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The Black Cat by Edgar Allan Poe

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In the 18’Th century, the world was in a conflict between the traditional superstition and the emerging rationalism. This change in society was also seen in the literature of the century and many gothic novelists was inspired to include this conflict in their works. Edgar Allen Poe’s short story, the black cat, is a great example of how the literature reflected the conflict of the real world.
In the horrific short story, the black cat, by Edgar Allan Poe, the reader follows the mind of a reflective 1.st person narrator, whose sanity and reliability is constantly questioned. To do this, Poe uses many literary techniques, which add up to the constant questioning of the narrator’s reliability.
One technique is the distancing of norms and values between the reader and the narrator. An example proving this is the clinical and calmly description of how the narrator plans to hide the carcass of his wife: “Many projects entered my mind.” Notice how the narrator thinks rationally about hiding the carcass because it has a significant meaning later on in the interpretation.
One might think that this is a sure sign that the narrator is completely insane, but because Poe uses a 1.st person narrator, he is, arguably off course, able to justify all his wicked actions. This is partly due to the 1.st person reflective point of view, where the reader follows the mind of the narrator, but also due to the narrator’s constant tries to convince the reader that he is rational and sane, and in such a degree that he is stating his sanity in the beginning of the short story. “Yet, mad am I not - and very surely do I not dream.”
Other techniques used, which adds up to the questioning of the narrator’s reliability is the use of foreshadowing and symbols.
A black cat have traditionally been a symbol of death, bad luck or witches in disguise. In other words, a black cat is traditionally

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