...sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc bljmB Mnbvz;kghej vmdfk n;kbjd;fbdfkl blFDNB’VKEFLKV DF/LB;VKDFBVKJD FBVBM DFKJBHKDF B/,.CX LDFPOJBPO sfhDBluabsldjkbvuicebnferyfguowcbnfgcjnefbpweux bgejrhbgc...
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...Yaar Naa Miley Essay Tu hai lajawaab, tere jalwe hazaar Mera bhi pata hai, main na maanu kabhi haar Teri meri duniya mein be-hisaab pyar Main hoon ek Angel aur Devil mera yaar Tere jaisa duniya mein koi bhi nahi Jise dhoondti nazar lage tu hi hai wahi Pariyon ki rani hoon main sabse haseen Par tere bina KiCK mujhe milti nahin Tere bina KiCK mujhe milti nahin Tere bina KiCK mujhe milti nahin Tere bina, tere bina... Je mainu yaar na mile te mar jaawan Je mainu pyar na mile te mar jaawan Je mainu yaar na mile te mar jaawan Je mainu pyar naa miley Je mainu yaar naa miley Je mainu pyar na mile te mar jaawan! (Honey Singh Rap) Har shaam baby, tere hi naam baby Aa tujhe pyar karoon main sar-e-aam baby Hai intezam baby, kar ehtram baby Iraade nek mere, na koi ganda kaam baby Ishq, pyaar aur waar khule aam karoon Main hoon mutasib tujhse Dil ye tere naam karoon Aaja meri baahon mein Let me love you baby Kahin tu mujhse ye na keh de Je menu yaar na mile, mile.. mile.. Te mar jaawaan Je menu pyar na mile te mar jaawan Je menu yaar na mile te mar jaawan Je menu pyar na mile Je mainu yaar na mile Je menu pyar na mile te mar jaawan Mohabbat bhi karke dekhi Kya paaya woh kaise bataaun Dil ka aisa aalam tha ke Dard-e-dil kisko sunaaun Haan main hoon tera gunahagaar Mat dohrana tum abki baar Je menu yaar na te mar jaawaan Je menu pyar na mile te mar jaawan Je menu yaar na mile te mar jaawan Je menu pyar na mile Je menu yaar na mile Je...
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...Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhaate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi na utre (utre.. utre..) Hangover teri yaadon ka Hangover teri baaton ka Hangover teri yaadon ka Hangover teri baaton ka Jaane kab hothon pe Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi na utre (utre.. utre..) Hangover teri yaadon ka Hangover teri baaton ka Hangover teri yaadon ka Hangover teri baaton ka.. Jaane kab meri neend udi Soyi soyi raaton mein Jaane kab mera haath gaya Soneya tere haathon mein, aww.. (x2) Chal badhte teri ore Main jab bhi kadam uthati hoon Jaaun tujh se door door Toh paas tere aa jaati hoon Maine dekha tujhe bhulaake Har ek tarqeeb lagaake Har...
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...get caught in the rain I know our love won’t wash away (You got me so addicted) No matter if we get caught in the rain I know our love won’t wash away Storm or hurricane* Girl our love will find a way I wanna see the sunset in your eyes Lying next to you every single night Wanna be the reason that you smile Baby go with me, it’s ride on tide Mohabbat barsa dena tu, sawan aaya hai Tere aur mere milne ka, mausam aaya hai Sabse chhupa ke tujhe seene se lagaana hai Pyar mein tere hadd se guzar jaana hai Itna pyar kisi pe, pehli baar aaya hai Mohabbat barsa dena tu, sawan aaya hai Tere aur mere milne ka, mausam aaya hai Sabse chhupa ke tujhe seene se lagana hai Pyar mein tere hadd se guzar jaana hai Itna pyar kisi pe, pehli baar aaya hai Kyun ek pal ki bhi judaai sahi jaaye na Kyun har subah tu meri sanson me samaye na Aaja na tu mere paas, dungi itna pyar main Kitni raat guzaari hai, tere intezar mein Kaise bataaun jazbaat ye mere Maine khud se bhi zyaada tujhe chaaha hai Sab kuch chhod ke aana tu, sawan aaya hai Tere aur mere milne ka, mausam aaya hai Sabse chhupa ke tujhe seene se lagana hai Pyar mein tere hadd se guzar jaana hai Itna pyar kisi pe, pehli baar aaya hai Girl you’re my passion You got me so addicted Girl you’re my passion You got me so.. I will be there ------------------------------------------------- Shanmughan Manjunath Shanmugam Manjunath (24 October 1978 – 19 November 2005) was a marketing manager (grade A officer) for the Indian Oil Corporation(IOC) who was...
