...blind sheep has been around for as long as time. Even with that, people eventually open their eyes to the madness and create and judge on their free will. Reverend Hale is a prime example of this. Prepared to find out if there were really witchcraft afoot, Reverend Hale eventually becomes a man trying to seek the truth and justice. Reverend Hale at first did believe that there was something wrong in Salem. He says, “I cannot tell. If she truly is in the Devil’s grip we may have to rip and tear to get her free” (Miller 1150). He says this because he doesn’t want to jump to conclusions on whether or not Betty is really bewitched. Then later on, Hale says to Tituba “Are you gathering souls for the Devil?” (Miller 1154). He...
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...Reverend Hale Reverend Hale had one of the saddest stories in The Crucible. He went to help during the Salem witch trials with good intentions but ended up hurting more people than he could help. That is why Hale is directly relatable to the song “Starting Over”, by Macklemore. Both Hale and the song are sad and miserable. In The Crucible Hale was a sad, gullible, minister who did not know who was speaking the truth. The song itself is about a sad man who relapsed with his drinking problem. The song also has a mellow sound to it, to make it more miserable. One quote from the song that is relatable to Reverend Hale is “I’m just a flawed man”. Hale messed up a lot in The Crucible and he listened to all of the wrong people....
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...People have a natural tendency to create mass hysteria around small events. In the 17th century, Puritans living in Salem accused one-another of witchcraft. In a society like Salem, many activities, such as music and dance were not allowed, as they were believed to be satanical practices. Some people convicted each other because of personal agendas and without evidence. Because of this, honor and respect were considered the value of each citizen. In The Crucible, Reverend Hale, John Proctor, and the people of Salem show that the value of life, and conscience are factors affected by the Salem witch trials. This kind of restates the prompt be more specific. Reverend Hale, a minister sent from a nearby village to Salem in order to find evidence...
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...How is Religion Presented in The Crucible? Arthur Miller presents religion both through narration, which is examined in this analysis, and through the words of his characters. In the opening to The Crucible, Arthur Miller provides some background insight into the Puritan faith, writing that the Puritans believed that their religion was the only right way in life. In coming to America, the Puritans wanted to take advantage of the opportunity to spread their belief to more people. Miller writes, "They believed, in short, that they held in their steady hands the candle that would light the world. We have inherited this belief, and it has helped and hurt us." The Puritans were quite arrogant people. They felt that their faith was "held in their steady hands," implying that Puritanism can bring order and stability to anybody who accepts the religion. They felt that any other religion was wrong and wanted to rid the world of these thoughts. This is paralleled in contemporary American society, seen in the idea that the country has the duty to bring the rest of the world to what they believe is the right way to live. Both the Puritans and contemporary Americans want to change the world by infiltrating their beliefs, shoving them in the faces of everybody, whether the other people are open for change or not. In his account following the entrance of Reverend Hale, Miller argues that the Devil is an essential element of the world because it provides an opposing force to God. The...
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...Literary Analysis: A Character from The Crucible By looking at The Crucible by Arthur Miller, one can infer that the character, John Proctor, reveals the theme of reputation and integrity. These are important because refusing to lie to protect one’s reputation can stop hysteria from spreading. In The Crucible, John Proctor was more worried about his reputation for his family to live with than he was concerned with his own life. Basically, the idea of John Proctor protecting his reputation motivates him to deny that witchcraft exists in the village. Proctor had stated his worry by saying, “The town is mumbling witchcraft” (1.1.511-512). Proctor says this in reference to Reverend Hale walking through town with a stack of books for researching...
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...Task One Reading and Defence of The Crucible Prepared for Ms. Mussig Prepared by Maya Young English Extension Part One: The Reading Created from the mind of the world renowned playwright and author Arthur Miller, is the horrifying story of deceit, accusation and guilt of The Crucible. Written in 1953, The Crucible is a confronting play that explores the unfathomable true events that took place in the small religious village of Salem, Massachusetts in 1692, where by members of the Salem community began accusing others of dealing with and practising the magic of the Devil. These accusations are what led to the Salem witch-trials. Through this play Miller is able to emphasise the absurdity of these trials, which resulted in the hangings of twenty innocent people. I personally came across The Crucible through my English Extension class. To be perfectly honest, when I first picked up this text, I was unsure of what to expect. Apart from reading Shakespeare, I had never been exposed to reading in the playwright form. I did not know what my approach to the play was going to be or how I would react to reading it, or if there was a certain way in which I was supposed to be affected by it. I also had yet to read a text written by Arthur Miller, so I was unaware of his style of writing and again did not know what to expect from it. After finishing the play for the first time I was satisfied that I had thoroughly enjoyed reading the story, whilst developing a love...
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...The Illusion of Justice One plus one does not always equal two. In the court of mathematics this arithmetic truism may be, yet in reality a courtroom is not pure, but laden with injustice. The courtroom in Arthur Miller’s The Crucible, his recreation of the Salem Witch Trials in Salem, Massachusetts, is synonymous. The theocratic court reviews cases regarding witchcraft brought to the gavel by a group of hormonal teenage girls, who have been willing the court to arrest and execute whom they see fit. This literal courtroom is allegorical to the interactions of Senator McCarthy with potential traitors during the 1950’s. As the girls of Salem exploit the fears of their community, McCarthy capitalized on the fear of the entire U.S. nation: Communism. McCarthy’s tactics and actions were highlighted in a CBS broadcasting led by Edward R. Murrow titled, “We Will Not Walk in Fear”. The broadcast was received by the U.S. in 1954 during the Cold War, a decade dubbed ‘The Red Scare’. While the empowered teens of Salem and McCarthy were daunting, their injustices were matched by John Proctor and Edward R. Murrow, respectively. Proctor and Murrow fought against the false accusations and biased plaintiffs to stop the injustice posed. Proctor and Murrow combat their oppressors on the hollow claims made. Proctor is roped in to the Salem courts when his wife is accused. He points out to the judges that “so many of these women have lived so long with such upright reputation” (Miller 84). Proctor’s...
