...Throughout my life there have been various music that has impacted me as a person. To choose five song that were to make it on to a soundtrack in my life is very difficult. However if I were to choose five songs or music to be made into a soundtrack about my life I would have to choose Daido and Aeneas, Appalachian Spring, 帝女花之香夭 (Fragrant Sacrifice), 上海灘(Shanghai Bund), and 紫水晶 (Purple Crystal). I chose Daido and Aeneas composed by Henry Purcell, to be the first the first song in my soundtrack, because I have always been interested in opera. It always fascinated me how composers can make stories into songs. I especially like Daido and Aeneas because it reminds me so much of the Cantonese Opera Fragrant Sacrifice. In both operas two lovers who are immensely in love are willing to die for one another and that living without one another is too painful to bear. The second piece of music I would add to my soundtrack is Appalachian Spring composed by Aaron Copland. When I first heard this piece, I was transfixed. As a big nature lover I was in awe at how Aaron Copland can use music to create such imagery of the Appalachian wilderness. This piece of music is perfect for others to understand how much I like nature 帝女花之香夭 (Fragrant Sacrifice) is a...
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...Even though the soundtrack of my life should sound like snoring and several potty mouth words from others directed towards me, I have found out that it would be more than that. It would consist be separated into two parts: The Genesis and The Rise. At least in my own mind. All three of these songs represent me and events that have happened to me in my short lifetime. “My Shot” by Lin-Manuel Miranda : “I’m a diamond in the rough, a shining piece of coal, trying to reach my goal…” This particular line from the American Musical, Hamilton, means a lot to me. I can relate this to the first eight years of my life, where I was still trying to find who I was. I was always trying to please others and I tried very hard to find which group of people I belonged to. I was alway an outsider and I always will be, no matter how hard I try. It has allowed me to see how everyone follows each other, like...
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...day You came into my life And I thought hey You know this could be something 'Cause everything you do and words you say You know that it all takes my breath away And now I'm left with nothing So maybe it's true, that I can't live without you And maybe two is better than one But there's so much time, to figure out the rest in my life And you've already got me coming undone And I'm thinking two, is better than one I remember every look upon your face, The way you roll your eyes, the way you taste You make it hard for breathing 'Cause when I close my eyes and drift away I think of you and everything's okay And finally now, believing And maybe it's true, that I can't live without you Well maybe two is better than one But there's so much time, to figure out the rest in my life And you've already got me coming undone And I'm thinking two, is better than one Yeah, yeah I remember what you wore on our first day You came into my life And I thought hey Maybe it's true, that I can't live without you Maybe two is better than one But there's so much time, to figure out the rest in my life And you've already got me coming undone And I'm thinking Oooh I can't live without you 'Cause baby two is better than one There's so much time, to figure out the rest in my life And I've figured out with all that's said and done Two, is better than one Two is better than one. If you ever leave me baby, Leave some morphine at my door ‘Cause it would...
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...Charlie Chaplin composed his own music for City Lights (1931), Modern Times (1936) and Limelight (1952). That was the exception, and few film-makers would imitate him. He wasn't clear at all whose job was to score the soundtracks. German cabaret pianist Friedrich Hollaender scored Josef von Sternberg's Der Blaue Engel/ The Blue Angel (1930), which included Marlene Dietrich's signature tune Ich bin von Kopf bis Fuss auf Liebe Eingestellt/ Falling In Love Again. Von Sternberg kept changing musicians: Karl Hajos scored Morocco (1930) and Franke Harling Shangai Express (1932) and The Scarlet Empress (1934). In the 1930s, after a few years of experimentation, scoring film soundtracks became an art in earnest thanks to a small group of foreign-born musicians, first and foremost two Austrian-born and classically-trained composers. Erich-Wolfgang Korngold's coined a lush, overwhelming, operatic style with Michael Curtiz's Captain Blood (1935) and especially The Adventures of Robin Hood (1938) and The Sea Hawk (1940), as well as Charles Gerhardt's Anthony Adverse (1936) and Sam Wood's Kings Row (1942). Max Steiner explored many different moods, sensational in Ernest Schoedsack's King Kong (1933), one of the first soundtracks to rely heavily on sound effects, pathetic in Victor Fleming's Gone With The Wind (1939), including Tara and countless references to traditional songs, exotic in Michael Curtiz's Casablanca (1942), melodramatic in Irving Rapper's Now Voyager (1942), gloomy...