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...She realizes that she’s worth more than allowing a man to control her and ruin her self-esteem. She doesn’t want any more men making her feel that she isn’t worth it. Her best friend felt that she changed ever since she met Lucio and she lets him treat her like he wanted but it was time for her to realize that she deserves better. She loses her job because of Lucio, “Miss Avila, I called you in here because we’ve received a complain…I don’t know how to say this but it’s about your personal life…it’s about you and Lucio Valadez…I have to ask you to take some time off. We’ll talk again in August” (Chavez 270). Tere realizes that her actions have affected her to the point where it affected her job as well. She loses her job because Lucio’s wife complained but now she knows it’s not a good idea to continue to see Lucio. Although Lucio had stopped talking to Teresina already she stills find herself worrying about him especially when there was a bomb at the hotel, she worried it was Lucio since he wasn’t answering her calls and was nowhere to be...
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...process of scapula • Insertion: – Humerus (medial) • Actions: – Flexion, adduction, horizontal flexion – Primarily an assisting muscle Coracobrachialis Subscapularis • Origin: – Subscapular fossa of scapula • Insertion: – Lesser tubercle of humerus • Actions: – Internal rotation, extension and adduction Subscapularis Muscles of the Shoulder/Upper Arm • Superior: – Deltoid, Supraspinatus Deltoid • Origin: – Clavicle, scapula • Insertion: – Deltoid tuberosity of humerus • Actions: – Abduction – Anterior deltoid: horizontal flexion, internal rotation – Posterior deltoid: horizontal extension and external rotation Deltoid Muscles of the Shoulder/Upper Arm • Posterior: – Latissimus dorsi, Teres major and minor, Infraspinatus Latissimus Dorsi • Origin: – Vertebrae, sacrum, ilium • Insertion: – Near the intertubercular groove of humerus • Actions: – Extension (prime mover), adduction, internal...
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...Music Vande Mataram (A R Rehman) Yahan vahan saara jahan dekh liya hai, Kahin bhi tere jaisa koi nahin hai. 80 nahi 100 din duniya ghuma hai nahi kahin tere jaisa koi kahin Main gaya jahan bhi Bas teri yaad thi Jo mere saath thi , mujhko tadpati , rulati Sabse pyaari teri surat Pyaar hain bas tera pyaar hi………………. Ma tujhe salaam(2) Amma tujhe salaam, ma tujhe salaam……….. Vande Mataram (4-6) --- Tere hi paas main aa raha hoon , Apni bahe khol de Zoor se mujhko gale laga le Mujhko phir voh pyaar de Ma........... Tu hi zindagi hain Tu hi meri Mohabbat hain Tere hi pairon mein jannat hain Tuhi dil tu jaan amma ……… ma tujhe salaam Pathshala (Rang de Basanti) Lose Control..(1) One more to lose (2) Lose control(2) I’m a rebel (2) Na koi padne wala , na koi sekhne wala (2) Apni toh pathshala masti ki pathshala(2) Lose Control --- Chehrae ki kitabe hain hum who padne aate Yeh surat teri meri mobile library Yaaron ki equation hai, love multiplication hai Jisne dil ko jeeta hai Who alpha hai , theta hai. Lose Control(2) One more to lose (2) Lose Control (2) I’m a rebel. (2) ---Talli hoke girne se samjhi hamne gravity, Ishq ka practical kiya tab aayi clearity Na koi padne wala na koi sekhne wala Nata yeh sarnata hai dekho lambu shor hai Har dil mein bud bud karta H2SO4 hai. Na koi padne wala , na koi sekhne wala (2) Apni toh pathshala masti ki pathshala(2) I’m a rebel , Lose control ! Aadat (Kalyug) Juda Hoke bhi tu mujhmein kahin baaki...
