...Anthony LeBaron Bakomihalis English IV 12 November 2014 Dracula the told story “The blood is the life” (Stoker 156). Dracula will have many ways of expressing its themes to modern audiences on how it relates to the book and the present. How the superstation can have an effect on the supernatural and the non-believer seeing what is real or not. How the role of religion was a key factor and how it helps them throughout the book. Also the modernity and how it has advance from the 1800s to present day. The book Dracula, by Bram Stoker relates to the modern audience though the theme of superstition, the role of religion and modernity. Superstition What is superstition? Is it more of a belief as in religion or supernatural forces? The define meaning for superstition is excessively credulous belief in and reverence for supernatural beings, but there are different meanings to...
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...4, 2015 The Transformation of Vampires: from Dracula to Twilight American Gothic is a subgenre of gothic fiction, with elements specific to it such as; rational versus irrational, Das Unheimliche, puritanism, and guilt just to name a few. What really distinguished American Gothic from any other form of gothic fiction is the continuous references to predestination and presence of original sin, simply because the puritans were the first to settle in the new colonies therefore having a profound influence on American gothic writers. However, American Gothic has become much more contemporary beginning in the eighteenth century. In Caroline Spooner’s “Contemporary Gothic”, she explains how gothic has been able to survive in America by “drawing self-referentially on itself, combining sincere nostalgia with a self-aware sense of theatre, even camp.” (Farkas 1). Gothic has the ability to transform depending on the the times and what social issues are prevalent at a specific time period. Many writers are taking it upon themselves to rewrite “the vampire” in a more modern setting. The face of a vampire has changed since Bram Stoker's Dracula, but his novel has influenced our society and will continue to influence our culture as time goes by. Some of Dracula’s characteristics, including his sensitivity to light and thirst for blood, are still present, but have just been tweaked to the writer’s preference. In the time of Dracula, the vampire was more of a villain but in many of...
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...texts studied in the light of fin de siècle theories of degeneration. The era of the Victorian fin de siècle ‘…from the 1880s to the end of the century…generated an enormous amount of scientific and cultural debate concerning the future civilisation and the human race itself.’[1] It was an era of technical progress, Imperial gain, and a nation at the pinnacle of progress. ‘…bolstered by Darwin’s theory of evolution, Victorians regarded themselves and their society as the acme of human development.’[2] However, it was an era that balanced on the age of a new century that seemed to accentuate and highlight numerous anxieties. Ledger and Luckhurst (2000) further state that this was an ambivalent period; with major progress in science and technology but also a time of real decline, in which Britain’s global economic power was rivalled by Germany and America. This ambivalence at the turn of the century created fears and anxieties concerning the decline of the British race. A crucial influence on British anxieties of decline was underpinned by scientific and medical knowledge known as Theories of Degeneration. Ledger and Luckhurst (2000) state, at this time, that ‘…degeneration was one defining structure which can be traced across many disciplines…’[3] These theories of degeneration impacted over many discourses within Victorian culture including race, class, sexuality and morality, and envisaged ‘…a “primitive” lost world or degenerate “after world”.’[4] In other words, the threat...
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...To what extent is the vampire representative of the context it was created in? Gothic literature originated in response to a period of rapid societal, cultural, and theological change in nineteenth Europe. Works written in this time focused on the representation of fear in the face of dissolution of traditional structures, gender roles and religion. The resurgence of vampire fiction in the late twentieth century presents a different image of the vampire figure, appropriate to the changing societal values and nature of our world. Bram Stokers novel “Dracula” (1897) is compared to the Catherine Hardwicke’s film “Twilight” (2008) to display the development of conventional archetypes and tropes of the vampire into a more contemporary context....
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...Dracula 1931 Directed by: Tod Browning and Karl Freund Writing Credits: Bram Stoker, Hamilton Deane, John L Balderston, Garrett Fort, Louis Bromfield, Tod Browning, Max Cohen, Dudley Murphy, Louis Stevens Producers: E.M. Asher, Tod Browing, Carl Laemmle Jr Cinematographer: Karl Freund Film Editing: Milton Carruth Art Direction: Charles D. Hall Production Management: John Hoffman, Herman Rosse Second Unit Director or Assistant Director: Scott R. Beal, Herman Schlom Sound Department: C. Roy Hunter, Jack Bolger, Jack Foley, William Hedgcock Art Department: John Hoffman, Charles A. Logue, Herman Rosse Camera and Electrical Department: Frank H. Booth, Joseph Brotherton, Roman Freulich, King D. Gray Script Supervisor: Cast: Count Dracula………Bela Lugosi Mina………………...Helen Chandler John Harker…………David Manners Renfield……………..Dwight Frye Van Helsing…………Edward Van Sloan Doctor Seward………Herbert Bunston Lucy…………………Frances Dade Maid…………………Joan Standing Martin……………….Charles K. Gerrard Innkeeper’s Daugher..Anna Bakacs Coach Passenger………..Nicholas Bela Innkeepers Wife………..Barbara Bozoky Harbormaster…………...Tod Browning Maid……………………Moon Carroll Dracula’s Wife…………Geraldine Dvorak Small Scientist………….John George Flower Girl……………..Anita Harder Coach Passenger……….Carla Laemmle Coach Passenger………Donald Murphy Surgeon……………….Wyndham Standing Dracula’s Wife………..Cornelia Thaw Dracula’s Wife………..Dorothy Tree Grace-English Nurse….Josephine Velez Innkeeper………………Michael...
