...For her entire life, Jeannette Walls struggles to find the delicate balance existing between the turbulence wrought by her homelife and the order of society so despised by her father. Growing up, Walls was subjected to her father’s alcohol problems and thus poverty ensued. Exhibiting unwavering loyalty towards her incompetent father, Walls would vigorously defend him against familial and outside antagonizers. Yet after this alliance shattered, she rejects her father’s precepts feeling ashamed of her upbringing and soon after moved to New York. When Jeannette asks her mother about what she should do when people ask about her parents’ situation or her past, her mom said “Just tell the truth” (5). In her memoir The Glass Castle, Jeannette Walls...
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...Becca- Prince of the World and the Cathedral Façade Becca’s project focuses on the figure of the Prince of the world: a two sided figure who looks beautiful from the front, but vile and covered in sores, snakes, and rats from the back. She is looking into his placement on cathedral facades and the symbolism of his presence. He is only popular in the Germanic region, but he stops appearing after the 15th century, a phenomenon she is looking into. One theory Becca is looking into is the Prince of the World as an antithesis to Christ and the connection’s connotations. She is also going to look at ways in which he is visually connected to Eve. By looking at both Christ and Eve, Becca and potentially look at how gender plays a part in our perception of the Prince of the World. Audrey- Shrine of the Three Kings Audrey is focusing the Shrine of the Three Kings at Cologne cathedral. She is particularly interested in how the creation of the Shrine related to the corruption behind the building of the cathedral and how the object represents the political authority the church had over nobility. In her history of the shrine, how it was created, and who contributed, she looked at the patron and donors...
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...an eerie feeling to the story. In the book, it mentions that the seven rooms all have “…windows…of stained glass whose color varied in accordance with the prevailing hue of the decorations in the chamber,” except for the last room, which is black with red windows. This builds suspense, as the reader can infer that there is something special about the room, especially because its windows are red, and that is the color of the “Red Death”. There is a sense of eerie unearthliness throughout the story because of this room as well; all the guests at the party are avoiding it. In conclusion, the setting lends a sense of expectation and bizarreness to the story. Character Analysis Prince Prospero is likely a stubborn person who is used to having his way. In the story, he is resisting accepting the reality of “The Red Death” by hiding away in his castle with his guests. In addition, he chases the uninvited guest with the intention of killing him. This shows that Prince Prospero is stubborn because he’s unwilling to allow things to vary from how he planned them. This can also be inferred because Prospero is the ruler of the...
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...She goes in deep on themes like drinking, abuse, and parental immaturity, but also on common sense and thinking for oneself. Since this is a memoir, factors like tone and symbolism are not leading elements in how the book is presented. Walls also includes a lot of dialogue along with her own thoughts to add to the mood. The novel, The Glass Castle, has one prevalent tone throughout the book: optimistic. Even though Jeannette has no reason to she always seems that things will work out in the end. Everything could be going wrong but she could still see the silver lining or the light at the end of the tunnel. So, after taking her style and putting it with her ability to be able to get her readers to be able to connect, Jeannette Walls presents a most tragic, but moving...
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...The Inevitability of the Red Death Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death. Like many of Poe’s works, the number of characters in “Masque of the Red Death” is limited; however they all work to reveal the theme. Only three characters, Prince Prospero, the Thousand Friends and the Masked Figure are mentioned. The central figure of the story is Prince Prospero. The author describes him as “happy and dauntless and sagacious” (Poe, 386). His name is used to infer royalty, wealth and happiness, and suggests that the prince is untroubled by the plague and is confident of his survival and the survival of his one thousand friends. Prospero has been described by scholars as a “feelingless ruling prince” (Wheat, 51). This is due to his apparent lack of concern for the people of his land: “The external world could take care of itself” (Poe, 386). Prospero is a flat character as he remains confident in his survival up to...
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...University of Phoenix Material Literary Conventions and Devices Worksheet Names of Team Members:___Deborah Brown :Yolanda Powell; Joan Skeeter; Florence Ames; Amy Kennedy; Date: 12 Sept 2011 Each Learning Team should select two works of drama from the assigned readings for this assignment. All team members should contribute to filling out the tables and answering the questions for each play. Teams should be prepared to discuss their responses in class. |Literary Conventions and Devices Table | |Play #1 | |Title of the work |Significance of Title | |The Tragedy of Hamlet, |These plays were more over a small “history” of the main character and for this reason Shakespeare named all of | |Prince of Denmark |his great tragedies after his protagonist. | | | | |Identify |Describe |Explain Impact | |Major characters ...