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...Charlie Chaplin composed his own music for City Lights (1931), Modern Times (1936) and Limelight (1952). That was the exception, and few film-makers would imitate him. He wasn't clear at all whose job was to score the soundtracks. German cabaret pianist Friedrich Hollaender scored Josef von Sternberg's Der Blaue Engel/ The Blue Angel (1930), which included Marlene Dietrich's signature tune Ich bin von Kopf bis Fuss auf Liebe Eingestellt/ Falling In Love Again. Von Sternberg kept changing musicians: Karl Hajos scored Morocco (1930) and Franke Harling Shangai Express (1932) and The Scarlet Empress (1934). In the 1930s, after a few years of experimentation, scoring film soundtracks became an art in earnest thanks to a small group of foreign-born musicians, first and foremost two Austrian-born and classically-trained composers. Erich-Wolfgang Korngold's coined a lush, overwhelming, operatic style with Michael Curtiz's Captain Blood (1935) and especially The Adventures of Robin Hood (1938) and The Sea Hawk (1940), as well as Charles Gerhardt's Anthony Adverse (1936) and Sam Wood's Kings Row (1942). Max Steiner explored many different moods, sensational in Ernest Schoedsack's King Kong (1933), one of the first soundtracks to rely heavily on sound effects, pathetic in Victor Fleming's Gone With The Wind (1939), including Tara and countless references to traditional songs, exotic in Michael Curtiz's Casablanca (1942), melodramatic in Irving Rapper's Now Voyager (1942), gloomy...
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...Nothing At All” by Alison Krauss is a song relating to my parents wedding. It is a song about a woman and her lover, and how even when they don’t talk they still know that they love each other. Every time that my mother hears it on the radio she makes a big deal about how it is her and my father’s song. Therefore every time I hear it my mind wanders to two of the most important people in my life. So, thank you Alison, because without you, this paper may not have been written. 2. “We Belong” by Pat Benatar is my crazy parents theme song. It is a song written about feelings behind an old lamenting romance. The reason that it is on my life soundtrack, is because of the amount of times I hear it blasting from my parent’s parties....
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...“Life and Time of Michael Giacchino” Michael Giacchino was born October 10th, 1967 in Riverside Township, New Jersey, and was raised in nearby Edgewater Park. Giacchino ventured into music at a young and spend most of his time between the cinema and the basement of his home. At the age of nine Giacchino had an eye for filming and animation he started doing projects with filming. He also created stop motion animations on his brother’s pool table and he mostly enjoyed putting music to the pictures. Michael went to study at the School of Visual Arts in New York where he received a major in film production and a minor in history he also around the same time took an unpaid internship at the Universal of Pictures also did worked in a publicity...
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...Cast Sound Design Filming and Editing Style - Storyboard - References Than Htike Aung 2 Student ID: 980511 Assignment 1 VID106 Video Production Fundamentals Synopsis A mysterious man living in a suburban home wakes up one morning and does his normal routine to get ready for work. As he walks out from the front door to his car on the driveway… Treatment Concept I have chosen “Hitman” as the title of this short film. The aim is to create a 2 to 3 minute story in the genre of mystery. Within this mystery genre, a middle age man will be introduced without any dialogue but with a voiceover narration, as he gets ready for work. As we explore the life about this man over the narrative track, the key conventions will lead the audience into a false sense of knowledge. The main concept of this film is to build up to the climax where the audience will be shocked by a twist to the plot. This supposed genre would allow the viewer to become caught up in the theme and make the wrong assumption until the twist is revealed in the end. Script Outline The short film begins with a close-up shot of an alarm clock ringing at 6am waking up the man in the bed. The camera shows a few shots around his room where everything is perfectly...
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...bolstered by strong lead performances” (Rotten Tomatoes, 2012). Just as far as the movie goes, The Perks of Being a Wallflower is a story to remember. Stephen Chbosky is not only the author of The Perks of Being a Wallflower book, but is also the director of the movie. Taking place in the early 1990s, The Perks of Being a Wallflower is a story of a teenager who is starting high school and his experiences through his freshman year. Charlie, the protagonist, is a loner entering high school and shortly after entering his school he essentially gets adopted into a group of smart, outcast seniors. His two best friends in the group Sam and Patrick, “seniors, stepsiblings, and self-defined misfit toys” (Chaney, 2012), give Charlie the time of his life his freshman year meeting new people through parties, football games, The Rocky Horror Picture Show and trying new things that most high school students get to do like have their first love, drugs, and feeling “infinite.” Having also directed the movie, Chbosky did not make any significant changes to the story. Not many differences were prominent comparing the movie to the book to fit into a nearly one hundred minute movie. Stephen Chbosky did a great job with the movie, as he did with the book, for being a near brand new director in the...
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... | |Complete set of the four books | |of the Twilight series and the spin-off novella, The Short Second Life of Bree| |Tanner. | |Twilight | |New Moon | |Eclipse | |Breaking Dawn | |Author |Stephenie Meyer | |Country |United States | |Language |English | |Genre |Romance, fantasy, young-adult fiction | |Publisher |Little, Brown and Company | |Published |2005–2008 | |Media type |Print | Twilight is a series of four vampire-themed fantasy romance novels by American author Stephenie Meyer. It charts a period in the life of Isabella "Bella" Swan, a teenage girl who moves to Forks, Washington, and falls in love with a 104-year-old vampire named Edward Cullen. The series is told primarily from Bella's point...
