...THOUGHTS Attach this sheet to the front of your paper Student Name: Meryem Hamdi Beauty objective or subjective Title: EVALUATION Written communication (6 points) Organization Needs Improvement (≤ 1 point) Satisfactory (≤ 2 point) Good (≤ 3 points) Mechanics and grammar Needs Improvement (≤ 1 point) Satisfactory (≤ 2 points) Good (≤ 3 points) Score Content (6 points) Correctness of details Inadequate (≤ 1 points) Good (≤ 2 point) Excellent (≤ 3 points) Completeness of idea Inadequate (≤ 1 points) Good (≤ 2 point) Excellent (≤ 3 points) Score TOTAL /12 Beauty objective or subjective The nature of beauty is one of the most controversial and complex themes in Western philosophy. Beauty has been among the ultimate values, with goodness, truth, and justice. “It is a major subject among different philosophers such as the ancient Greek, Hellenistic, and medieval, and was central to 18th and 19th-century thought, as represented in treatments by such thinkers as Hutcheson, Hume, Kant; Hegel, and Santayana.” Different philosophical issues concerned the objectivity and subjectivity of beauty. In other words, philosophers argued whether is beauty a property of some objects (like mass, shape, etc.) or is beauty a judgment of the mind observing the object (an emotion, feeling or evaluation). Subjective theory of beauty existed primary in the Antiquity and the middle Ages, while the modern period retained the objective theory...
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...Subjective Experience Subjectivity is a constant and integral part of the human experience. Love, lust, like, dislike, taste, smell, views about beauty and ugliness and art. How you view this paragraph and this book involves subjectivity- your taste about the writing style, word choice, chapter subjects and length, book cover. By definition, a subjective experience is a product of the individual's mind. While real and often profound, the subjective experience cannot be objectively measured by others. When someone is listening to music, the music's note, pitch, speed, volume and the listener's ear vibration and heartbeat can be measured by scientific instruments, but the listener's aesthetic experience cannot. This experience is experienced by the listener alone. Even if asked to, the listener could not fully translate the experience to others, in part because it is beyond words. Objective Experience An objective experience is something you plan to achieve. A military objective is the overall plan for a mission. The objective for a bake sale is to raise money. If your objective is to learn a new word, you have succeeded. An objective experience is the point of something. If you don’t understand the objective of a class, then you don’t know what you were supposed to learn. The word itself is often used in business or work. Another meaning of objective is “looking at things in a detached, impartial, fact-based way.” If a police officer falls in love with a witness, it might...
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...Beauty is in the eye of the beholder because each and every person has their own idea of what beauty is. There is no universally accepted standard of what a beautiful person or what a aesthetic art looks like, so people can set their own standards. I agree most with Ducasse as there may be a generalization of what is considered beauty but everybody make judgement based on their subjectivity and be their own judge of what art is. This is from the essay Taste cannot be Disputed Beardsley as the “Aesthetic Skeptic.” ----- “the apparent reasons are not genuine reasons, or cannot be compelling reasons, like the ones we find in other fields” ----“though it is true that you can’t change a disliking into a liking by arguments, that doesn’t imply that you can’t change it at all, or that we cannot argue whether or not it ought to be changed Aesthetic tastes cannot be disputed; Tastes are something physiological and environmental that a person acquires over the period of time and that is unique to everyone, each reason defending a taste is merely just a mere preference by a person because there are no objective standards for judgment, and finally argument cannot change taste. I think some of the Beardsley’s points against the aesthetic skeptic; still, I don’t think I should agree with the fact that taste can be disputed. There is no disputing on Collingwood’s view amusement and magical art.I like his statement about what he said about art simply function to entertain or amuse...
