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Senator Y Glad

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Saludos, en esta ocasión en el foro, hablaré sobre una expresión artística, en este caso, una película titulada el gladiador, es una película histórica basada en los gladiadores. Un gladiador era un combatiente armado que entretenía el público en la Antigua Roma en confrontaciones violentas y mortales contra otros gladiadores, contra animales o contra condenados a muerte. Aunque algunos gladiadores combatían por voluntad propia, la mayoría eran esclavos o condenados, que eran entrenados en condiciones muy duras y estaban socialmente marginados y segregados.

¿Qué expresión artística es?

Película, El Gladiador.

¿Quién la realizó?

Director: Ridley Scott

- Actores principales: Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Derek Jacobi, Djimon Hounsou y David Schofield.

- Productores: David H. Franzoni, Branko Lustig y Douglas Wick

- Guión: David H. Franzoni

- Fotografía: John Mathieson

- Música: Hans Zimmer y Lisa Gerrard

¿Cuándo se realizó?

La película se rodó en tres escenarios principales entre enero y mayo de 1999. Salió al cine en el 2000.

¿Qué tema trata?

La película está ambientada en la Roma Imperial, iniciando en el final de la vida del Emperador Marco Aurelio, con su victoria sobre los marcomanos cerca de Vindobona (año 180 d.C.); y muestra a continuación cómo su hijo, Cómodo, se convierte en el nuevo emperador, Cómodo supone el fin del Alto Imperio y la dinastía Flavia, comenzando la época de decadencia conocida como Bajo Imperio (aunque la película muestre un hipotético regreso a la forma republicana en su final).

¿Tiene algún error histórico o es completamente verídica? (Existieron los personajes, lugares, eventos o aspectos) Explica con ejemplos específicos.

La película está llena de errores históricos (Utilización de estribos, octavillas impresas, entrada en Roma por un acceso de tierra en vez de una calzada, ciertos edificios, el verdadero reinado de Cómodo duró más de 10 años, Lucila murió antes que su hermano...), algunos buscados y otros, simples “a propósito”, con lo que se demuestra que el carácter histórico de la película no preocupó mucho a sus creadores. Sin embargo, aspectos tan magníficos como la recreación de Roma o de la batalla en Germania, permiten que la imagen, al menos de la magnitud, sea más realista que en películas más antiguas, en las que se buscaba más el realismo de los hechos que de las imágenes.

¿Por qué la has elegido? Conclusión

He elegido esta película por dos cosas importantes, me gusta la película y me encanta la historia, podemos ver el reflejo de la cultura en esos gladiadores, la gente se aglomeraba en las gradas a ver morir a esos esclavos, muchas veces matándose los unos con los otros o en ocasiones, matándose con animales, a menudo, leones. Hoy en día aunque (por suerte) los deportes no son tan mortuorios y sanguinarios, aún quedan ciertos deportes que no distan mucho de los gladiadores, ejemplo; el boxeo, o los deportes de batallas cuerpo a cuerpo, en muchas ocasiones han muerto personas, y aunque no sea el caso, aun así, las personas que están detrás del cuadrilátero, disfrutan de esas brutales batallas cuerpo a cuerpo y pagan para verlas, mirando las cosas desde un punto de vista neutral, no distan mucho una de las otras. Por eso, siempre me ha gustado la historia, casi siempre se repite de una u otra manera, ¿Será nuestra naturaleza? ¿Quién sabe?

Referencia

http://blogs.vandal.net/48283/vm/23003912122006

http://es.wikipedia.org/wiki/Gladiator#Rodaje

http://es.wikipedia.org/wiki/Gladiator

Diario de un burguense. (2008). Vídeo: Una ciudad celtibera – Numancia. Descargado de http://www.youtube.com/watch?v=ZEHzh7Z_6zE el 22 de febrero de 2012.

El País Multimedia. (2005). Animación: La sociedad romana. Descargada de http://www.elpais.com/fotogalerias/popup_animacion.html?xref=20051223elpepuage _1&k=sociedad_romana el 20 de febrero de 2012

Reynal, V. (2008). Civilizaciones de occidente: Curso de Humanidades. San Juan, PR: Editorial Plaza Mayor.

La expresión artística que elegí fue sobre una película llamada “ Spartacus o Espartaco”. La película fue dirigida por el director Stanly Kubrick e interpretada por los siguientes actores principales como Kirk Douglas, Jean Simmons, Laurence Olivier, Charles Laughton, Tony Curtis, Peter Ustinov, John Gavin, y Woody Strode. El guión fue por Dalton Trumbo y la argumentación por el novelista y escritor Howard Fast. Se realizó para el año 1960 en Estados Unidos.

La narración trata sobre la rebelión de un grupo de esclavos que fueron liderados por un hombre llamado Espartaco de Tracia. Espartaco (Kirk Douglas) nació siendo un hombre libre. Convertido en esclavo y vendido como gladiador al entrenador Léntulo Batiato (Peter Ustinov). Es entrenado como gladiador junto a otros donde son entrenados por el ex gladiador Marcellus. Luego de semanas de entrenamiento y combates a muerte en la arena, cansados de los abusos, deseos de volver a sus hogares y la venta de la amada de Espartaco, este grupo se rebela matando todo aquel que sea una amenaza o impida sus objetivos, desatando un revuelo que con el tiempo harían temblar a la misma Roma. Luego de la gran lucha y sacrificios estos cayeron ante las legiones romanas y fueron masacrados como castigo por su rebelión.

La película es verídica y el personaje de Espartaco como muchos otros más existieron en aquella época de la antigua Roma. Aunque no está del todo claro en la historia si todo es correcto (referente a la fecha o lugar del nacimiento de Espartaco pero según la historia él era de origen Bulgaro) pero de que la historia fue verídica sí lo fue. Todo esto sucedió para el año 73 a.C. en la antigua Roma cuando Espartaco permanecía entrenando como gladiador bajo el mando de su superior Batiatus para sus luchas de entretenimiento como clase alta. Más adelante 74 hombres bajo el mando de Espartaco se rebelaron contra la opresión comenzando la lucha que más adelante quedaría en la historia hasta el presente.

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Globalization and Its Discontinents

...F u r t h e r Praise for Globalization and Its Discontents " Development and economics are not about statistics. Rather, they a re about lives and jobs. Stiglitz never forgets that there are people at t he end of these policies, and that the success of a policy should be d efined not by h o w fast international banks are repaid, but by h o w m u c h people have to eat, and by h o w much better it makes their lives." — Christian Science Monitor " [An] urgently important new book." — Boston Globe " Whatever your opinions, you will be engaged by Stiglitz's sharp i nsights for a provocative reform agenda to reshape globalization. A m ust read for those concerned about the future, w h o believe that a w orld of decent work is possible and want to avert a collision course b etween the haves and the have nots." —Juan Somavia, d irector-general of the International Labour Organization " [Stiglitz s] rare mix of academic achievement and policy experience m akes Globalization and Its Discontents w orth r e a d i n g . . . . His passion a nd directness are a breath of fresh air given the usual circumlocutions of economists." — BusinessWeek " T h i s smart, provocative study contributes significantly to the o n g o i n g globalization debate and provides a m o d e l of analytical r igor c o n c e r n i n g the process of assisting countries facing the challenges of e c o n o m i c development and transformation. . . . Impassioned, balanced and i n f...

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