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...have the courage of letting go then you get the second chance of having it again. In both literature novel, courage effect all character choice in their life. In Percy Jackson, the lightning thief by Rick Riordan, young teenager must be facing the monster and trying to stop the war also save their friends mom life. They need courage to face all the life and death choice and they are all teenager, the pressure they have and the courage they need to fight to live or death. Also in Dracula...
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...Dracula on season 5 the author presents Buffy and her friend Willow as the heroes of the episode who save the world at the end of the day. Buffy’s as well as Willow’s characters embody many different types of female power in this episode. Buffy represents physical strength, as she often uses her own body as a powerful weapon. In beginning of the episode, Buffy in the middle of the night, leaves her bed and goes to the cemetery to kill a vampire and is able to come back home and sleep comfortably because she did her job. In this scene the director presents Buffy as the hero who goes at night to save the world. Willow, Buffy’s best friend and the witch, embodies mental power. She is represented as the technology expert and science whiz, however, throughout history society represented males as the powerful weapons and technology experts, whereas, in the show they challenge those stereotypes and represent the female as a technology expert. The show turns those gender roles on their head by assigning male behaviors and roles to females. The show challenged gender roles by reversing generic roles on the...
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...To give an insight into society and humanity whilst still being aesthetically interesting and thought provoking is a feat that only the best of classic literature can accomplish. Dracula, by Bram Stoker (1897) and The Picture of Dorian Gray, by Oscar Wilde (1893) are such novels and they both reveal different aspects of life in the Victorian era. Whilst Stoker’s writing affirms the ideas of British supremacy in technology as well as the fear of foreigners, Wilde’s writing sheds light on the superficial nature and decaying morals of people in the era. With the aid of language techniques such as imagery, descriptive language and gothic style both texts are an aesthetic read and provoke thought as they both subvert ideas readers may already have...
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...The Diversity of the Mythological Creature Vampire Through Time and History It’s been a hundred years since Bram Stoker’s Dracula, and the vampire and its tales have swept the world in a whirlwind craze. Since, there has always been a fascination with the mystery of a vampire. Someone wearing plastic fangs, a cape, and black evening clothes will instantly remind you of the mythological creature. The much feared creature is and was portrayed in a number of ways. In the early days when they were just folklore, vampires were blood sucking predators and feared pale stalkers. In Vampire God: the Allure of the Dead in the Western Culture (2009), discussing the popularity of vampires in society, Mary Y. Hallab says that the folklore vampire is constantly compared to the other supernatural beings like witches and werewolf’s, and today’s concept is also a confused being, a zombie? A lover? Hallab states that “vampires are only those figures—folkloric, mythical, or literary—who are dead humans who are still capable of behaving as though they are alive.” Today, vampires have become a culture of their own, and are a huge part of mainstream pop culture. The Twilight Cullen’s and Sesame Street’s Count Dracula have a whole new appeal on adults and children. The appeal is not always good. According to Vampire Gothic, which is about vampire gothic cultures in United States, Teresa A. Goddu discusses a teenage vampire clan that was discovered in Murray, Kentucky, that was found...
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...Clare Whitehead. Write about the ways in which three of the Victorian novels you have read make use of villains and / or villainesses in their plots. The villains and villainesses in the following novels demonstrate the class struggle in society that existed in the Victorian era and that still exists today. The upper class who are described by Marx as ‘the bourgeois’ which (cited in Hamilton) he goes on to describe as; ‘the class of modern capitalists, owners of the means of social production and employers of wage labour’ (1991 p.57) have the power in society. The working class or what Marx refers to as ‘the proletariat’ which (cited in Hamilton) he goes on to describe as; ‘the class of modern wage labourers who having no means of production of their own, are reduced to selling labour power in order to live’ (1991 p.57) are controlled by this power which often leaves them vulnerable to the rich. Furthermore, the villains and villainesses appear to be used in order to demonstrate the ‘inequalities of the rich and the poor’ (Eagleton 1996 p.200). The wealth of the ‘bourgeois’ gives them access to many privileges and opportunities that the poor can never have access to. In the first novel Jane Eyre (Bronte 1847) Mrs Reed highlights the selfish nature of the wealthy. She speaks of Jane as ‘such a burden to be left on my hands’ (1992 p.203) because she has no wealth of her own. Mrs Reed sees her as one of ‘social inferiority’ (Nunokawa cited in David 2001 p.145) who is of...
