...A hero in disguise Shrek Intro: Shrek is directed by Andrew Adamson and Vicky Jenson, staring Mike Myers, Eddie Murphy and Cameron Diaz. This fantasy, adventure comedy film tells a story of an Ogre whose swamp is suddenly shattered by an invasion of several overbearing fairy tale characters. They were all banished from their kingdom by the evil Lord Farquaad (John Lithgow). Determined to save their home and his Shrek makes a deal with the evil king Farquaad and sets out to rescue Princess Fiona (Cameron Diaz) from a tower protected by a dragon and surrounded by lava so that she can be lorde Farquads bride. After rescuing the princess Shrek discovers she is far different than he imagined and begins to have a connection with her and it is soon revealed that she too...
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...pleasure or delight, especially in appearance or manner; pleasing; charming; alluring; arousing interest.” What makes someone attractive to another person is different for everyone. It could be a look or smell, or the way someone laughs. As a young woman in college, I have met many men to whom I have been attracted. What makes a person attractive? One thing is for certain, it will not be the same reason for any two people. Attraction is not universal. One woman may think Johnny Depp is gorgeous and another may think there is no one uglier, which is why we as a society frequently say, “Beauty is in the eye of the Beholder.” Stereotypes, too, can effect one’s perception of what or who is attractive. If you fit into certain stereotypes it can broaden one’s appeal to some, while decreasing one’s appeal to others. Media, movies and television have caused stereotypes to explode throughout the world. If we believe what we see and hear, then skinny, beautiful women are the only ones who get boyfriends. Guys with “six pack” abs and great hair are the only ones who get girlfriends. When we see this over and over in movies, television, and advertising, we start to believe it is true. So, people start going on diets because one never sees a chubby girl or guy walking down the runway, or getting the guy or girl in the end. Girls start wearing more makeup to cover up perfectly beautiful faces. Guys start wearing clothes they do not like because what they wore before wasn’t portrayed as attractive...
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...This did not stop Murphy, who set the world record for the highest “fuck count” on stage recorded for a feature length film; which held the record until 1990. His film Raw had humour that largely revolved around his previous work, with material such as stereotypes of Italian-Americans which was well-received by audiences, and white people having an inability to dance. Murphy took inspiration for his humour from Richard Pryor, whom, in regard to Cosby’s comment on Delirious, mentioned to Murphy that Cosby is only a "Jell-O Puddin' eatin' motherfucka" and shouldn’t tell Murphy how to run his acts, especially if it meets well with the audience. Murphy’s film career has flourished throughout the decades, participating in some of the biggest films to date. He played as Axel Foley in the hit film Beverly Hills Cop, and starred in the two sequels that received big rewards from the box office. In the romantic comedy Coming to America, Murphy and Arsenio Hall both showed their versatility to play multiple characters within a film, which received great reception from audiences on Murphy’s performance and became a box office hit. From 1998 onwards, Murphy has solely focused on more family-based movies. Participating in films such as Shrek, Mulan and Norbit. Murphy may not have reached such success had he not auditioned for Saturday Night Live, which he became their biggest star. On one such episode, the producers realized they had four minutes left of airtime but no material. Murphy was...
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...about what Disney films are perceived to be teaching. Hartstein believes that the typical princess is not only unreasonably airy, destitute, and vacant, but a threat to the development of girls who worship at their pink, sugary altar (Teitel online). If a young girl becomes obsessed with princess movies like Aladdin, Sleeping Beauty, and Cinderella, she may become determined with maintaining her princess-like beauty and become indifferent in her own freedom; so kind of like a princess, herself (Teitel online). Frozen is often seen as the revolutionary movie that broke the stereotype that some viewers have on Disney princess movies. However, the males in the movie are noticeably varied with their looks and personalities, while the females are the typical Disney princesses, with long, beautiful hair, tiny waists, and perfect noses (“Perfect princesses are pretty boring” online). Disney tried to break their stereotype of the damsel in distress and the prince coming to save her, but kept the physical characteristics that all Disney princesses...