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...Soundtrack of my Life Music is one of the most valuable things in my life, I dont go a day without it. Not only does it resonate so strongly with me, but it can show you such intimate things about a person that would potentially take years for one to understand. I use music to express myself, you can immediately tell how I feel by what songs I'm listening to at the moment. These specific songs all hold a special meaning to me. Sea Swallow Me: Cocteau Twins, Harold B was a song I listened to my sophomore and junior year in the wintertime. It is a sad song, and reflects perfectly how I felt during that time. I struggled with serious depression, and I’m still working through it, but this song was something I would listen to in some of my darker...
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...Movies are a big part of life. People love movies because they can relate to them. Others like them for mere enjoyment and see them as an escape from reality if only for a few hours. The types of movies out in the world today are numerous. There is everything from horror movies, to romantic comedies, to drama, to documentaries, indie movies, foreign, and so on. Everyone has their taste of movies, and people decide to watch certain movies based on the actors and actresses who are staring in them and the storyline of the movie. These are all things that help people decide which movies are enjoyable to them, and which ones are not. Deciding Which Films to Watch Ramon decides on what movies to watch with careful consideration. Any movies that have actors that Ramon doesn't like he will not go spend money on them. In his opinion, some actors play the same role over and over again. A perfect example of this is the lead actress in the Twilight Saga movies. Ramon thinks that they could have found a better actress to play the part of Bella, some who could have played a role that was different from all her other movies. He also bases his decision on the type of movie it is. Scary movies, romantic comedies, and action thrillers are some movies that Ramon likes to see. Action movies that do not involve a love story, or have the story be about the love interest is another factor in my decision making. What Makes a Film Enjoyable? The movies soundtrack and the flow of the movie...
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...Shipley Owens In the game design industry, the position that I have the most admiration for is the sound designers and music composers. The music in a game can be as important as the visuals and the story in my opinion; helping to paint a vivid picture of environments and moods to aid in storytelling. Junichi Masuda is the world famous sound composter for game freak, and is best known for his creation of sound and music in the Pokémon franchise of games. The first term that comes to my mind when referring to the work of Junichi Masuda is “nostalgia.” I think back to playing “Pokémon Gold” with my best friend Jack when we were younger. After a long adventure, accompanied by inspiring, adventurous, and sometimes creepy ominous tracks, you reach the Pokémon league, the final challenge for a Pokémon trainer. Standing before your final challenge the track “Pokémon League Theme” produced by Mr. Masuda himself plays in the background. Starting off slow with two notes alternating, slowly and ominously, the sounds build. The track grows in volume and intensity before leveling off and methodically repeating in the background. The reason this is so effective in capturing the mood of the scenario, and who Masuda himself is a genius in regards to sound design is how important the music is to this particular scene. Subtle examples such as this one may go undetected by the average gamer, but attempting to imagine the final hurdle in the amazing Pokémon games without these tracks in the background...
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...He had a devious smirk behind soft blue eyes. That was the first impression of the main character, Alex, in A Clockwork Orange. Alex is the leader of a gang of terrorists. The four men in the group seem to get off on a good time raping women, stealing, and beating on innocent people. They all seem to work together in collaboration to portray chaos, but Alex is the worst of them all. Alex treats his other three members as if they are below him and he is the tyrant of them all. Alex seemed to have one weakness: classical music. Classical music is the powerful back ground to most of the movie, and the actions seem to sync with the music dramatically. This gang was used to routine. Their routine was to go to the milk bar and scope out who they plan to assault next. They would go door to door begging for help as if one of them got hurt, and then force their entry. A writer and his wife were the first victim of the gang and were completely helpless to Alex’s mastermind. They raped his wife as the husband was forced to watch helplessly. They were able to get away on were just looking forward to the next occurrence. The woman of their next plot was a lot cleverer and did not fall for the boy’s begging at the door act. She implied that she was not comfortable letting a stranger in, but the determination of evil that ran in the boy’s mind did not let them give up. Alex simply broke into the home and got into a fight with the woman when she tried to resist. This brawl led...
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...through a systematic preparation and blend of pictures ,music ,texts ,colors ,sounds ,…that make an apparent and interior meaning for them.so the primary purpose is to make a perfect ads with no disturbance or complexity to audience. ************ --} Let’s start the analysis with: 1) Visual: * Real or Imaginary? This ad is real, and part of our day life. * People: people here were happy, lovely &energetic, the ads focuses on youth people that their ages are between (18_40)year because people at this age make a lot adventures that make them thirsty and Coca-Cola want to make its beverage the first option comes to their mind, and there was a diversity of people because of the difference in race, sex, place and seasons, this shows that the ads is for all youth people around the world, and Coca-Cola company share this people their great lovely and friendly times & memories. * Objects: : Coca-Cola shows people its international beverage and differentiate it effectively .It is also attracting youth people to try its beverage and feel the freshness and the great taste.it also relates the image of friendship and happy life adventures to its beverage, it is positioning itself effectively. Another thing Coca-Cola tried to make an ad that people love to watch continuously and make their feelings react with it. * Places: There were 5 places in the commercial: The first one when youth were playing with ice in the morning, this symbolizes the cold and freshness, the second...
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