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...Blackface Chic: High Fashion, Racechange and Cultural Tourism Race, Identity, and Public Culture Popular cultural representations, in particular those in the fashion industry, have recently reinvented a historically loaded image in their performances: blackface.1 In the past several years, blackface and other images of physical transformations of race have appeared in a number of high and popular fashion contexts including a “yellowface” fashion show in Shanghai sponsored by Karl Lagerfeld, supermodel Heidi Klum photographed wearing only chocolate syrup, an issue of French Vogue featuring a white model in black body paint and elaborate “African-inspired” costuming, a photograph in V Magazine of two models, one in blackface and one white, wrestling, two episodes of America’s Next Top Model involving racial and biracial transformation, and an editorial naming American Apparel and showing a woman in blackface. Blackface, though in a contemporary form more accurately described by the term “racechange,” or the performance of one race by another (Gubar 2000), far from being taboo have become an aesthetic in the fashion industry. Though popular magazines and newspapers such as Essence and a number of fashion blogs have responded to particular instances of racial transformation, there is relatively little scholarly work on the rise of racechange in contemporary fashion. This essay attempts to fill that gap in scholarship by examining racial transformation through...
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...Alita Fonseca Balbi “The Less Deceived”: Subjectivity, Gender, Sex and Love in Sylvia Plath's and Philip Larkin's Poetry Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2012 i “The Less Deceived”: Subjectivity, Gender, Sex and Love in Sylvia Plath's and Philip Larkin's Poetry by Alita Fonseca Balbi Submitted to the Programa de Pós-graduação em Letras: Estudos Literários in partial fulfillment of the requirements for the degree of Mestre em Literaturas de Expressão Inglesa. Thesis Advisor: Sandra Regina Goulart Almeida, PhD Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2012 ii ACKNOWLEDGMENTS To my father, Tadeu, for always reminding me of the importance of having dreams and being true to them; for motivating me to be creative and to believe in my potential; and for teaching me to seek beauty and happiness in everything I see and do. To my mother, Socorro, for always making sure I enjoy all the possibilities that cross my path, and for reminding me that hard work is the only means to achieve my goals. To my brothers, Bruno and Diego, for being my best friends. To my sister-in-law, Sabrina, for embracing me as family and making me feel at home even when I’m not. To Paulo, for his company, for his love and care, and for all his witty remarks. To the professors of Letras, Julio Jeha, José dos Santos, Eliana Lourenço and Gláucia Renates, for being extraordinary professors, and for all the knowledge each...
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...What is Art? One man’s trash may be another man’s treasure, but does this same rule apply to art? Among other things, art entices beauty through visual appeal, depth, technique and intent, and as no one person is guaranteed to see the same things as another, this can make it difficult to discern what is art, and what is not. Art is personal, but what separates the average man’s stick figure from world-renowned works comes from the artist’s intent and technique, ultimately leaving a lasting impression on its viewers, and my definition. Art: A creation that through technique and intent leaves a lasting impression on its viewers. First of all, the artist must have intent, a vision, and not just a superficial vision, but one that strives to inspire viewers and prompt questions. This comes from inspiration, and the creator’s drive to create something more than just an “object”. The Piss Christ, for instance, prompted uproar due to its content. At first glance, the picture is visually appealing, but upon further evaluation, it would seem that Jesus Christ is engulfed in what would appear to be urine, prompting questions as to the intent of artist Andres Serrano. What was he trying to say by his depiction? Was it that he is associating religion, and the idea of Christ with urine? Or was it a pessimistic world view in that we are dishonoring Christ’s sacrifice, hence the urine? Without the creator’s own take own his creation, it would appear that both could be viable explanations...
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...Characteristics of Romantic Poetry The Romantic Movement lasted from about 1750 to about 1870, is often defined as second Renaissance. Romanticism cannot be identified with a single style, technique, or attitude, but romantic writing is generally characterized by a highly imaginative and subjective approach, emotional intensity, freedom of thought and expression, an idealization of nature, and a dreamlike or visionary quality. The Romantic Movement is both a revolt and revival .This movement in literature and the revolutionary idealism in European politics are both generated by the same human craving for freedom from traditions and tyranny. The Romantic Movement revives the poetic ideals of love, beauty, emotion, imagination, romance and beauty of Nature. Keats celebrates beauty, Shelley adores love, Wordsworth glorifies nature Byron idealizes humanism, Scott revives the medieval lore and Coleridge amalgamates supernatural. As a result, the Romantic Movement revolts against the ideals, principles, intellectualism, aristocracy and technicality of Augustan period and smoothed the run of broad emotional gallery of substance relinquishing the rigidity of ‘form’. From sociological and political perspective it is not unfair to say that Romanticism and French Revolution are synonymous. In fact, Rousseau’s social theory roughly embodies in the familiar phrase of ‘the return to nature’ while the battle cry of French Revolution – liberty, equality and Fraternity – are influential...
