development Editor: Joan Flaherty Assistant Editor: Megan Garvey Editorial Assistant: Rebekah Matthews Senior Media Editor: Cara Douglass-Graff Marketing Manager: Christina Shea Marketing Communications Manager: Beth Rodio Content Project Manager: Corinna Dibble Senior Art Director: Cate Rickard Barr Production Technology Analyst: Jamie MacLachlan Senior Print Buyer: Betsy Donaghey Rights Acquisitions Manager Text: Tim Sisler Production Service: Pre-Press PMG Rights Acquisitions Manager Image: Mandy Groszko Cover Designer: Susan Shapiro Cover Image: Kobal Collection Art Archive collection Dagli Orti Prayer with illuminated border, from c. 1480 Flemish manuscript Book of Hours of Philippe de Conrault, The Art Archive/ Bodleian Library Oxford © 2010, 2005 Wadsworth, Cengage Learning ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written...
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...10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 Carl and the Passions changed band name to what How many rings on the Olympic flag What colour is vermilion a shade of King Zog ruled which country What colour is Spock's blood Where in your body is your patella Where can you find London bridge today What spirit is mixed with ginger beer in a Moscow mule Who was the first man in space What would you do with a Yashmak Who betrayed Jesus to the Romans Which animal lays eggs On television what was Flipper Who's band was The Quarrymen Which was the most successful Grand National horse Who starred as the Six Million Dollar Man In the song Waltzing Matilda - What is a Jumbuck Who was Dan Dare's greatest enemy in the Eagle What is Dick Grayson better known as What was given on the fourth day of Christmas What was Skippy ( on TV ) What does a funambulist do What is the name of Dennis the Menace's dog What are bactrians and dromedaries Who played The Fugitive Who was the King of Swing Who was the first man to fly across the channel Who starred as Rocky Balboa In which war was the charge of the Light Brigade Who invented the television Who would use a mashie niblick In the song who killed Cock Robin What do deciduous...
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