...after going for the win and losing is similar to what Oedipus from Sophocles’s Oedipus the King and Othello from Shakespeare’s Othello the Moor must think after they have lost everything they once had even though they didn’t have to. Oedipus the King, born royal, runs away from his prophecy to Thebes, his new land, where he completes what the prophecy had in mind. Othello the Moor, a general, questions his wife, Desdemona, after an evil man manipulates his mind. Though both authors use irony and a tragic hero to move their audiences, Sophocles uses those elements to stress the role of fate, while Shakespeare uses them to demonstrate the importance of personal choice. Both Oedipus and Othello are tragic heroes, and the downfall of each moves the audience. Both heroes are blinded by their emotions. Oedipus was blind to his prophecy that he never realized that he actually married his mother and killed his father. He thought that he could run away from it, and got mad at anyone who suggested that he already reached the destination. For example, when Teiresias tells Oedipus that he is the cause of Thebe’s plague, Oedipus says to him, “Your infantile riddles! Your damned abracadabra!” (Sophocles 24). He is basically getting angry because he believes that Teiresias is threatening his power. Similarly, Othello is blinded by his trust in Iago that he falls for all of his tricks. Othello becomes envious and Iago uses this to his advantage. All of Iago’s tricks eventually lead to Othello’s...
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...ALLEGOR AND IRONY IN 'OTHELLO' Y ANTOINETT B. DAUBER E Othello is Shakespeare's Spenserian tragedy, in which the theme of slandere d chastity becomes a vehicle for exploring the problems of an allegorica l art . Allegory is the mode of selfconscious faith, and Spenser's corpus may be rea d as a portrai t of the artis t as allegorist , wrestling first with the burdens of selfconsciousness and then with the burdens of faith.l In Othello, Shakespeare compresses and objectifies this struggle. Unlike Spenser, he is not committed to the maintenance of allegory, and so he freely dramatizes the interna l weaknesses and external onslaughts that lead to its destruction. What I am calling the 'Spenserian ' quality begins with the chivalric elements in the tragedy. Truly, Othello is a kind of Savage Knight, Desdemona, the absolutely, almost miraculously, worthy lady, and Iago, something of a manipulator like Archimago.2 But more particularl y I would call attention to a specific engagement with Spenserian rhetoric . Consider Cassio' s words of welcome to the disembarking Desdemona: Tempests themselves, high seas, and howling winds, The gutter'd rocks and congregated sands, Traitors ensteep'd to enclog the guiltless keel, As having sense of beauty, do omit Their mortal natures, letting go safely by The divine Desdemona. (2.1.68-73)3 He sets her in the line of Spenser's heavenly allegories . As a parallel , we may recal l Una , slandere d by the arch-magician , abandone d by 123 her...
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...the Shakespearean tragedy “Othello” written by William Shakespeare, the themes that’s being portrayed are honour and gender, through the play the audience if captivated by the characters choices and motives through the play. With the characters choices they help to make the play more understandable as the audience can recognise the tragic hero in both the plays. The relationships between men and women in Othello are remarked as lesser then men. Iago often refers to his wife as a prostitute - "A house wife that by selling her desires, Buys herself bread and clothes (iv.i.95)” showing what type of relationship women and men had during the late 16th century. Women were generally considered obedient, respectful, kind and warm. They were never outspoken nor were they meant to, for it could be seen as a lack of loyalty. When Othello accused Desdemona of cheating on him, he found himself in a position that he didn't want to face with. Othello was emasculated with the thought of a woman disobeying him. Men were easily manipulated into thinking the worst of woman because they were certain it would never happen. However, when the slightest things start to be pointed out the characters start to over analyse. Woman were not on the same level as men; men talked down to woman, they didn’t see them as equals nor think that they should be treated like one. This relates to Othello and Desdemona’s relationship – she “betrayed” their marriage by cheating so when Othello found out he reacted by saying...