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...dollars a year, something that we all agree should be taken seriously. Consumers get bombarded by approximately 3000 ads per day and it has been estimated that the average consumers spends on average 3 years of their life watching just ads alone. No wonder that advertising is the foundation of the mass media. The problem that she points out is that while advertising is selling products it also perpetuates the ideas, values, beauty, and notions of love and happiness and, to a certain extent, the idea or concept of normalcy. This is the area that I personally have a problem with, since it also subliminally imposes on how to act, react and worst of all, be. How does advertising cause that effect? How can it be so powerful? It starts by surrounding you with what it means to be beautiful, by creating or suggesting a false sense of beauty and making you feel diminished, not worthy and shameful, to the extent that if you don’t fall in that category of what they consider beauty, you have failed. It is powerful because failure is inevitable, since the main focus of beauty according to advertisers standards fall primarily at a body type that only 5 percent of the population have, therefore, setting you up for failure; However, not before telling you that you could try harder, that...
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...Root Of Violence Against Women " Each year an estimated 2 to 4 million women in the United States are abused by their male partners. Many of them are severely assaulted, and thousands are killed" (thehotline.org). Statistics such as these are phenomenal. Domestic abuse does not only appear as physical harm but there is a lot of damage dealt with psychological abuse which is just as bad. Domestic violence is a widespread issue throughout the world, mostly due to fear created by the abuser. This problem is recognized worldwide and many theorists such as Nussbaum, Mackinnon and Dworkin have shared and organized their thoughts as to why such an uproar of violence has been rising within our society against women. In order to understand why violence against women is at such a high percentage we must first take a look at and understand what are the contributing influences and factors which play an active role in causing the abuser to inflict acts/thoughts/desires of violent intent onto a female. I shall analyze and go into depth of the theories coined by the names mentioned above as to what they think the root of violence is. But first we need to understand that violence against women does not only consist of physical/emotional damage, but also violation of their entitled rights as an individual human being. When we begin to treat a person as anything less or begin to expect more we have committed an act of violation on their human rights. "Objectification entails making into...
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...These Maries, soldiers, and sailors strip down any Chicano who was wearing a zoot suit and would publicly humiliate them by having them take their clothes off or beat them. The police department seemed to support and approve of the violence since they did not provide protection to the Chicano youth. In fact, the attacks quickly turned into a riot that lasted for nine days now known as the “ Zoot Suit Riots” (Chiodo 4). The riots were a scapegoat of the subjectivity of power in Mexican American communities. Before the riots, tensions of Mexican-American had a long history in the Los Angeles area. During this time period, Chicana/os had very limited rights and struggled to fit into the status quo provided by the United States. The song “ Pachuco...
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...Three Issues Considered The first question I will address is “Are science and philosophy closely interrelated, or are they different in their goals and methods? Science supposes that there is only one proper basis of knowledge, it is experiment and rational analysis of nature. Philosophy tends to say that there are many ways of understanding, just as there are many forms of knowledge and many beginnings of that knowledge. In the beginning there were sciences but no actual scientist. They were all known as philosophers. Philosophy invented intellectual thought and rigorous reasoning which in turn is what invented the sciences. Philosophy continues to influence science by questioning the science's weaknesses. Some people think that the sciences can stand apart from philosophy. That philosophy is all questions, never giving a real answer. Where as, science is a methodology that is based on research and experimentation. “The specific sciences cannot and should not break their connections with true philosophy” (Spirkin, A.). By doing this they would have no questions for them to research and experiment. According to Wolff, the Milesians who are considered philosophers were also scientist. Thales who is known as the first philosopher was an astronomer. By his knowledge of the stars he could predict the weather (Wolff, 14). “Following Thales were the Milesians Anaximander and Anaximenes, who expanded and developed speculative theories about the basic components of nature and...