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...Technopoly: the Surrender of Culture to Technology, he describes a society where technology is deified and, in fact, becomes a source of rationalization in which it takes the place of humans. His basis for technological theology is attributed to whom he describes as the founder of scientism, namely the belief that empiricism or positivism grounded in pure scientific discovery would tell us all we need to know about the world excluding the need for metaphysics or religion. Science, in turn, accordingly became the new god and technology, a branch and product of science, become deified as its mirror image. Postman describes technopoly as a "totalitarian technocracy" - totalitarian in that it is worshipped as an authoritative, all-controlling voice that demands the "submission of all forms of cultural life to the sovereignty of technique and technology" (Postman, 52) - drawing on Ellul for credence. Ellul's ideas of technology were that technology was a category independent to human action that was autonomous, "self-determinative" and undirected in its growth and reducing human life to finding meaning in machines (Ellul,13). Thus Postman, elaborating on Ellul, saw technology (primarily, but not exclusively, in the shape of computer) striving for world domination and that technology has been for a long time the god of humans.Others whom Postman draws upon are Harold Innis' concept of "knowledge monopolies" that explains the ways in which technology usurps power in a technopoly: the aura...
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...period America was going through two World Wars, a drastic change in the economy and technology department. These advancements into the upcoming "digital age" sparked new movies, iconic actors/actresses, as well as refurbished the old fashioned special effects, which helped ease the growing tension on American minds, leaving them with less worries and more time with their families. Films and Theatre were also affected by the exponential growth and the leaps made in the advancement of technology. First off, The History of the 1970's were riddled with famous scandals, economic inflation, and the ending of major...
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...A famous scene from one of the first notable horror films, Nosferatu (1922) Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Horror films often feature scenes that startle the viewer; the macabre and the supernatural are frequent themes. Thus they may overlap with the fantasy, supernatural, and thriller genres.[1] Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Prevalent elements include ghosts, aliens, vampires, werewolves, curses, satanism, demons, gore, torture, vicious animals, monsters, zombies, cannibals, and serial killers. Conversely, movies about the supernatural are not necessarily always horrific.[2] Contents [hide] 1 History 1.1 1890s–1920s 1.2 1930s–1940s 1.3 1950s–1960s 1.4 1970s–1980s 1.5 1990s 1.6 2000s 2 Sub-genres 3 Influences 3.1 Influences on society 3.2 Influences internationally 4 See also 5 References 6 Further reading 7 External links [edit]History [edit]1890s–1920s See also: List of horror films of the 1890s, List of horror films of the 1900s, List of horror films of the 1910s, and List of horror films of the 1920s Lon Chaney, Sr. in The Phantom of the Opera The first depictions of supernatural events appear in several of the silent shorts...
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...Are You a Believer Monsters, you hear a lot these days about them, from movies and books to the radio and tv, and even in the papers. You hear about vampires, werewolves, shapeshifters, these are all monsters that people have their own opinion about. But what about the big monsters the named monsters that everyone has heard about you know like the Chupacabra, the Kraken, or maybe Dracula, well what about the Loch Ness monster? You ever hear of that. The Loch Ness monster is found in the Loch Ness Lake one of the great lakes of the world, but there are so many rumors and theories floating around that people aren't sure what to think, you have your true diehard believers and then nonbelievers mostly made up of scientist. The Loch Ness monster...
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...The marketing of dead celebrities has become big business. Some estimates have valued the the royalties and licensing income at about $2.5 billion One of the first advertisers to employ dead celebrities was Diet Coke back in 1991. The TV commercial was staged in a hot nightclub, with Elton John leading the band. Humphrey Bogart, James Cagney and Louis Armstrong were all incorporated using old movie and TV clips - and the technique opened the doors to a whole new casting conversation. This week on Under The Influence, we look at Marketing Dead Celebrities. It's become a $2 billion dollar industry. The marketing of dead celebrities not only attracts lots of big brands, but lots of controversy. We'll trace the use of dead celebrities in advertising, we'll analyze "Dead Q Scores," we'll list the top-grossing dead celebrities, we'll tell some fascinating stories about ads that featured Audrey Hepburn, Michael Jackson, Fred Astaire, Kurt Cobain and Marilyn Monroe - and how their families felt about those commercials. Hope you join us. It's a brave new world, now that nobody's dead anymore. Twenty-six miles from Palm Springs, in Indio, California, a large event is staged every year. It's called the Coachella Valley Music and Arts Festival. Started in 1999, it's a big two-weekend gathering that draws over 80,000 people a day. Nearly 180 musical acts perform, and while the festival has hosted big acts like Paul McCartney, Madonna and Foo Fighters, it's also an important...
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