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...partner should be, as stated on page 5, in The marriage of Sir Gawain and Dame Ragnell, “she said, “I am not wicked! Here is the covenant I would make with you: if the answer I give you saves your life, you must grant me marriage to Sir Gawain. Consider carefully, Sir King, and decide quickly; unless you agree, you will die.” As seen from both these text, there is a source of women’s agency and how an importance is placed on the appearance of these two women. They both have an undeniable amount of control over their own lives and want to accomplish what they most desire. In both these stories the stereotype of the man saving the woman isn’t seen at all throughout the text. For instance, in The Wedding of Sir Gawain and Dame Ragnell that gives the king the correct answer to her brother’s question that ends up saving his life. This story reminded me of the fairytale stories such as Shrek or the tale of the frog prince, where it involves a transformation both physically and symbolically. In the other story of Lanval, although a transformation doesn’t occur a woman does save a man’s life. It seems as if Lanval has taken the role of the female, he is suffering and waits for his lady to show up and save him from his troubles. These literatures contradict everything that the audience has been led to believe, there is no suffering lady that waits for her prince to come and save her from all her troubles, the women herself becomes the savior of the men. These two texts are very similar...
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...An investigation into the representation of conventional Disney Princesses For many kids, Disney films have grown to nurture their escalation into developing as a child. Children have viewed different characters in different colours and patterns, whether idolizing them, favouring them or even despising them; those characters succeeded in impacting the mentality of those children, marking a point of interest that I would like to thoroughly investigate in this research assignment. Bearing that in mind, I have centered the aim of my research on the pink innuendos flaring from the very similar roles of the helpless princesses of Disney – the same innuendos that are now mostly looked as the societal norms of the Disney world. Some particular films that I have studied include ‘Cinderella’, ‘Snow White’, ‘The Little Mermaid’, ‘Sleeping Beauty’, ‘Beauty and The Beast’, ‘Tangled’, and ‘Mulan’. Through the utilization of those films, I have carried my study in an order that would allow me to scrutinize the similarities assigned to the ‘pink’ customs fitted to Disney princesses, and any other differences that could break the code followed through years on the films – hence an investigation in the representation of conventional Disney princesses. Disney films have allowed children to compose a preconceived idea of women or female roles in the films or even in life altogether, as helpless, and in need of an external party (usually male – or the Prince Charming) to come in and switch their...
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...Mary and Max It is 1976, an 8-year-old Mary Daisy Dinkle (Bethany Whitmore) is a lonely little girl living in Mount Waverley, Melbourne, Australia. Her relatively poor family cannot afford to buy her toys or nice clothing, and she is teased by children at her school due to an unfortunate birthmark on her forehead. Her father is distant and her alcoholic, kleptomaniac mother provides no support. The closest thing she has to a friend is the man for whom Mary collects mail, Len Hislop, a World War II veteran who lost his legs as a prisoner of war and has developed agoraphobia. One day, she decides to write a letter to someone living in New York City: by pure chance she chooses Max Jerry Horowitz (Philip Seymour Hoffman) from a telephone directory. Max turns out to be a morbidly obese 44-year-old whose various mental problems (including anxiety attacks and overeating) have left him unable to form close bonds with other people. Max decides to write back to Mary, and the two become friends. Over time, Mary's increasingly sensitive questions about the adult world give Max progressively worse anxiety attacks, and he is ultimately institutionalized. During his time there, Max is diagnosed with depression and Asperger syndrome. Now aware of why he has difficulty relating to other people, Max finds a new lease on life and resumes his correspondence with Mary. The two remain friends for the next two decades, keeping one another updated on various events in their lives. Mary (Toni Colette)...
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...Disney and the American Princess: The Americanization of European Fairy Tales [pic] Marina Alexandrova Student number 3021874 MA Thesis, American Studies Program Utrecht University Course code 200401064 23943 words 12 August 2009 Contents Title page………………………………………………………………1 Contents……………………………………………………………….2 Introduction……………………………………………………………3 Chapter 1: European Fairy Tales and Values about Gender and Class………………………………………10 Chapter 2: Disney Animation and American Culture…………………24 Chapter 3: Disney Animation and (Gender) Commodification…………………………………………..55 Conclusion…………………………………………………………...73 Bibliography…………………………………………………………78 Introduction Among the various aspects which define contemporary life, popular culture – and in particular, American popular culture – is undoubtedly one of the most ubiquitous and long-lasting. Throughout the twentieth century, people around the world have enjoyed film, music, animation, and written works by various authors and artists. One of the most famous and significant American entertainers of the lot has been Walt Disney, introducing millions of children and adults to his world of limitless (or so is widely believed) imagination and magic, from the earliest short cartoons produced in the 1920s, to full-length feature animations such as Snow White and the Seven...