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...different purposes. It can be used against an individual in which it does not favour the victims best interest, but allows the manipulator to get a personal gain at the expense of another. Words used in this way are seen as a weapon in which it can inflict suffering and hurt to the victim. On the other hand it can have the opposite intention. It can be used in a positive way and to the benefits of both individuals. It can be uplifting, motivating, and inspirational and will often persuade individual’s interests in a helpful direction. This is how language can be used to manipulate meaning and intent and is shown clearly through William Shakespeare’s characters in the play, ‘Othello’. Language can be used against an individual to cause suffering and pain. This is through the manipulation of meaning and intent. In Shakespeare’s play ‘Othello’, Iago who is the main villain in the film uses his manipulative language to deceive other characters in such a way that it makes him both a powerful and persuasive figure. His understanding of the individuals around him and their desires lets him engage in this deceitfulness even more and persuade individuals with his lies and scheming stories. In Act 1 scene 1, the audience is straight away immersed into the action of the play. In this scene Iago already starts to manipulate Roderigo through his naivety to Iago’s doublecrossing and overall manipulation. Roderigo’s first statement states “Iago, who hast had my purse as if the strings...
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...Ryan Perrin Research Essay 12/12/13 Othello William Shakespeare’s Othello could be viewed as an allegory that represents the frailty of human reason and the ease as to which a person can manipulate rational thought through the utilization of skillful rhetoric and deception. In the essay Allegory and Irony in ‘Othello’ by Antoinette B. Dauber, she says “he [Shakespeare] is not committed to the maintenance of allegory, and so he freely dramatizes the internal weaknesses and external onslaughts that lead to its destruction.” The readers, or viewers of the play, then are meant to be able to apply the stories moral problems to everyday situations and realize the harm that can be done by using rhetoric and deception to manipulate others. Rhetoric, when used as a tool of deception, can lead others to come to “reasonable conclusions,” yet these conclusions may be based upon irrational reasons and emotion; which in turn makes such a conclusion irrational. In reality these irrational reasons are only as rational as a persuader can convince a person to believe. In Othello, Shakespeare shows that even in the minds of people that are most confident of themselves, there is a self-doubt that can be increasingly apparent by very simple means of ignition. Iago ignites, or maybe even re-ignites this self-doubt by leading Othello to believe that Desdemona would prefer Cassio over him, which could cause Othello to believe that he is not worthy of having Desdemona since he is black. This situation...
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...the darker aspects of human nature without dwelling too far into them oneself. The concept of betrayal is explored in Shakespeare's tragedy Othello: The Moor of Venice, wherein the characters are faced with the consequences...
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...relationship between manipulation and jealousy, and its eventual culmination into Othello’s descent into insanity. The scene opens with an emotional and dramatic soliloquy from Othello in which he marvels at Desdemona’s beauty and attempts to validate his supposed honourable intent in murdering her. This passage is significant in augmenting the reader’s comprehension of Othello’s emotional conflictions as demonstrated through his constant oscillation between a yearning for vengeance and his lingering feelings of love. Othello’s experiences of internal struggle is seen in the repetition of “It is the cause” (5:2:1,3)....
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...6 November 2014 Othello William Shakespeare`s Othello is a play set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of race and loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator Brabantio. Othello also known as the Moor--is a foreigner, black in color, has a past filled with tragic and exotic tales and has proved himself worthy of the title General in the Venetian army. During the time the playwright was written ethnic minorities were so unimportant that they were almost ignored. Even before we, as an audience, have had a chance to meet Othello and Desdemona we learn that the match is considered as disgusting as it is outrageous. From the very beginning everyone and everything seem to work against them, but in the hope that love will conquer all we do not allow ourselves to despair as yet. And indeed, the first act proves us right. After having explained why they love each other the world seems to accept this alliance. As the play continues Othello starts to lose his dignity and question his own racial identity as undesirable. The problems occur when Othello marries Desdemona, the young...
