...Music 407 23 June 2014 Hip-Hop Music This research paper will be discussing the origins and development of hip-hop music, some of the characteristics that define hip-hop as a musical genre, and the social significance of hip-hop from its creation up until current day. The purpose of this paper is to inform and enhance the understanding of hip-hop music, drawing connections between musical stylistic origins and social influence throughout history on hip-hop music to create an unbiased, accurate account of how hip-hop music came to be what it is today. The genre of hip-hop music formed in the 1970s amongst African American Groups in urban New York City, during a time when “block parties” and it’s associated music started to become extremely popular. Credited with founding hip-hop music, DJ Kool Herc, an immigrant from Jamaica, started to extend the percussive breaks in popular funk and soul music (Dyson). This new sound became so popular that DJs needed to start using two turntables to lengthen percussive breaks, effectively creating an entire new sound and new genre of music (Bekman). Hip-hop music is characterized by four main elements: rapping, scratching (DJing), break dancing, and graffiti (Chang). Because music is dynamic and constantly changing, hip-hop started to develop sub-genres within hip-hop, such as southern trap music or west coast gangsta rap. Hip-hop music in different regions started to develop their own unique style of hip-hop, and although all of these...
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...From John Singleton’s Boyz in the Hood to Spike Lee’s Do the Right Thing, black film and the emergence of a subsequent hip-hop visual markers have posited African-American kaleidoscopes of a view into aspects of the so-called ‘black experience’ in social terms. Music and song scores in film today – across the board – are replete with hip-hop representations. Munby maintains that the “low-budget” characteristics of Rudy Ray Moore’s effort to appeal to black audiences in the pre-1980s, given his “irreverent attitude to the laws that govern mainstream moviemaking” had failed to measure up to what hegemonic society deemed as ‘good’ black film (204). Yet, three key areas of discourse of hip-hop influences in cinema persist around the culture of...
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...Ryan Boeh Music apparition American gangster Rap is a popular type of music in today's society, but it didn't just come to be. In the 1970's rap emerged from other types of music to become what it is today. Rap is influenced and inspired by other types of music. Its influences are closely related to each other. Rap music has derived from various types of music. In a world in which people are constantly confronted with violent acts such as rape, assault, murder, school shootings and other violence's, society is eager and anxious to find and remove all causes of these cultural ills. All the blame can not be put on one particular thing but a heavier degree of blame can be put on one thing. Some of the violent acts listed above are expressed through music. Gangster rap, which followed rap music, developed in the 1980's. Though the immaturity and lack of teaching morals has an impact on how we view and take in things, the context of gangster rap presents a negative image for people in society. Rap music has derived from other music categories. One of the first musical influences on rap music is hip hop. Hip hop is comprised of graffiti, break dancing, attitude and the dress of the people who listened to it. The start of hip hop, along with rap, can be located in the Bronx of New York. There were three major events that occurred in the Bronx that contributed to the hip hop subculture. The first event was the building of an expressway through the Bronx. This plan was carried...
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...movement. For the music genre, see Hip hop music. For other uses, see Hip hop (disambiguation). Graffiti of "hip hop" in Eugene, Oregon Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically the Bronx.[1][2][3] DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing.[4][5][6][7] [8] Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[9] Hip hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a...
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...often reflects a collection and pattern of personal experiences. Hip-hop or rap, an art form and culture nearly thirty years old originating from The Bronx, New York, has provided a forum for Black and Latino youth to express their respective cultures and speak on a number of issues. Today, Hip-hop is a global phenomenon that appeals to almost all ethnicities and is synthesizing a new culture that goes beyond race, education, and income. Hip-hop has been under continual metamorphosis since its 1970’s inner-city inception. Some of the original artists like Kurtis Blow chose to lament everyday life in the ghettos. Others, Sugar Hill Gang among them, took a more dance inspired approach to the music. But for both these and other artists from the early years of rap through the late 1980’s including KRS-One, Public Enemy, Queen Latifah and LL Cool J, fast beats and socially relevant lyrics were among the primary components of the music. By the 1990’s a new face of rap music emerged. It began with Ice T and later gained popularity with artists such as NWA (Niggaz Wit Attitude) whose first album shocked and titillated the rap world with their obscene lyrical content and unabashed “gangsta” style, since then dubbed by the media as “gangsta rap.” Despite the growing acceptance of Hip-hop within white America and the middle class, Hip-hop is, at times understandable, also under siege. Comments made on rap or Hip-hop by Bill O'Reilly, popular talk show host on the Fox News Channel...
