Personally, guilt is a slightly more powerful influence on me as it can throw me into suffer and despair if I think of myself guilty of something, because I never want to hurt anyone or violate any important rule, principle , which would inflict pain upon another person . On the other hand, shame is related to my own self, and it can also turn into a public disgrace, which still does not necessarily hurt anyone. That’s to say, since I am not selfish at all and I can think emphatically, guilt causes more infliction upon me. If I define shame as a public disgrace, in my culture, as I perceive it, shame comes first since everybody lives for her/his honour. So if you are publicly condemned because of what you did, you can easily lose your self- respect and respect among public. However, for me; guilt tortures soul, mind and heart more if you are a good and responsible person. To relate this to the play, I could give Antony as an example of feeling guilt more powerfully than shame. When the news of Fulvia’s death comes to him, Antony immediately questions where she died, which comes out of his curiosity about how much he is guilty of Fulvia’s death in case she had died on any battle field in the absence of Antony. This feeling of guilt turns Antony away from his precious beloved Cleopatra at once by reminding him of his responsibilities and destructive idleness.

There is no direct, correct answer to that question as the speaker creates ambiguity about whether thunder brings rain or no. Although in other parts of the poems, there are allusions, metaphors and implications about water with rebuilding and destroying effect, in the last part the speaker voices a cry for water, rain. He says, “there is not even silence in the mountains /But dry sterile thunder without rain” signifying the fact that thunder is not able to bring rain, which symbolizes corruption and a reversal situation in nature and in modern society. These lines show the absence of rain in spite of violent thunder and “the black clouds”. However, the speaker also says, “then a damp gust /Bringing rain”, which refers to the shower of rain finally, but again this is not the case, because towards the end we see the fisher king “sat upon the shore/ Fishing with the arid plain” and he questions if ever he can bring fertility to his lands, which may refer to the idea that water does not come even at the end of the poem and “Shantih” refers to the peace coming with death or an absolute downfall.

At the end of his speech, Patrick Stewart explains that the play differs according to different interpretations and performances, because ‘there is no one key to open one door’ but many keys and many doors to show Shakespeare. To give example, his roles in 1973 and 1978 productions are , for example, based on different interpretations of “Rome”. In the play of 1973, Enobarbus tries to make his best to tell Antony’s exotic, mysterious experience in Egypt in comparison to “sterile, intellectual” Rome. Enabarbus feels the responsibility of helping Maecenas and Agrippa feel what Antony already felt in his first meeting with Cleopatra in Egypt, because without feeling what Antony felt, nobody could understand the effect of Cleopatra and Egypt over a Roman military soldier. The interesting point is that Enorbarbus seems to have felt exactly what Antony felt in Egypt. He is also stuck by the fascinating effect of Egypt, which is usually asscoiated with passion, emotion and magic. Stewart states that in the play of 1978, Rome is transformed and it becomes “alive, youtful, volatile, passionate” , so he has to give a different response to it through his role in giving the description. This new Rome may change his emphasis on certain images. However, the urge to tell Egypt as a spiritual, mysterious play continues. He states that the transformation on the river drives Antony into a world of passion, love and emotion by keeping him away from reason. Enarbarbus also looses his contact with the real world when he is in Egypt in the presence of Cleopatra. Seemingly, Enobarbus, as a Roman, goes through the same transformation, and we know that he also misses Egypt just like Antony when he is in Rome . In my view , the part of describtion might be performed in a more enthusiastic way. Enobarbus could seem like loosing himself while describing Cleopatra, because it is also the describtion of Egypt and Enobarbus could feel emotions more deeply there. So, enobarbus can close his eyes or sigh deeply while narrating, and his voice might change time to time like being more aloud, enthusiastic sometimes.