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...your feedback relative to the skill set of the writer. Never lie or obfuscate. Just serve it up gently. An upset writer isn’t going to hear your points anyway. But an encouraged one will. Trust me on this. — Julie Gray PRINTER FRIENDLY PAGE Literary analysis looks critically at a work of fiction in order to understand how the parts contribute to the whole. When analyzing a novel or short story, you’ll need to consider elements such as the context, setting, characters, plot, literary devices, and themes. Remember that a literary analysis isn’t merely a summary or review, but rather an interpretation of the work and an argument about it based on the text. Depending on your assignment, you might argue about the work’s meaning or why it causes certain reader reactions. This handout will help you analyze a short story or novel—use it to form a thesis, or argument, for your essay. Summary Begin by summarizing the basic plot: “Matilda by Roald Dahl is about a gifted little girl in small town America who learns to make things move with her mind and saves her teacher and school from the evil principal.” This will help ground you in the story. (When you write your paper, you probably won’t include a summary because your readers will already be familiar with the work. But if they aren’t, use a brief summary to orient them.) Context Research the author’s background and other work. This can give insight into the author’s perspective and bias, as well as tell the reader what he might...
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...Othello – Summary of Act I. Shakespeare's famous play of love turned bad by unfounded jealousy, begins in Venice with Iago, a soldier under Othello's command arguing with Roderigo, a wealthy Venetian. Roderigo has paid Iago a considerable sum of money to spy on Othello for him, since he wishes to take Othello's girlfriend, Desdemona as his own. Roderigo fears that Iago has not been telling him enough about Desdemona and that this proves Iago's real loyalty is to Othello not him. Iago explains his hatred of Othello for choosing Cassio as his officer or lieutenant and not him as he expected. To regain Roderigo's trust, Iago and Roderigo inform Brabantio, Desdemona's father of her relationship with Othello, the "Moor" which enrages Brabantio into sending parties out at night to apprehend Othello for what must obviously be in Brabantio's eyes, an abuse of his daughter by Othello... Iago lies that Roderigo and not himself, was responsible for angering Brabantio against Othello, Iago telling Othello that he should watch out for Brabantio's men who are looking for him. Othello decides not to hide, since he believes his good name will stand him in good stead. We learn that Othello has married Desdemona. Brabantio and Roderigo arrive, Brabantio accusing Othello of using magic on his daughter. Othello stops a fight before it can happen but Othello is called away to discuss a crisis in Cypress, much to the anger of Brabantio who wants justice for what he believes Othello has done...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...thus name spelled in different ways • Shakespeare, Shakspere, Shackspere, Shaxper, Shagspere, Shaxberd, etc. Shakespeare: The most well known playwright of Elizabethan times is Shakespeare. But there were also other writers who in their time were just as, or even more famous than him. WHAT MAKES SHAKESPEARE STAND OUT? – The volume of his works Plays firmly attributed to Shakespeare ■ 14 COMEDIES – funny play – with amusing events – ended in marriage / or happily o Midsummer Night’s Dream, Merchant of Venice, Twelfth Night, As You Like It, Much Ado about Nothing… ■ 10 HISTORIES – Richard III, Richard II, Henry IV… ■ 10 TRAGEDIES – ends in death ← Hamlet, Macbeth, Romeo and Juliet, Othello, Julius Caesar… ■ 4 Romances – ( chivalry and love) Pericles,...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...re tu ra li CAPE Modern te ng Languages Literatures nE e siniEnglish ur e at l er g it En sin ur e at er it L Caribbean Examinations Council ® SYLLABUS SPECIMEN PAPER CSEC® SYLLABUS,MARK SCHEME SPECIMEN PAPER, MARK SCHEME SUBJECT REPORTS AND SUBJECT REPORTS Macmillan Education 4 Crinan Street, London, N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world www.macmillan-caribbean.com ISBN 978-0-230-48228-9 © Caribbean Examinations Council (CXC ®) 2015 www.cxc.org www.cxc-store.com The author has asserted their right to be identified as the author of this work in accordance with the Copyright, Design and Patents Act 1988. First published 2014 This revised version published 2015 Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee. Individuals may make copies for their own use or for use by classes of which they are in charge; institutions may make copies for use within and by the staff and students of that institution. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Under no circumstances may the material in this book be used, in part or in its entirety, for commercial gain. It must not be sold in any format. Designed by Macmillan Publishers Limited Cover design by Macmillan Publishers Limited and Red Giraffe CAPE® Literatures...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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