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...Nothing is Free; Everything is Permitted In modern society, people’s involvement with art is in form of an established system that is produced and reproduced by culture industry. Art as a socioeconomic value is subtly described hard to understand and participate and artist is who involve in greatness of arts. Contemporary arts are lacking the Burke’s sublime It is, in my opinion, mostly a medium for so called artist to show and promote his or her own individuality and subjective understanding of reality in a fancy way that has nothing to do with the psyche of aesthetic. Art is becoming much of a personal media of artist instead of representation of seeking beauty in physical or philosophical terms. For example, Pollock promotes a sense of recklessness in a world with massive wars; his personal understanding of world is valuable but not the art works. However, Vitruvian Man of Da Vinci bears its own value independent of the man who made it. Beside, art or being and artists includes a certain amount of privliage; it is true that barriers of participation to art is high but communicating that everybody is great and special and eventually reproducing the idea that real art is beyond human is a structural hypocrisy. Hence, performance arts went down from ballet or theatre to Marina Abramovic who does not perform but processes experience and creates participation to art. Moreover, established system crushes people just the right amount so that some of the artistic people use their...
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...Kannon Manis English Comp II Tues/Thurs 11:00 May 9, 2012 Research Paper Imagine A World without Imagination Thesis: In the poem “Love Calls Us to the Things of This World”, Richard Wilbur illustrates the fact that life is nearly unbearable without the use of imagination. Essay Map: The bleak and depressive theme of this poem exposes the poet’s struggles with finding meaning in his own life, reflects the stability of an objective view of reality rather than a subjective view, and provides an excellent example of the tricks that the right brain is capable of playing on the mind as a whole. I. Wilbur’s Search for Meaning in Life Is Reflected by His Writings A. The poem is written in a style that is quite unusual compared to Wilbur’s other literary works. B. The only positive outlook on life is found while the speaker is still asleep. C. He uses such harsh words as “rape” and “gallows” to make a point about the brutality of everyday life. D. His mixed feelings about life itself are exposed by absurd juxtapositions like “bitter/love” and “thieves/nuns”. E. He is able to find meaning by embracing his imagination as a part of life, and living according to that reality. II. Achieving an Objective View of Reality is a Healthy Practice A. Objective reality, or objectivity, is defined by the World English Dictionary as a worldview existing independently of perception or an individual’s conceptions. B. An objective view of reality is...
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...Central Luzon State University College of Arts and Sciences Department of Psychology The Golden Ratio: Reference of Beauty Submitted to: Nixon Agaser Submitted by: Jam Shimei I. Gamboa Jeanne R. Dadufalza Eden Leigh Pagoso Micah A. Montes The Golden Ratio: Reference of Beauty Beauty has been defined as a combination of qualities that give pleasure to the senses or to the mind. It is a philosophical concept, the aspects of which are studied under the term aesthetics, derived from the Greek word for perception (aisthesis). Aesthetics, therefore, is the study of beauty and, to a lesser extent, it’s opposite the ugly. It involves both the understanding and evaluation of beauty, proportions and symmetry. The assessment of facial beauty is immersed in subjectivity and therefore leans towards the world of art. Facial proportions and facial balance, however, can be measured and therefore fit somewhere between art and science. Aesthetics itself is now essentially a science in the formation, although obviously with a very strong philosophical and artistic background (Naini, et al. 2008.) According to Jang (2014) it is becoming clear that there is a science to beauty. Extensive research has shown that we have similar ideas about what constitutes a beautiful face. When British researchers asked women to rate pictures of various men, their choices were identical. When a group including English, Chinese, and Indians were asked to choose a “good looking” face from a selection of racially...
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...English 2328 Spring 2011 Unit Two: Early Twentieth Century Review Sheets |Survey Highlights |Modernism in American Literature |Imagism, Imagery, Image | |Major Authors |Some distinguishing characteristics— |From Pound's "A Retrospect": | |Historical Context |Rejection of traditional values and assumptions, in society and art. |—Three principles of Imagism: | |Intellectual Movements |Strong break with traditional literary forms and techniques of |1. Direct treatment of 'thing' whether subjective or objective. | |Genres, Elements of Literature |expression. |2. To use absolutely no word that does not contribute to the | |Authors |—Avant-garde, innovative |presentation. | |Robert Frost, Ezra Pound, and T. S. Eliot |—Frost's "old-fashioned way to be new" |3. As regarding...
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