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...ho ke banunga mai ek bada actor Saath mein banunga music director Badi-badi car hogi Mehngi-mehngi bike hogi Jis girl pe ungli rakhu wo mere sath hogi Saari duniya mein Shashank ka naam faeil jayega Koi bhi nahi usse takrayega Jisne bola ki main baitha reh jaunga Bada actor usse ban ke dikhaunga Bindass ho ke jia hun Bindass ho ke marunga Maa-baap ka naam roshan mai karunga Agle hi din nikla mein sadak pe Mil gayi mujhe ek kanyakuwari Dooor se usne mujhe aankh maari Paas jaake bola maine usse... Aja babes tujhko mai saeir kara dun London Paris shoping kara du Duniya ke saare aesh tujhpe lutadu Disco mein tere liye mashup baja du Tujhe dekh kar mere dil mein baji ghanti Ek nazar me ek aag si Badhki Tere ghar ke niche aaya mai to drop karne Tere uncleno ne dekh liya mujhe shop se Teri mummy mujhe dekh ke ho gayihairan Kyun ki sang tere dekh liya usne jo aaj Mujhe samajh na aaya Ho gaya mein pareshan Par mann me jo aaya mere ek hi khayal Aur mara aisa laat Tujhe mil jayegi duniya ki sartaj Party karunga jo mai aaj saari raat kyun ki.... Mile mujhe duniya ki sartaj... visit website -...
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...1 THE VEGA FOOD COMPANY In February 2007, Francisco Valle, Jr., president of Industrias La Vega, organized the first family council meeting in the owning family’s history to address problems he was having with his youngest sister, Mari, a shareholder in the company. He felt that the problems were not of his making and were interfering with his management of the company. Francisco, 45, had worked closely with his father, Francisco Sr., since 1986 and had become president of the company in March 2004, when his 72-year-old father was killed in an automobile accident. Industrias La Vega was a Spanish meat-processing business that produced hams, sausages, and other delicacies for domestic and export markets. The $104.8-million-a-year business was demanding, of course, but Francisco Jr. felt most challenged by the family conflicts that often overwhelmed him. The ownership structure of Industrias La Vega had been updated just months before the tragic accident involving Francisco Sr. At the request of Francisco Jr., who was concerned about the possible loss of control of the enterprise he had co-managed with his father for years, Francisco Sr. and his attorneys had created two classes of stock. The voting A shares did not pay dividends. The nonvoting but dividend-bearing B shares had a par value 10 times higher than that of the A shares. Except for brief stints, none of the Valle daughters had worked in the business prior to their father’s death. Ana, the second eldest daughter, was...
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...(RACE) 3. MERAY HATHOON MAIN (FANAA) 4. TERE ORE (SINGH IS KING) 5. DULHA MIL GAYA (DULHA MIL GAYA) 6. PEE LOON (ONCE UPON A TIME IN MUMBAI) 7. BABA KI RANI HOON (APKO PEHLE BI KAHIN DEKHA HAI) 8. TUM JO AAYE (ONCE UPON A TIME IN MUMBAI) 9. TARA RA RUM PUM (TARA RA RUM PUM) remember to delete the middle part where they talk 10. SILSILA YE CHAHAT KA (DEVDAS) BRIDE HOLUD 11. YEH ISHQ HAI (JAB WE MET) 12. KABAR NEHI (DOSTANA) BRIDE GROOM 13. JEE LE (U ME AUR HUM) TOGETHER 14. AAB TO FOREEVER (TARA RUM PUM) TOGETHER 15. AAHISTA AAHISTA (BACHNA AE HASEENO) 16. TUMHEIN JO MAINE DEKHA (MAIN HOON NA) 17. MAIN AGAR KAHO (OM SHANTI OM) 18. JANAY KYUN (DOSTANA) BRIDEGROOM HOLUD 19. TUM SE HI (JAB WE MET) 20. BIN TERE KYA (WHO LAMHE) 21. HAR TARAF TU HI DIKHE (RISTAAY) 22. BAHARA (I HATE LUV STORY) 23. TUM MILAY (TUM MILAY) 24. TU JANAY NA (AJAB PREM KI GAJAB KAHANI) 25. TU HI HAQEEQAT (TUM MILE) 26. DIL IBADAT (TUM MILE) 27. TERA HONAY LAGA HOON (AJAB PREM KI GAJAB KAHANI) 28. BAKUDA TUM HOON (KISMET) 29. MUJHE TERI AAKON MEIN (PAATSHALA) 30. MEHENDI LAGA KAY RAKNA (DDLG- REMIX) 31. SAJAN SAJAN (ARZOO - REMIX) 32. HONE LAGA (KUCH TO HAI) 33. SAJAN JI GHAR AYE (KUCH KUCH HOTA HAI) 34. JOGI MAHI (BACHNA AE HASEENA) 35. ISHQ NE TERE ISHQ NE (AISTHA AISTHA) 36. MEHENDI LAGAOON...