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...Shall Always Remain the Same: Hip-Hop from a Protagonist’s Point of View The Hip-Hop culture and all it stands for has saturated a generation in an unprecedented way. It has begun to shape and unify a diverse population of people. Hip-Hop, for many, provides an outlet to express your thoughts and for others, Hip-Hop is a lifestyle. The influence of Hip-Hop has become universal. It has transcended from a cultural genre to having a larger audience not made up of solely African Americans. It has gone from the slums, to the suburbs, and into larger corporate rooms. McDonald’s, Addidas, Nike, Coca Cola, Sprite, and other corporate giants have capitalized on this phenomenon. Although critics of Rap music and the Hip-Hop culture seemed to be fixated on the messages of sex, violence, and harsh language Hip- Hop has potential to unify individuals and promote change. This genre of music has transformed generations across the country. Hip- Hop possesses a level of maturity and a sense of cultural belongingness that has become a protest form for people all over the world. The art form, now simply known as Hip- Hop, began with three New Yorkers: Busy Bee Starski, DJ Hollywood, and DJ Afrika Bambaataa; they are credited for creating the term Hip-Hop. It all began in the early 1970’s with house parties and basement beat shaking music in upstate New York. The beats were very melodic, Africanized, and soulful. Hip-Hop is music for Blacks and Latinos...
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...in the United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles differ...
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...Message? Throughout history, poets were known for telling the people what was going on in either their country or town. Hip-hop was born as a descendant from poetry. But as it began its craze was due to the DJ scratching different beats together. As the DJ began to like the music they created it became background sound to the lyrical Emcee. Everyone wanted to know what the Emcee had to say and how they would rhyme. I have noticed that the positive message in the Emcees rhyme’s and political statements that rap music started with began to deteriorate over time. It was as though hip hop went from talking about what was going on currently in a positive way, to rappers encouraging violence as promoting a negative message. Since the 1980’s to current time there has been a persistent problem of how hip-hop has changed. Grand Master Flash’s “The Message” is a sociopolitical rap song that is truly about poverty and how inner city life was in America in 1982. The first verse speaks to the apparent struggle in his time, “Got no money to move out, I guess I got no choice”. Many people at the time, even though their surroundings were not safe, had no money to move away. Another verse from Master Flash “Rats in the front room, roaches in the back/ Junkies in the alley with the baseball bat” is a light way to show the public what is going on in some neighborhoods. In the 1980’s there was a crack epidemic. This line refers to the fact that the people addicted to crack cocaine would do anything...
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...inductee into the Rock & Roll Hall of Fame. 3. Bogdanov, Vladimir. All Music Guide to Soul: The Definitive Guide to R&B and Soul. San Francisco, CA: Backbeat, 2003. Print. a. This is a complete guide to the uniquely American world of the blues. The roots of the blues can be found in the turn-of-the-century Mississippi Delta, but today its reach extends into all kinds of music including rock, jazz, country, soul, and more. 4. Brown, Ruth, and Andrew Yule. Miss Rhythm: The Autobiography of Ruth Brown, Rhythm and Blues Legend. New York: D.I. Fine, 1996. Print. a. Tony Award winner Ruth Brown is a rhythm-and-blues revolutionary, a woman whose early successes earned her instant worldwide fame and launched a career that has influenced such legendary performers as Aretha Franklin, Dinah Washington, Little Richard and Stevie Wonder. This candid autobiography offers the true story of her extraordinary life and career. 5. Burnim, Mellonee V., and Portia K. Maultsby. African American Music: An Introduction. New York: Routledge, 2006. Print. a. is a collection of thirty essays by leading scholars whch survey major African American musical genres, both sacred and secular, from slavery to the present. The work brings together, in a single volume, treatments of African...
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...Research Evaluation: The Behavior of African American People through Hip Hop Music Papi Jean Florida Memorial University Introduction The Growth of Hip Hop in America As hip hop continues to grow into a major aspect of the modern African American culture, the studies intend to distinguish the mass outlook of black people in America. It is incredible that this single genre of music has transformed into a vital communication mechanism for an entire race and may even become larger in future generations of African American people. The other races, in America, have gotten an idea of African Americans through the controversial rap music in which black people use to communicate with each other, and outsiders; the non-blacks. The study revolves mainly around the attitudes which have deemed as common in the black culture; rap music has always been open for interpretation which can lead to danger. The music has become so popular and influential to the youth that many crimes have been linked to the music which fuels an efficient form controversy in America. Do people receive the negative aspects of rap more than the positive aspects? If so, then why? Also, why are the positive approaches of hip hop not made commercial rather than the sex, drugs, and violence? There is belief that the music has a great influence on how the other races in America view the black culture. It is not certain whether rap music is more negative than positive, but it is obviously a notorious topic for many...
