...Sexism is a major problem in our society. Not only in the past, but in the present, and most likely the future, both men and women have been and are segregated in various ways. In the story ‘Of Mice and Men’ by John Steinbeck, Curley’s wife is judged harshly men. Although John Steinbeck was not a sexist person himself, he wrote about a time when women did not have nearly as much freedom as we have today. It is evident that the men working in the story, were sexist to Curley’s wife by treating her like an object, not a person. Curley’s wife is well known around the farm. For one, she is the boss’s son’s wife, but the reason that everybody knows her, is that they think she’s a tramp. “George looked around at Lennie. ‘Jesus, what a tramp,’...
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...At the time of the Great Depression the U.S created a repatriation program that deported people of mexican descent, 400,000 were repatriated, sometimes against their will. In John Steinbeck's Of Mice And Men, there are many overarching themes, these themes help the author show the hard times of the Great Depression. One such theme would be the prevalence of loneliness in many of the characters. Another theme would be the discrimination against a number of characters, in the different forms such as sexism and racism. Lastly, many dreams in the novel go unfulfilled leaving many characters with the weight of failure. Throughout the Great Depression human compassion was as rare as a job, this led to widespread loneliness, that, in turn, is apparent...
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...Authors Paragraph Of Mice and Men was published in the year of 1937. At the time of this novel being published John Steinbeck was living in Pacific Grove, California with his newly wedded wife, Carol Henning. During this time Mr. Steinbeck was considered a freelance writer and also was a caretaker in Lake Tahoe. Steinbeck’s intentions for writing this novel was to describe and help us get a feeling of life during the Great Depression, along with the struggles they faced with decision making. Of Mice and Men was intended for simply Americans that were caught up in the Great Depression Era but as time went by, it transformed into a book for teens and adults. John Steinbeck is very familiar with the subject of the Great Depression because he was alive during it and was able to recapture the struggles during the Great Depression. Literary Perspective...
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...Discrimination in Of Mice and Men All throughout American history, minorities have been mistreated. In the John Steinbeck’s Of Mice and Men, prejudice influences the way the ranchers treat others. Curley’s Wife, Crooks, and Candy are excluded because of gender, race, age, or disability. This bias results in these people feeling lonely and inferior. In Steinbeck’s novella, multiple characters experience alienation due to discrimination by other ranchers. Throughout the novella, Curley’s Wife is isolated from the male workers several times due to her gender. This is portrayed when the men in the bunkhouse argue with Curley about his wife, when they try to avoid Curley’s Wife because they view her as a nothing more than a distraction because they think her beauty is her only valuable characteristic. Carlson says, “Why’n’t you...
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...Of Mice and Men Essay ‘Of Mice and Men’ was written by John Steinbeck in 1937, the same time as the great depression. In ‘Of Mice and Men’, Steinbeck presents Curley’s Wife in a variety of different ways. In the novella Curley’s Wife is seen as a villainess. Curley’s Wife is also seen as someone who craves attention which leads to the novellas tragic ending. Steinbeck could also be showing society’s view of how women should behave. In the 1930s women were one of two roles- a ‘tart’ or a ‘mother’ in the both cases they are presented as serving a purpose for men- either to give the man sexual pleasure or to provide a family. Steinbeck presents Curley’s Wife in many ways in the novella. Firstly he presents her through the male gaze as a tart and we see this through Candy’s description of her. Steinbeck’s use of description states that she is ‘heavily’ made up and she exhibits extremely flirtatious behaviour. Although this could be because how restricted women were at the time. Curley’s Wife did not have children so she may have been automatically put into the category of a ‘tart’. Curley’s Wife also never had a positive female role model because of her bad relationship with her mother. Throughout the novella the reader’s view of Curley’s Wife changes from her being a ‘tart’ to a lonely figure that just wants attention. Steinbeck also presents her as a victim of prejudice and sexism as the reader’s perceptions change as her character develops but the male view of Curley’s Wife...
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...‘Romeo and Juliet/Catrin/Follower’ Controlled Assessment: Examining Shakespeare’s ideologies on parental influence and the impact on modern/Elizabethan audiences: Examine the way Shakespeare presents the relationship between Juliet and her parents. By Tiffanie Gould, 10x1 The iconic tragedy written by the world’s most honoured writer William Shakespeare, ‘Romeo and Juliet’ is a title the world is familiar with. Its impact on modern society is impeccable, whether related to love, tragedy or both moral and academic education, the modern media adopts its philosophy. Shakespeare is trying to educate, and the ever-pending battle is the matter of character vs. society; relationships differ even today between parent and child, and the way it may be interpreted is affected by women’s role in society in Elizabethan England and how the audience’s perspective of prejudice and patriarchy. Shakespeare explores emotions and allows adjustments in the relationship in an attempt to drop the audience’s jaws open in eras of both old and new. In this assessment, I will examine just how the way Shakespeare presents the relationship between Juliet and Lord/Lady Capulet with supported evidence. Lord Capulet: the very wealthy patriarch of the Capulet family and empire, probably just as important, the husband of Lady Capulet, the uncle of Tybalt, potential father-in-law of Count Paris, legitimate (but unknowingly) the father-in-law of Romeo Montague… and the father of Juliet Capulet-Montague....
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...‘Romeo and Juliet/Catrin/Follower’ Controlled Assessment: Examining Shakespeare’s ideologies on parental influence and the impact on modern/Elizabethan audiences: Examine the way Shakespeare presents the relationship between Juliet and her parents. By Tiffanie Gould, 10x1 The iconic tragedy written by the world’s most honoured writer William Shakespeare, ‘Romeo and Juliet’ is a title the world is familiar with. Its impact on modern society is impeccable, whether related to love, tragedy or both moral and academic education, the modern media adopts its philosophy. Shakespeare is trying to educate, and the ever-pending battle is the matter of character vs. society; relationships differ even today between parent and child, and the way it may be interpreted is affected by women’s role in society in Elizabethan England and how the audience’s perspective of prejudice and patriarchy. Shakespeare explores emotions and allows adjustments in the relationship in an attempt to drop the audience’s jaws open in eras of both old and new. In this assessment, I will examine just how the way Shakespeare presents the relationship between Juliet and Lord/Lady Capulet with supported evidence. Lord Capulet: the very wealthy patriarch of the Capulet family and empire, probably just as important, the husband of Lady Capulet, the uncle of Tybalt, potential father-in-law of Count Paris, legitimate (but unknowingly) the father-in-law of Romeo Montague… and the father of Juliet Capulet-Montague....
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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