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...Ilahi teri chokhat per bhikari ban ker aya hoon, Sarapa faqr hoon, ijz-o-nadamat saath laya hoon, Bhikari woh ke jis ke paas jholi hai na payala hai, Bhikari woh jisey hiras-o-hawas nay maar dala hai, Mata-e-deen-o-danish, nafs ke hathon se lutwa ker. Sakoon-e-qalb ki daulat hawas ki bhent charha ker, Lutta ker sari poonji ghaflat-o-issyan ki daldal mein, Sahara lene aya hoon tere kaabay ke aanchal mein, Gunahon ki lipatt sey, kaynat-e-qalb afsurda, Iraaday muzmehehal, himmat shikasta hoslay murda, Kahan say laoon takat dil ki sachi tarjumani ki, Ke kis jhanjhal mein guzri hein ghariyan zindagani ki. Khulasa yeh ke bus jull bhun ker apni roo-sayahi sey, Sarapa faqr ban ker apni haalat ki tabahi sey, Tere darbar mein laya hoon apni ab zaboon-haali, Teri chokhat ke laeq har amal se hath hein khali, Yeh Tera ghar hai ye Tere mehr ka darbar hai Maula Sarapa noor hai, ik mohbat-e-anwaar hai Mola. Teri chokhat ke jo adab hein, main unn se khali hoon, Nahi jis ko saleeqa manganey ka, woh sawali hoon Zuban ghalt-e-nadamat dil ki na’kas tarjumani per, Khudaya reham meri iss zaban-e-ijz-zabani per, Ye ankhein khushk hein, Ya Rabb inhein rona nahi aata, Sulagtay daagh hein dil mein jinhein dhona nahi aata. Ilahi teri chokhat per bhikari ban kay aaya hoon, Sarapa faqr hoon, ijz-o-nadamat saath laya hoon, Sarapa faqr hoon, ijz-o-nadamat saath laya...
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...the wide range of motion at the G/H joint, it’s essential that each muscle performs its task to prevent dislocation of the humorous. Damage to any of the four will cause problems with the proper function of the shoulder. The muscles responsible for maintaining the integrity of the G/H joint are subscapularis, supraspinatus, infraspinatus, and teres minor. Since each muscle protects and stabilizes the head of the humerus in the G/H joint, knowing specific origination, insertion and action will make isolation of injuries to specific muscles much easier. • Subscapularis originates at the subscapular fossa of the scapula and inserts at the lesser tubercle of the humerus. Its primary action is to medially rotate the shoulder. • Supraspinatus originates at the supraspinatus fossa of the scapula and inserts at the greater tubercle of the humerus. It assists the deltoid the begin abduction of the shoulder. • Infraspinatus originates at the infraspinatus fossa on the posterior surface of the scapula and inserts at the greater tubercle of the humorous. It does both adduction and lateral rotation the shoulder at the G/H joint. • Teres Minor originates at the upper two-thirds of the lateral border of the scapula and inserts on the greater tuberosity of the humerus. It's also adducts and laterally rotates the shoulder at the G/H joint. Luckily for the client, there is a wide range of exercises that can be done to help increase stability without requiring access to a gym or physical...