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...ALSO BY MALCOLM GLADWELL The Tipping Point To my parents, Joyce and Graham Gladwell Introduction The Statue That Didn’t Look Right In September of 1983, an art dealer by the name of Gianfranco Becchina approached the J. Paul Getty Museum in California. He had in his possession, he said, a marble statue dating from the sixth century BC. It was what is known as a kouros—a sculpture of a nude male youth standing with his left leg forward and his arms at his sides. There are only about two hundred kouroi in existence, and most have been recovered badly damaged or in fragments from grave sites or archeological digs. But this one was almost perfectly preserved. It stood close to seven feet tall. It had a kind of light-colored glow that set it apart from other ancient works. It was an extraordinary find. Becchina’s asking price was just under $10 million. The Getty moved cautiously. It took the kouros on loan and began a thorough investigation. Was the statue consistent with other known kouroi? The answer appeared to be yes. The style of the sculpture seemed reminiscent of the Anavyssos kouros in the National Archaeological Museum of Athens, meaning that it seemed to fit with a particular time and place. Where and when had the statue been found? No one knew precisely, but Becchina gave the Getty’s legal department a sheaf of documents relating to its more recent history. The kouros, the records stated, had been in the private collection of a Swiss physician named Lauffenberger...
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...DATABASE MODELING AND DESIGN The Morgan Kaufmann Series in Data Management Systems (Selected Titles) Joe Celko’s Data, Measurements and Standards in SQL Joe Celko Information Modeling and Relational Databases, 2nd Edition Terry Halpin, Tony Morgan Joe Celko’s Thinking in Sets Joe Celko Business Metadata Bill Inmon, Bonnie O’Neil, Lowell Fryman Unleashing Web 2.0 Gottfried Vossen, Stephan Hagemann Enterprise Knowledge Management David Loshin Business Process Change, 2nd Edition Paul Harmon IT Manager’s Handbook, 2nd Edition Bill Holtsnider & Brian Jaffe Joe Celko’s Puzzles and Answers, 2 Joe Celko nd Location-Based Services ` Jochen Schiller and Agnes Voisard Managing Time in Relational Databases: How to Design, Update and Query Temporal Data Tom Johnston and Randall Weis Database Modeling with MicrosoftW Visio for Enterprise Architects Terry Halpin, Ken Evans, Patrick Hallock, Bill Maclean Designing Data-Intensive Web Applications Stephano Ceri, Piero Fraternali, Aldo Bongio, Marco Brambilla, Sara Comai, Maristella Matera Mining the Web: Discovering Knowledge from Hypertext Data Soumen Chakrabarti Advanced SQL: 1999—Understanding Object-Relational and Other Advanced Features Jim Melton Database Tuning: Principles, Experiments, and Troubleshooting Techniques Dennis Shasha, Philippe Bonnet SQL: 1999—Understanding Relational Language Components Jim Melton, Alan R. Simon Information Visualization in Data Mining and Knowledge Discovery Edited by Usama Fayyad, Georges G. Grinstein...
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...Contents Preface Prologue: We have it Made Part I: The Mission Chapter 1: A Consumer Goes Global Chapter 2: Tattoo’s Tropical Paradise Chapter 3: Fake Blood, Sweat, and Tears Part II: My Underwear: Made in Bangladesh Chapter 4: Jingle these Chapter 5: Undercover in the Underwear Biz Chapter 6: Bangladesh Amusement Park Chapter 7: Inside My First Sweatshop Chapter 8: Child Labor in Action Chapter 9: Arifa, the Garment Worker Chapter 10: Hope Chapter 11: No Black and White, Only Green Update for Revised Edition: Hungry for Choices Part III: My Pants: Made in Cambodia Chapter 12: Labor Day Chapter 13: Year Zero Chapter 14: Those Who Wear Levi’s Chapter 15: Those Who Make Levi’s Chapter 16: Blue Jean Machine Chapter 17: Progress Chapter 18: Treasure and Trash Update for Revised Edition: The Faces of Crisis Part IV: My Flip-Flops: Made in China Chapter 19: PO’ed VP Chapter 20: Life at the Bottom Chapter 21: Growing Pains Chapter 22: The Real China Chapter 23: On a Budget Chapter 24: An All-American Chinese Walmart Chapter 25: The Chinese Fantasy Update for Revised Edition: Migration Part V: Made in America Chapter 26: For Richer, for Poorer Update for Revised Edition: Restarting, Again Chapter 27: Return to Fantasy Island Chapter 28: Amilcar’s Journey Chapter 29: An American Dream Chapter 30: Touron Goes Glocal Appendix A: Discussion Questions Appendix B: Note to Freshman Me Appendix C: Where Are You Teaching? Acknowledgments Copyright © 2012 by Kelsey Timmerman...
