...| | |Mohit Kasana | |Contact No: +91 - 9029070090 | |E-mail: kasana221286@gmail.com | | | Career Objective: To take a challenging post for understanding business change needs, assessing the impact of those changes, capturing, analyzing and documenting requirements and then supporting the communication and delivery of those requirements with relevant parties. Professional summary: ✓ 2.8 years of experience in the field of IT on as Functional Consultant Oracle Applications ERP and Business Analyst for Bespoke Applications. ✓ Extensive experience in Requirement gathering, Analysis and understanding of AS-IS and TO-BE models, Documentation (like BRD’s, Wireframes, Use cases, Test cases, and Test Plans) and High Level Design. ...
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...All My Lifetime This is show to you All My Lifetime... Mai ek baccha hun Dil ka mai saccha hun Padhai mein kaccha hun par Baki sab mein accha hun Kaam hain mere bade jaise Ladki ghumana ya fir ladki patana Ghar mein lately beer pike anna Bade ho ke banunga mai ek bada actor Saath mein banunga music director Badi-badi car hogi Mehngi-mehngi bike hogi Jis girl pe ungli rakhu wo mere sath hogi Saari duniya mein Shashank ka naam faeil jayega Koi bhi nahi usse takrayega Jisne bola ki main baitha reh jaunga Bada actor usse ban ke dikhaunga Bindass ho ke jia hun Bindass ho ke marunga Maa-baap ka naam roshan mai karunga Agle hi din nikla mein sadak pe Mil gayi mujhe ek kanyakuwari Dooor se usne mujhe aankh maari Paas jaake bola maine usse... Aja babes tujhko mai saeir kara dun London Paris shoping kara du Duniya ke saare aesh tujhpe lutadu Disco mein tere liye mashup baja du Tujhe dekh kar mere dil mein baji ghanti Ek nazar me ek aag si Badhki Tere ghar ke niche aaya mai to drop karne Tere uncleno ne dekh liya mujhe shop se Teri mummy mujhe dekh ke ho gayihairan Kyun ki sang tere dekh liya usne jo aaj Mujhe samajh na aaya Ho gaya mein pareshan Par mann me jo aaya mere ek hi khayal Aur mara aisa laat Tujhe mil jayegi duniya ki sartaj Party karunga jo mai aaj saari raat kyun ki.... Mile mujhe duniya ki sartaj... visit website -...
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...SL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Song Name Amanush Theme Amanush Duchokher Oi Jhiley Hai Rama Jiboner Jalchabi Monta Kore Uru Uru O My Love Aamake Aamar Moto Thaakte Dao Bhaage Jaana Hai Kahan Bneche Thakar Gaan (Rupam) Bneche Thakar Gaan (Saptarshi) Chawl Raastaye (Shreya) Chawl Raastaye (Priyam) Phnaade Poriya Bawga Knaade Re Uthche Jege Shawkalgulo Bol Na Aar Dui Prithibi It's Only Pyaar O Yara Vey Pyarelal Keno Aaj Kal Keu Mone Mone Khujechi Toke Raat Berate Pirit Koro Na Sexy Maye Aas Paas Hai Khuda (Unplugged) Aas Pass Hai Khuda Ale Ab Jo Bhi Ho Anjaana Anjaani Hai Magar Anjaana Anjaani Ki Kahani Apna Har Din Jiyo (Remix) Apna Har Din Jiyo Baki Main Bhool Gayi Chhan Ke Mohalla Sara (Remix) Chhan Ke Mohalla Sara Chori Kiya Re Jiya (Female) Chori Kiya Re Jiya (Male) Dabangg Theme Desi Kali Your A Desi Kali (Bawara Sa) (Remix) Desi Kali Your A Desi Kali (Bawara Sa) Desi Kali Your A Desi Kali (Remix) Song Code 5551 5552 5553 5554 5555 5556 5557 5558 5559 55510 55511 55525 55512 55513 55514 55515 55516 55517 55518 55519 55520 55521 55522 55523 55524 55526 55527 55528 55529 55530 55531 55532 55533 55534 55535 55536 55537 55538 55539 55540 55541 Artist/Movie/Album Amanush Amanush Amanush Amanush Amanush Amanush Amanush Autograph Autograph Autograph Autograph Autograph Autograph Autograph Autograph Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Dui Prithibi Josh Josh Josh Josh Josh...
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...amar prothom dekha brishti-r jol-e bhasiyechhi bhela khelar chhol-e sei jol gechhe mishe, kon nodi-te gechhe hariye kon sagar-e majhi re, o majhi re, dekhechho ki tumi tare? majhi re, o majhi re, dekhechho ki tumi tare? nouko amar, chhele belar, kagoj-er... amar prothom paoya aankar khata, amar prothom lekha kobita, sei chhelbelar, sopno hajar, gechhe hariye kon sagar-e majhi re, o majhi re, dekhechho ki tumi tare? majhi re, o majhi re, dekhechho ki tumi tare? nouko amar, chhele belar, kagoj-er... neeli ambar si naiyyan meri, lehorn ki dhoon mein beh chali, gehri sagar mein tanha kahin, geeton ko tumhare khojti.. ekta jholse jaoya bikel belai, ekta laalche sagar-er jole, jaye bhese jaye sopno bojha-i, nouko amar, kagoj-er majhi re, o majhi re, dekha hai kya tumne usse, majhi re, o majhi re, dekha hai kya tumne usse, kagaj ki nao, mein hain bhare, sapne mere... o majhi re.... [Baranday roddur, ami araam kedara-e boshe du pa nachai re] (2) gorom cha-e, chumuk di, ami khaborer kagoj niye boshe pata oltai re calling-er ghonta shune chhute giye dorja khuli calling-er ghonta shune chhute giye dorja khuli daroan daraye eshe tomar dekha nai [tomar dekha nai re, tomar dekha nai] (4) [chaturdik, agochhal, amar kajer lok dub merechhe dhulo barimoy](2) gharar ghar, fan-er blade, amar ghulghulite chorai boshe jatra shonay re calling-er ghonta sunte chhute giye dorja khuli calling-er ghonta shune chhutte giye dorja khuli dudhwalar...
