...The Canterbury Tales author · Geoffrey Chaucer type of work · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) genres · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau language · Middle English time and place written · Around 1386–1395, England date of first publication · Sometime in the early fifteenth century publisher · Originally circulated in hand-copied manuscripts narrator · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. point of view · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. tone · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. tense · Past setting (time) · The late fourteenth century, after 1381 setting (place) · The Tabard Inn; the road to Canterbury protagonists · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the protagonists are...
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...Geoffrey Chaucer’s collection of stories titled The Canterbury Tales and Dante Alighieri’s three-part poem The Divine Comedy have certain similarities and some differences that often have a religious theme. One of the most obvious comparisons between the two is that both authors wrote about significant journeys. While Dante wrote about traveling through Hell, Purgatory, and Heaven, Chaucer wrote about a group of people occupying their time while they traveled. The two authors had contrasting writing styles when discussing those journeys; Chaucer’s was more light-hearted and sometimes even risqué, while Dante’s was more consistently solemn and meticulous. Chaucer, author of The Canterbury Tales, and Dante, author of The Divine Comedy, had some...
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...Canterbury Tales Webquest Today you are going to research background information about Geoffrey Chaucer and The Canterbury Tales. Anything not completed in class should be finished for HW. - Use the links to answer the questions listed below. - Please PARAPHRASE your answers rather than copying and pasting information. You may type your answers directly into the document and print when finished. 1. Geoffrey Chaucer 1. What kind of writer was he? He is a realistic writer. 2. What were the years of his birth and death? Born 1340/44, died 1400. 3. Where was he from? London, England 4. What was his “masterpiece”? The Canterbury Tales http://www.bartleby.com/65/ch/Chaucer.html 2. What is a pilgrimage? (You should already know this from our vocab. quiz.) A pilgrimage is a journey or search of moral or spiritual significance. Typically, it is a journey to a shrine or other location of importance to a person's beliefs and faith, although sometimes it can be a metaphorical journey in to someone's own beliefs. 3. Define prologue. The preface or introduction to a literary work. http://www.webster.com (or other dictionary site) 4. Where is Canterbury? Canterbury is located in Kent county, south-east of London. It is home to the Caterbury cathedral, the burial site of King Henry IV. What famous...
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...Canterbury Tale Canterbury Tales are one of the most famous collections of the stories in Middle English written by English writer Geoffrey Chaucer who made big impact in Middle English literature. One of characters in this stories that impressed many people who read this stories is the Knight. From all characters in Canterbury Tales knight is the noblest of all of them. In “General Prologue: The Knight through the Man of Law” the author asserts that “the Knight is the noblest of the pilgrims, embodying military prowess, loyalty, honor, generosity, and good manners“(Classiclit.about). The Knight conducts himself in a polite and mild fashion, never saying an unkind word about anyone. Knight is motivated by pride and glory, he is brave and noble and he is not afraid of a challenge. In the the cantrebury tale: the knight's tale the author asserts that “ Chivalry is a big deal in "The Knight's Tale." Chivalry was a system of rituals, duties, and behaviors a knight was supposed to follow if he wished to behave with honor (Shmoop). In the tale the knight is presented as the chacarcter who brings glory and he is real example of how perfect knight sholud be. However the knight is described in terms of his commendable feats and his moderate dress and countenance, he possess moral values such as in first place honour, curtesie and fredom. The knight is described as the noble warrior who is always ready and prepared to serve to his lord, and with this serving to lord he traveled a...
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...Shlok Kumar Professor Padma Baliga English Literature Upto 1900 13 September 2010 The Canterbury Tales and the Panchatantra: Two Frame Narratives contrasted The East has a wonderful tradition in teaching morals through interesting tales; India has given the world the earliest such tales in the form of the Panchatantra, the Hitopadesa and even the Puranas. The Canterbury Tales and the Panchatantra are both frame narratives- often known as ‘story within a story.’ Yet the target audience of both these works is different. And this arises from the nature of these works. Whilst The Canterbury Tales was written by Chaucer originally for a courtly, upper class audience, the Panchatantra was written to teach the high morals and sensibilities of Vedic literature to three disinterested princes in the simplest language, using animals as symbols and characters. Indeed, the Panchatantra and its derivative work, the Hitopadesa are often dismissed as stories for children. Though these fables are indeed vastly instructive, they also teach a way of thriving in the material world and a way of life itself; the Panchatantra is referred to as a niti-shastra. This paper attempts to contrast the Canterbury Tales with the Panchatantra and illustrate the manner in which the latter is a niti-shastra without being merely populated by abstruse, pithy phrases. We know that in The Canterbury Tales, a group of about 30 pilgrims gather at the Tabard Inn in Southwark, across the Thames from...
