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Symbols In The Alchemist

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Even a short story taking place during the Great Depression and a novel about a young man's journey across a vast desert can have similarities. In the short story, “Marigolds”, by Eugenia Collier, the marigolds represent hope and all positive aspects. In the novel, The Alchemist, by Paulo Coelho, there are profuse amounts of symbolism, yet the most noteworthy being that of alchemy which represents Santiago's, or the protagonists, need to rid himself of impurities. These symbols are similar seeing as the marigolds are too perfect amongst the destruction surrounding them, making them an impurity which Lizabeth, the primary character in “Marigolds,” destroys as her right of passage; equivalent to Santiago having to rid himself of impurities to …show more content…
Collier writes, “... Whatever was of love and beauty and joy that had not been squeezed out by life, had been there in the marigolds she had so tenderly cared for,” (Collier 5). These flowers show that there is silver in a grey community. The marigolds symbolize hope and innocence, Lizabeth has lost all hope and ergo is jealous of the flowers. They are conflicting and she feels they need not be there, similar to Santiago's impurities; which he strips himself of. The englishman says, “[The alchemists] discovered that the purification of the metals had led to purification of themselves,” (Coelho 84). The englishman, a key character in The Alchemist, is describing alchemy to Santiago. He is saying that in order to become an alchemist, he must first purify himself, clear himself of all the vanities of the world. Alchemy, itself, represents the goodness in life, the innocence, just as the marigolds represent innocence. In the same way these symbols are alike, the similarities in these works are also present in the ways which Lizabeth and Santiago reach their passage to …show more content…
When Lizabeth wakes to her father crying, she feels as though her entire world is crumbling down on top of her, and she takes her anger out on the old lady's flowers. Lizabeth, in narrating her experience, says, “I leaped furiously into the mounds of marigolds and pulled madly, trampling and pulling and destroying the perfect yellow blooms,” (Collier 5). The marigolds signify Lizabeth's innocence and childish feelings. In eradicating them, and the feelings of sorrow and regret after, she becomes a woman. She matures when she realizes there are consequences to her actions. In Coelho’s novel, Santiago also has to make realizations before he becomes mature. Coelho writes, “the boy reached through to the Soul of the World, and saw that it was a part of the Soul of God. And he saw that the Soul of God was his own soul. And that he, a boy, could perform miracles,” (Coelho 157). In order to not be killed, Santiago must turn himself into the wind. Because he does not know how to do this, he asks the wind to help him. The wind can not help and therefore directs him to the sun, and the sun turns him to the “hand that wrote all.” In these conversations, alchemy is discussed, and when Santiago turns to the hand that wrote all, he sees all and that the sun and the wind were also trying to understand alchemy. Santiago realizes that the had created them all for a reason, but none

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