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...Character Analysis of Abigail Williams Author Miller’s drama The Crucible takes place in the seventeenth-century in Salem, Massachusetts. Salem suffers from witch-hunts, trials, and false accusations. In effect, the town is full of worry and suspicion; and when young girls falsely accuse self-righteous neighbors in Salem of witchcraft, the town goes against itself, which ultimately causes a conflict between power and aggression. The personality of Abigail Williams, the understood leader of all the young girls, ultimately causes the whole play to go into effect. Abigail displays that she is sinful, envious, and manipulative. Abigail Williams’ characteristic of sinfulness causes her to be the antagonist of the whole play. Abigail commits...
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...In Arthur Miller’s drama the Crucible, the main character John Proctor proves to show a copious amount of positive personality traits but is sinful to one fatal flaw, committing adultery with Abigail Williams that he can’t allow himself to be forgave for. Though Proctor believes this sin has damaged God’s view of him, the character has proven to show throughout the play he is capable of reclaiming his goodness. Ultimately, in the words of Hannah Montana, “Everybody makes mistakes. Everybody has those days.” Proctor realizes he doesn’t have to be a saint to be good. To understand how John Proctor reclaimed his goodness, the story needs to be set to when the reader is first aware of Proctor’s lost sense of goodness. The play introduced Proctor as a man repleted with guilt. Known for being highly respected in the town of Salem, he is struggling with his self image and sense of goodness, rightfully so. Following the event of Proctor...
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...“ My wife will never die for me! I will bring your guts into your mouth but that goodness will not die for me!” The play “The Crucible” the things place in Salem Massachusetts in 1692, the times of the Salem witch trials. The story starts with a group of girls that goes dancing in the forest with a black slave named Tituba. After this rumors of witchcraft fill the town. Then the wicked Abigail starts claiming she saw townsfolk consorting with the devil. One of the people she denounces Elizabeth Proctor wife of John Proctor who once had sexual relations with Abigail. Throughout the play Mary Warren appears to be the weak one and at first wants to confess to the activities in the woods, but in Act 2 Mary Warren is believed to be helping Abigail...
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...Media History Contents 1 Introduction 1.1 Mass media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.1.1 1.1.2 1.1.3 1.1.4 1.1.5 1.1.6 1.1.7 1.1.8 1.1.9 Issues with definition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Forms of mass media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Purposes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Professions involving mass media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Influence and sociology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ethical issues and criticism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Future . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . See also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1 1 2 6 6 7 8 10 10 10 10 11 11 12 12 12 12 16 16 17 17 17 17 17 17 18 19 20 21 21 21 1.1.10 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.1.11 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.1.12 Further reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.1.13 External links . . . . . . . . ....
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...
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...THE STUDENT'S PRACTICAL DICTIONARY ; fNdkoq ; CONTAINING English words with English and Hindi Meanings and Pronunciation in Deva Nagri Character with an Appendix containing Familiar Foreign Words and Phrases and Abbreviations in Common use. FIFTEENTH EDITION Thoroughly Revised,Improved,Enlarged and Illustrated PRICE 3 RUPESS ALLAHABAD RAM NARAIN LAL PUBLISHER AND BOOKSELLER 1936 ISCII text of dictionary taken from from TDIL's ftp: anu.tdil.gov.in pub dict site I N 1.m I Pron 1.m a Det 1.ek, abatement N abbey N 1.kmF, GVtF, GVAv, mdApn, b A, 2.yAg, smAE ag jF vZmAlA kA Tm a"r tTA -vr, 2.tk mphlA kESpt pzq vA -tAv , aback Adv 1.acAnk, ekAek, 2.pFC abandon VT 1.CoX nA, yAg nA, yAgnA, tjnA, d d 2.EbnA aAj^ nA nOkrF CoXnA, apn kodrAcAr aAEd mCoX nA, d , nA d d abandoned A 1.CoXA h,aA, Enjn-TAn, 2.EbgXA h,aA, iEdy lolp, lMpV, drAcArF, aAvArA , , abandonment N 1.pZ yAg, sMpZ aAmosg, EbSkl CoX nA d , abate VI 1.km honA, GVnA, DFmA honA abate VT 1.km krnA, GVAnA, DFmA krnA, m@ym krnA, rok nA, smA krnA d 1 1.IsAiyo kA mW, gz\ArA, kVF, mW, , , 2.mht aADFn sADao kF mXlF k , abbot N 1.mht, mWDArF, mWAEDkArF abbreviate VT 1.km krnA, s" krnA, CoVA krnA, p sAr EnkAlnA abbreviation N 1.s" , GVAv, sAr, lG,!p, skt, p 2.sE" pd yAf, fNd yA pd kA lG!p ^ , abdicate VTI 1.-vQCA s CoXnA, yAg krnA, tjnA, pd yAg krnA abdication N 1.pd yAg abdomen N 1.X, V, k"F, udr p p , abdominal A 1.udr sMbDF, V kA p abduct VI 1.BgA l jAnA, EnkAl l...
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