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...Levi Massine 1/31/14 English 10 Hip Hop Music And Culture Although rap music is stereotyped as being violent and a bad influence, it may surprise you that the album The Marshall Mathers LP by Eminem, was one of the fastest selling albums ever. It dropped in 2000 and sold 1.76 million albums in the first week. Rap , also called hip hop ( a term coined by Keith the Cowboy) is defined as not only being a type of music but also as being a culture or a way of life. As music its defined as talking in rhyme to the rhythm of the beat. As a culture hip hop is defined as “ A culture, a way of life for a society of people who identify, love, and cherish rap, breakdancing, DJing, and graffiti(The History of Rap, 1). Rappers are also called MC’s, which stands for master of ceremonies. The are four elements to rap music, rapping, Djing/scratching, sampling, and beatboxing. The last three more pertain to the beats and background music. Rap is very important to many people not only is it their way of life, but it is also one of their emotional outlets. Hip hop started to rise in popularity in the late 1960’s in the Bronx of New York. It was said to be started in clubs and at block parties when Dj’s started to break down and loop percussion breaks of popular disco songs, but they also used funk and souls songs. At this time rappers were predominantly African Americans and Puerto Ricans. One of the first Dj’s was Dj Kool Herc. Where he performed is sometimes called the birth place of...
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...The above quote relays the ways exploitative rhetoric used by 1960’s politicians created fear among whites. As well as a foreshadowment of the analogous issues in the 1980s. Moreover the introduction of harsher sentencing due to the white’s public fear illustrates the effects the majority and public opinion have on dominating the minority. Tocqueville stated, “In all the American republics the central government is only occupied with a small number of matters important enough to attract its attention. It does not undertake to regulate society’s secondary concerns, and there is no indication of that has ever conceived the desire to do so.” (Tocqueville 262) The basis of the above quote reveals the government's tendency to appease the primary...
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...Intro During the 1980s, an empowered new generation of Black youth began to interpret the civil rights movement in a different, more direct way, far removed from the "I Have a Dream" Idealism of the 1960s. This movement was pioneered by Spike Lee's film Do the Right Thing, and the civil rights themed song Fight the Power composed by Public Enemy. In the Fight the Power music video, which was also directed by Spike Lee, Chuck D denounces the marches and speeches of the 60s and calls for more radical action, promising that "the young black America... ain't goin' out like that '63 nonsense." The clip documents a large rally in Brooklyn’s, Bed-Stuy against the racially motivated violence that had plagued the city. This landmark song and video are widely considered hip-hop greatest, and helped to mobilize a new youth culture with a civil rights movement of their own. The song became more than just a feature in a movie. Fight the Power means something big, refusing to let racism keep Black African Americans down. Furthermore, it's about not just talking the talk, but also walking the walk (Shmoop). In our dissertation, we will concentrate on why Spike Lee wanted to write Do the Right Thing and the message he wanted to send to America. Then, we’ll move into Public Enemy rising as civil rights leaders for black youth and their aggressive approach for equality along with their composition of Fight the Power. We’ll then shift into text and the meaning behind the lyrics of Fight the Power...
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...Introduction American culture, being traditionally perceived as quite liberal and democratic, is in fact paralyzed by the overwhelming power of stereotypes which shape the current image of culture at large and its industries, including music, in particular. Even the most innovative and advanced movements’ turn to be submitted to the canons of the ideology that dominates in American culture. Unfortunately, such a situation does not contribute to the development of really free, liberal and focused on spiritual, moral and intellectual progress of the consumers of the culture. Probably one of the most interesting, new and, unfortunately, typical example of the domination of stereotypes in American culture is the development of female black rap music, which has become particularly intensive in 1980s and is still quite dynamically developing. At first glance black female rap music should be free from traditional stereotypes, it should be innovative and contributing to black female emancipation and increasing the role of black females in the society at large but, in actuality, the situation is absolutely different. Despite the fact that many female rappers pretend to be unique at developing the new image of a free and independent black female, it turns to be that practically all of them, or at least the most popular of them, are ideologically dependent on the male dominance in proper and figurative sense of this word. It means that as a rule black female rappers tend to create an...
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...specific icons started the horrible rapping, groups like N.W.A. N.W.A.’s 1988 album Straight Outta Compton is a parodic enactment of the racialized discourses of law and order during the late 1980s, or what I am calling the mark of criminality. Its release constituted a watershed moment in black popular culture that coincided with the devastating consequences of surveillance, containment, and spectacular scapegoating associated with Reagan-era crime control policies and rhetoric. Critics argue that the album and its reception by the law enforcement community of the late 1980s functioned as a confrontation over the meanings of race, place, and crime in the twentieth century. In addition to revealing the contingent meanings of criminality in popular and political culture, the legacy of Straight Outta Compton provides insights into the role of criminality in...
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