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The Beginning to Jazz

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The Beginning to Jazz Jazz History MUS 205

Three styles of music that contributed to what Jazz is today would be Work Songs, Country Blues, and City Blues. They have similar aspects that have built on one another making them familiar yet has enhanced them. They also have many differences that give them their unique sound. These styles have inspired artist to contribute to Jazz with their own flair. Their culture and back ground is what makes the music have the sole to reach the audience in ways they can relate. They have seen and felt the same tribulations the artist portrays. Work songs through their hypnotic rhythms were effectively used to have the workers keep pace. These work songs helped to coordinate single thrusts or pulls, yet the vocals were kept simple as to allow the laborers to concentrate on the work. The singer would use heavy rhythmic accents and the workers would join in with shouts at regular intervals throughout the song. This technique was called the call-response, the shouts or grunts signaled the moment of coordinated effort in their work. The structure of a work song was simpler than the 12 measure blues progression. When accompanied by instruments, it was usually a guitar accompaniment that was deceptively complex. The work song usually told a simple yet familiar story. The blues is single-handedly the root of jazz. Without the blues there would be no jazz as we know it today. About the same time the work song was in use, country blues was gaining significance in the South. Early blues songs were sung by African American male singers in the South and the Southwest. The first blues singers would drink, dance, and mingle freely among the patrons and guests. Country Blues was informal, unrestrained, and often improvised on the spot. The significance of the theme of Country Blues was a large core of the blues songs. The basic human problems of

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