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...dangers associated with forced muscle relaxation is breaking of the bone and muscle tear. The muscles have been in a flexed position for a prolonged amount of time and therefore will require a lot of force to be placed in a relaxed state; causing a tear of muscles and ligaments. Also, the bones associated with those muscles are weak due to a lack of exercise and can easily fracture with a minimal application of force. Most muscle relaxers would be ineffective for treatment because they work along the central nervous system and DMD is independent of that. 2. The muscles that are likely to cause the biggest problems in the shoulder are the deltoid (anterior, posterior, and lateral), supraspinatus, infraspinatus, subscapularis, and teres minor. Next, the muscles that are most likely to causes the biggest problems in the elbow are the biceps brachii long and short head, triceps brachii long and lateral head, brachioradialis, brachialis, and anconeus. Constriction of the...
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...Life is a blog ------------------------------------------------- Poshmaal ghazal : poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain Aah Ko Chaahiye - Mirza Ghalib Aaina mujse meri pehli si surat mange Aaj jaane ki zid na karo - Faiyaz Hashmi Aap ki yaad aatee rahee Aap ko dekh kar, dekhta reh gaya - Aziz Qaizi Aawargi - Mohsin Naqavi Ab ke ham bichhde - Ahmed Faraz Apni dhun mein rehataa huu.N - Nasir Kazmi Aye husn-e-beparwah Aye Mohabbat Tere Anjaam Pe Rona Aaya Baabul Moraa - Baat niklegi - Kafeel Aazer Bhooli bisri chand umeedein - Razi Tirmizi Chamakte chaand ko - Anand Bakshi Chhaa rahii kaalii ghataa - Qalander Baksh Jurrat Chupke chupke raat din - Hasrat Mohani Denevaale mujhe maujo.n kii ravaanii de de - Shadab Lahori Dil dhoondhta hai, phir wahee - Gulzar Dil mein ik lahar sii uThii hai abhii - Nasir Kazmi Duniyaa jise kahate hain - Nida Fazli Duniya kisi ke pyaar mein - Dukhi Prem Nagri Ek purana mausam lauta - Gulzar Faasle aise bhii honge - Adeem Hashmi Gulon mein rang bhare - Faiz Ahmed Faiz Har ek baat pe kahte ho - Mirza Ghalib Hazaaron Khvaahishen - Mirza Ghalib Honton se chhoo lo tum - Indeevar Hoshwaalo.n ko khabar kya - Nida Fazli Humko kiskay gham nay maara - Masroor Anwar Hungama hai kyon barpa - Akbar Allahabadi Itni muddat baad mile ho - Mohsin Naqvi Jab bhii aatii hai terii yaad - Krishan Adeeb Jhoom kay jab rindo nay pila di - Kaif Bhupali Jhukii jhukii si nazar...
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...11/8/2012 Muscles Stabilizing Pectoral Girdle Muscles of the Upper Limb Pectoralis minor ORIGIN: INNERVATION: anterior surface of ribs 3 – 5 pectoral nerves INSERTION: protracts / depresses scapula ACTION: coracoid process (scapula) (Anterior view) Muscles Stabilizing Pectoral Girdle Muscles Stabilizing Pectoral Girdle Serratus anterior Subclavius ORIGIN: INNERVATION: ORIGIN: INNERVATION: ribs 1 - 8 long thoracic nerve rib 1 ---------------- INSERTION: ACTION: INSERTION: ACTION: medial border of scapula rotates scapula laterally inferior surface of scapula stabilizes / depresses pectoral girdle (Lateral view) (anterior view) Muscles Stabilizing Pectoral Girdle Muscles Stabilizing Pectoral Girdle Trapezius Levator scapulae ORIGIN: INNERVATION: ORIGIN: INNERVATION: occipital bone / spinous processes of C7 – T12 accessory nerve transverse processes of C1 – C4 dorsal scapular nerve ACTION: INSERTION: ACTION: INSERTION: stabilizes / elevates / retracts / rotates scapula upper medial border of scapula elevates / adducts scapula acromion / spine of scapula; lateral third of clavicle (Posterior view) (Posterior view) 1 11/8/2012 Muscles Stabilizing Pectoral Girdle Muscles Moving Arm Rhomboids Pectoralis major (major / minor) ORIGIN: INNERVATION: ORIGIN: INNERVATION: spinous processes...
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