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...Advertising, Promotion, and other aspects of Integrated Marketing Communications Terence A. Shimp University of South Carolina Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States Advertising, Promotion, & Other Aspects of Integrated Marketing Communications, 8e Terence A. Shimp Vice President of Editorial, Business: Jack W. Calhoun Vice President/Editor-in-Chief: Melissa S. Acuna Acquisitions Editor: Mike Roche Sr. Developmental Editor: Susanna C. Smart Marketing Manager: Mike Aliscad Content Project Manager: Corey Geissler Media Editor: John Rich Production Technology Analyst: Emily Gross Frontlist Buyer, Manufacturing: Diane Gibbons Production Service: PrePressPMG Sr. Art Director: Stacy Shirley Internal Designer: Chris Miller/cmiller design Cover Designer: Chris Miller/cmiller design Cover Image: Getty Images/The Image Bank Permission Aquistion Manager/Photo: Deanna Ettinger Permission Aquistion Manager/Text: Mardell Glinski Schultz © 2010, 2007 South-Western, Cengage Learning ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, information storage and retrieval systems, or in any other manner—except as may be permitted by the license terms herein. For product information and technology assistance, contact us at Cengage Learning Customer &...
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...THE FUTURE OF TECHNOLOGY OTHER ECONOMIST BOOKS Guide to Analysing Companies Guide to Business Modelling Guide to Business Planning Guide to Economic Indicators Guide to the European Union Guide to Financial Markets Guide to Management Ideas Numbers Guide Style Guide Dictionary of Business Dictionary of Economics International Dictionary of Finance Brands and Branding Business Consulting Business Ethics Business Strategy China’s Stockmarket Globalisation Headhunters and How to Use Them Successful Mergers Wall Street Essential Director Essential Economics Essential Finance Essential Internet Essential Investment Essential Negotiation Pocket World in Figures THE FUTURE OF TECHNOLOGY THE ECONOMIST IN ASSOCIATION WITH PROFILE BOOKS LTD Published by Profile Books Ltd 3a Exmouth House, Pine Street, London ec1r 0jh Copyright © The Economist Newspaper Ltd 2005 All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. The greatest care has been taken in compiling this book. However, no responsibility can be accepted by the publishers or compilers for the accuracy of the information presented. Where opinion is expressed it is that of the author and does not necessarily...
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...Handbook of Management Accounting Research Volume 3 Edited by CHRISTOPHER S. CHAPMAN Imperial College London, UK ANTHONY G. HOPWOOD University of Oxford, UK MICHAEL D. SHIELDS Michigan State University, USA AMSTERDAM – BOSTON – HEIDELBERG – LONDON – NEW YORK – OXFORD PARIS – SAN DIEGO – SAN FRANCISCO – SINGAPORE – SYDNEY – TOKYO Elsevier The Boulevard, Langford Lane, Kidlington, Oxford OX5 1GB, UK First edition 2009 Copyright © 2009 Elsevier Ltd. All rights reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone ( 44) (0) 1865 843830; fax ( 44) (0) 1865 853333; email: permissions@elsevier.com. Alternatively visit the Science and Technology Books website at www.elsevierdirect.com/rights for further information Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for...
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...FROM THE AUTHOR OF THE BESTSELLING BIOGRAPHIES OF BENJAMIN FRANKLIN AND ALBERT EINSTEIN, THIS IS THE EXCLUSIVE BIOGRAPHY OF STEVE JOBS. Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. At a time when America is seeking ways to sustain its innovative edge, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing offlimits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and...
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