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...Mohammed Rafi 1 Mohammed Rafi Mohammad Rafi Background information Born Origin 24 December 1924 Kotla Sultan Singh, Punjab, British India Indian Died 31 July 1980 (aged 55) Mumbai, Maharashtra, India Genres Indian classical, ghazal, playback singing Occupations Hindi and Punjabi playback singer Instruments Vocalist Years active 1944–1980 Mohammad Rafi (Urdu: ,عیفر دمحمHindi: मोहम्मद रफ़ी; 24 December 1924 – 31 July 1980), was an Indian playback singer whose career spanned four decades.[1] He won a National Award and 6 Filmfare Awards. In 1967, he was honoured with the Padma Shri by the Government of India.[2] In a career spanning about 40 years, Rafi sang over 26,000 film songs.[3] His songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans, and from slow melancholic tunes to fast and melodious fun filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety.[4] He sang in many Indian languages including Hindi, Konkani, Urdu, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few English, Persian, Spanish and Dutch songs. An article in Times of India, published on 24 July 2010 sums up his voice as, "If there are 101 ways of saying "I love you" in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of...
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...‘GUNDA’ AND ‘LOHA’ A STUDY OF CULT FILM CULTURES KSHITIJ PIPALESHWAR A dissertation submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Media and Cultural Studies School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai 2013 i DECLARATION I, Kshitij Pipaleshwar, hereby declare that this dissertation entitled ‘ ‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the outcome of my own study undertaken under the guidance of Assistant Professor K.V.Nagesh Babu, Centre for Critical Media Praxis, School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. It has not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or of any other institute or university. I have duly acknowledged all the sources used by me in the preparation of this dissertation. 3rd March 2013 Kshitij Pipaleshwar ii CERTIFICATE This is to certify that the dissertation entitled ‘‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the record of the original work done by Kshitij Pipaleshwar under my guidance and supervision. The results of the research presented in this dissertation/thesis have not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or any other institute or university. 4th March 2013 K.V.Nagesh Babu Assistant Professor Centre for Critical Media Praxis School of Media...
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...Sevin için Ural’ın hatırasına 5 İçindekiler Önsöz / Ömer Madra 9 Geleceği Elinden Alınan Adamın Geçmişi de Elinden Alınacak Diye Korkuyorduk / Enis Batur 13 SONUN BAŞLANGICI 17 YAYIMLAYICININ AÇIKLAMASI 21 Birinci Bölüm 23 İkinci Bölüm 243 Üçüncü Bölüm 439 Dördüncü Bölüm 547 TURGUT ÖZBEN’İN MEKTUBU 717 7 ÖNSÖZ Şaksiper Kimdir, Eseri Nedir? Yıllar önce yayımlanmış bir broşürün adıydı bu. Ne yazık ki artık adını hatırlayamadığım müellifi, ünlü İngiliz yazarını şöyle 15-20 sayfalık küçük ama yoğun bir broşürle anlatıyordu. Kitapçığın kapağında “Şaksiper”in resmi bile vardı. Oğuz Atay’ın hayatını ve eserlerini kapsayan bir önsöz yazmak çabası da işte bu “adsız” araştırmacınınki kadar acıklı ve tuhaf görünüyor bana. Zaten Oğuz Atay’ın kendisi de, pek çok kurumun yanı sıra “önsöz”leri tefe koyup yerlebir etmişti. Biraz sonra ayrıntısıyla okuyacağınız gibi, Tutunamayanlar’da şöyle diyor meselâ: “‘Hayatı ve eserleri’. Hiç bıkmıyorum bunları tekrar tekrar okumaktan. Yazarın her kitabını okurken ‘Hayatı ve Eserleri’ yeniden karşıma çıkıyor. Bir daha, bir daha okuyorum. Sanki önceden ‘Hayatı ve Eserleri’ni bilmiyormuş gibi yapıyorum: yeni baştan heyecanlanmak için. Yalnız, yazarlar arasında bir birlik bulunmaması beni yoruyor. Hiç olmazsa önsözleri yazanlar, yılda bir kere toplanmalı ve aralarında ortak esaslar tespit etmeli. Bugünkü durum esef verici. Bakıyorsun bir yazar, çok zor birleştiriyor kelimeleri. Bir türlü cümleleri kuramıyor. Öyle diyor önsöz amca. Geçer karatahtanın...
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