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...century, wrote a framed story called The Canterbury Tales. This work is made up of a General Prologue, which is a description of all the individual pilgrims going on the pilgrimage, followed by several tales told by these pilgrims. He describes several knight’s in this work through a chivalric code of honor. Through his description of the Knight in the General Prologue of The Canterbury Tales, as well as the “Knight’s Tale” and the “Wife of Bath’s Tale,” Chaucer suggests that although chivalry...
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...The Canterbury Tales, by Geoffrey Chaucer, is an eminent frame story written in the middle ages. The story begins with an abundant number of people traveling to Canterbury for a religious or luxurious purpose. To pass time, the people tell a story and whoever has the best tale wins a free meal. Chaucer deliberately makes the Prioress stand out more than other characters because she is supposedly a religious woman. The Prioress is a nun who enjoys showing people that “she [is] so charitably solicitous “(Chaucer 147). Throughout The Canterbury Tales, Chaucer gives the Prioress a distinct description, acknowledging her personality, morals, and appearance. In The Canterbury Tales, the Prioress is described as an alluring woman who desires the finest things. Chaucer portrays the Prioress to have appealing features: “Her nose [is] elegant, her eyes glass grey; Her mouth [is] very small, but soft and red, Her forehead, certainly, [is] fair spread” (Chaucer 156-158). The Prioress’ appearance signifies modern day beauty. It seems as if Chaucer is admiring the Prioress and viewing her as a perfect individual from God. In contradiction, Chaucer states how on her jewelry “there first [is] graven a crowned A, and lower, Amor vincit omnia” (Chaucer 165). The saying written on the Prioress’ jewelry means love conquers all, showing that she is more worldly than ecclesiastical. Chaucer establishes that the Prioress cares more about what people think of her than God’s judgment. In addition...
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...The church in England in the fourteenth century was a dominating presence in the life of nearly every citizen. Though the church presented certain advantageous and exploitive opportunities for some, the presence of religion was to others much more burdensome. Chaucer expresses the interruptive aspect of the church through the various characters and situations he creates within his writing. In the General Prologue to the Canterbury Tales, Chaucer utilizes rhyme scheme and detailed imagery of both physical traits and personality traits in his description of the Prioress and the Pardoner to satirize the fourteenth-century practice of sending individuals who lack any ecclesiastical tendencies to work in the church. While the Pardoner represents...
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...such a way that they seem personally experienced. Imagination is always associated with the created power and is a poetic principle. It is a transforming power as it has the ability to change the usual and ordinary in an unusual and uncommon way. Poetry is a modified "image of man and nature”. The poet is able to impart "the glory and freshness of a dream" to ordinary things of nature. He can present in his poetry the light that never was on land and sea. He is able to do so to the creative faculty of imagination. It is thus an active power. Poet is not a passive reflector of images formed from nature. He is a man who not only feels strongly but also thinks long and deeply. He is able to treat absent things as if they are present. Here Canterbury tales present an example of this imaginative power to visualize objects which are not present before poet’s eyes in their concrete forms but he presents them before us that they seem real. 29 pilgrims of Chaucer are his imaginative characters, all their qualities, merits and demerits are his own creations and here his creation is supported by his imagination. Imagination enables the poet to look deep into the heart and soul of things. It is through the imaginative faculty that he arrives at...
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...The Canterbury Tales, by Geoffrey Chaucer is an iconic work of British literature representative of the Middle Ages. In it, a group of travelers tells twenty-four different stories, which each reveal something about their storyteller and audience. Throughout the poem, these revelations provide commentary on the social class system in England of Chaucer’s time; Chaucer’s creativity in “The Pardoner’s Prologue and Tale” allows him to demonstrate several viewpoints of these interactions between the clergy and the commoners. Before examining these viewpoints, it is important to consider the historical context of the text; without it, the significance of Chaucer’s work cannot fully be grasped. Chaucer lived between approximately the years 1343 and...
