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Somewhere For Me: Richard Rogers's Life And Career

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Music electrifies life, remaining present through every moment and milestone, imprinting itself into the minds of people. Across the expanse of the earth, music remains a universal form of self expression, stirring passion and creativity within human minds. Richard rogers, a 20th century musical compose, represents as a single instance of music’s impact on an individual. In turn, the music that Rogers created lives on even decades after his death. Richard Rogers’s name doesn’t mean much on its own, usually requiring a pairing with Lorenz Hart or Oscar Hammerstein to ring any bells. Meryle Secrest, in her book Somewhere For Me: a biography of Richard Rogers, illustrates the finest details of Rogers’s life and career, highlighting highs and …show more content…
Larry’s passion, and attitude towards literature mirrored that of his mother, his vocabulary extremely extensive and colorful. Something about Hart practically drew Rogers into a partnership, “Hart’s exuberance, impulsiveness, and unpredictability appealed to the side of Rogers that admired such seeming inner freedom.” (loc 501). Philip Levitt’s description,“ He was a pixie! An extrovert!... When he spoke of lyrics, he could be very convincing.”(loc 483), puts into perspective the kind of man that Rogers became fascinated with. Rogers’s own description of Hart puts into context the talent and fervor within Hart, “I was not so naive that I didn’t know I was in the presence of talent, because what Larry Hart had to say about lyrics and the relationship of lyrics to the theatre was exciting and tremendously stimulating”(loc 467). Hart began directing a lot of advice towards Richard’s own work, even …show more content…
Their first true success, after many failed attempts, arrived in the form of the Garrick Gaieties, “By miles… the most civilized show in town”(Loc 885), and brought a bright, comedic light along with it. When a song becomes a hit, it’s very hard to pinpoint exactly why the song appeals to such a large audience. “Manhattan” from the Garrick Gaieties serves as a prime example, surprising both Rogers and Hart with its huge success. Following the Garrick Gaieties, Rogers and Hart succeeded not only in Broadway, but Hollywood as well. Rogers and Hart provided their talent at turning out scores for many productions. During their hollywood years, The Hot Heiress faced quite a problem, as the hero’s many songs would be lost in the inattentiveness of the audience. Rogers came to the simple, yet revolutionary conclusion, “ There was no reason why a musical sequence could not be used like dialogue and be performed uninterrupted while the action took the story to whatever location the director wanted.” (loc 2022). The use of a musical sequence as dialogue is common practice in most productions today. While the time spent with Hart conditioned Rogers to turn out hits every now and then, Hammerstein elevated Rogers even more

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