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...MINISTRY OF EDUCATION, SCIENCE, YOUTH AND SPORT OF UKRAINE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV THE FACULTY OF FOREIGN LANGUAGES LINGUISTIC MEANS OF POTRAYING MAIN CHARACTERS IN “THE CANTERBURY TALES” BY GEOFFREY CHAUCER COURSE PAPER PRESENTED BY LILIA YAREMA a fourth year student of the English department SUPERVISED BY SPODARYK O. V. an assistant professor of the English department LVIV 2012 TABLE OF CONTENTS INTRODUCTION…………………………………………………………… 3-4 CHAPTER I. THEORETICAL ISSUES IN LINGUISTIC ANALYSIS…… 5-16 1.1 Linguistic analysis……………………………………………… 5-8 1.2 Discourse and Text analyses….…………….………………….. 9-11 1.3 Stylistic analysis ………………………………………………… 12-16 CHAPTER II. LINGUISTIC ANALYSIS OF CHAUCER’S CHARACTERS 17-28 2.1 “The Wife of Bath’s Tale” ……………………………………… 18-22 2.2 “The Pardoner’s Tale” ………………………………………….. 23-28 CONCLUSION………………………………………………………………. 29-30 REFERENCES...… ………………………………………………………….. 31-32 INTRODUCTION The theme of the course paper is “Linguistic means of portraying main characters in “The Canterbury tales” by Geoffrey Chaucer”. This paper intends to make an analysis of the language in the collection of stories “The Canterbury Tales”, written by Geoffrey Chaucer at the end of 14th century. We will analyze the language used to describe characters. It was based on the idea that every choice made by the author of a sentence is meaningful. Therefore, once we understand the choices...
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...The Canterbury Tales is an undoubtedly a richly textured work that draws in and combines many different elements of many genres. As a collection of tales it forms a rich tapestry woven from a selection of threads that neatly cover the spectrum of Chaucer's society, and utilises a range of styles which are appropriately diverse and which suit the personality of each individual storyteller. But the casually adopted view that Chaucer utilised a separate genre for each of his tales is an over-simplification of a far more subtle overall generic scheme. For a start, Caroline D. Eckhardt explains that up to the twelfth century, Medieval statements about genre, such as those of Isidore of Seville, Bernard of Utrecht, Honorius of Autun and Matthew of Vendome, usually accounted for no more than four identifiable poetic genres. In the thirteenth century, Geoffrey of Vinsauf and John of Garland extended these lists, though not by much. At this time, the concepts of tragedy and comedy had little to do with humour or pathos, but were instead measures of the movement of fortunes of the characters involved, as well as their social status; Geoffrey of Vinsauf describes comedy as "a rustic song dealing with humble persons, beginning in sadness and ending in joy"(CTC 181) and tragedy as a work "showing the misfortunes of grave persons, beginning in joy and ending in grief"(CTC 181). By today's standards, these interpretations of genre seem rather constrictive...
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...The Canterbury Tales Geoffrey Chaucer Key Facts full title · The Canterbury Tales author · Geoffrey Chaucer type of work · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) genres · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau language · Middle English time and place written · Around 1386–1395, England date of first publication · Sometime in the early fifteenth century publisher · Originally circulated in hand-copied manuscripts narrator · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. point of view · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. tone · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. tense · Past setting (time) · The late fourteenth century, after 1381 setting (place) · The Tabard Inn; the road to Canterbury protagonists · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers...
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...Zachary Scott Bryant Professor Engleking Humanities Cluster September 9th 2015 Themes in Canterbury Tales When dissecting the Canterbury tales for themes you can find about 30 thousand different ones to try to draw stories from your own life. However, in my opinion the three biggest themes that resonate with me are the ideas of Relationships, Companions, and Corruption. Let us begin with the easiest one, relationships. There are several relationships discussed within the Canterbury tales. The most important one is by far the Wife of Bath’s tale of the knight. I see much of the male youth of today in him he is a real smartass and at times is outright rude he is a piss poor example of what a Knight is in general but through his own development in the story he builds his redeeming qualities and ultimately succumbs to his wife’s will and better judgement. I have been in the Knights shoes, stuck between what you want in life and what is truly the right thing to do. Many times my wife’s better judgement has saved me from some unnecessary hardship. Whether it be my impulsive buying habits or my quick to anger personality, I think many men could do well to learn from the knight how to place themselves in the hands of their better halves. From the romantic side of things it is a very short step into the world of corruption. A lot of corruption comes out of romance or love. The knight at the heart of himself is corrupt he is at his deepest level no knight at all. However in my...
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...TITLE · The Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the...
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