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...Death is a natural part of life, thus it is inevitable that every living creature’s time will eventually come to an end. Comparable to most obstacles we encounter in life, there is not a uniform way to deal with death; therefore, everyone copes with it in differently. Death is not a positive topic; nevertheless, it is a topic that has influenced the work of many authors, artists, and musicians from every era. In my opinion, here is the most memorable author, artist, and musician that’s work has been greatly influenced by the topic of death. Shirley Jackson is an American author that is responsible for writing one of the most well known fictional short stories concerning death, entitled “The Lottery”. The title may be deceiving and seem innocent; however, it is an oxymoron. Instead of the lottery winner joyfully prospering in some way; it actually refers to the selection of a victim for a ritual sacrifice. The story is very dark, as it introduces horror into a peaceful community. It became a very controversial among readers and was even banned by South Africa. Shirley replied to the banning of “The Lottery” by saying that is a sign that they, at least, understood the story. During another interview Jackson jokingly described herself as a practicing witch. Regardless of what motivated her to write, writing was always her passion. At the age of twelve she won her first poetry prize, and throughout high she kept diary where she frequently wrote. She attended Rochester University...
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...Running head: Nichole Wise, Mary Alarcon-Ramirez, Robert Redcay, Christina Villa-Chism University of Phoenix Introduction to Humanities: The Ancient World to Medieval Times HUM/100 Shawmei Dee Hsieh March 22, 2012 Carolingian Architecture In the Carolingian period one of the most famous architectures is Aachen Cathedral also known as the Palatine Chapel and the Imperial Cathedral. The cathedrals unique design was highly influenced by German architecture and had a bit of a gothic flare to it. Symbolically the cathedral was saintly and had impressive historical meaningful value. Another symbolic meaning of the chapel was the mediation between God and common mortals. The chapel held many relics of high importance that were sacred and protected such as the cloak of the Blessed Virgin and the swaddling clothes of the infant Jesus (Sacred Destinations, 2010). The function of the Palatine chapel was to serve as an imperial church and was too based upon the Byzantine church of San Vitale in Ravenna, Italy. The cathedrals forms and techniques had an eastern appeal with octagonal shapes, striped arches, marble floors, golden mosaics, and ambulatory are just some examples of the many features the chapel possesses. Most importantly historically and culturally, the Palatine Chapel housed an impressive collection of revered relics. Culturally the cathedral held high religious importance and is one of the oldest churches of Germany (Sacred Destinations,...
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...Being blind to the toxicity of somone’s own household can shape the future that awaits them. In Jeannette Walls’ book, The Glass Castle, she reveals the saga of her troubling, adventurous, and at times, dangerous childhood. With scarce resources available for her family, she and her siblings rely on intangible forms of stability. Hope, frequently represented in a profound use of symbolism throughout the memoir, is one of the many ways the Walls children are able to overcome their adversities. Furthermore, Jeannette Walls’ use of this figurative language adds a complex aspect to her influential narration of how hope helped her and her siblings escape their troubling household. For example, Jeannette uses a piggy bank to represent their strong...
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...In Aesop’s fable, “The Wolf and the Lamb,” the moral of the story asks the reader to examine the desire for an object—and how we justify our behavior if we cannot obtain that object. This moral is graphically presented through the repeated use of key words to describe the fox’s repeated failure to get what he wants. The fox’s first attempt is foiled as he “just missed” the grapes (35). He attempts “again and again”, running and jumping repeatedly, but has “no greater success” (35). He then becomes disgusted and walks away. These successive descriptions of his failure build to his disdainful comment that the grapes are probably sour (35). The repeated demonstration of fox’s failures and his self-rationalization of why is he walking away—not that he has failed but because he has decided that the grapes are sour and he does not want them anyway—cleverly portrays the moral of the fable: if you can’t get it, blame something else, not yourself. It therefore asks the readers to Aesop’s Fables 3 of 93 The Wolf and the Lamb Once upon a time a Wolf was lapping at a spring on a hillside, when, looking up, what should he see but a Lamb just beginning to drink a little lower down. ‘There’s my supper,’ thought he, ‘if only I can find some excuse to seize it.’ Then he called out to the Lamb, ‘How dare you muddle the water from which I am drinking?’ ‘Nay, master, nay,’ said Lambikin; ‘if the water be muddy up there, I cannot be the cause of it, for it runs down from you to me.’ ‘Well...
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...Introduction to Art History – Study Guide and Image List for Final Exam Gothic Architecture in France – the opening of the wall into windows; the use of the rib vault, the flying buttress, stained glass, and increased verticality. The way structure and aesthetics were thought to merge in geometry. The role of Abbot Suger in Saint Denis and the beginning of the Gothic style. The symbolism of light. Renaissance Painting, Sculpture, and Architecture – Re-birth of classical culture; the continued development of naturalistic techniques, especially perspective; the High Renaissance achievement of Leonardo da Vinci, followed by Michelangelo and Raphael. Baroque – A continuation of the Grand Manner; in Italy, a naturalism employed for dynamic effect often in support of Counter-Reformation aims, the same bombast is used in support of the French kings and, with more Calvinist sobriety, for the new rulers of Holland where realistic tendencies tended to outweigh the idealistic approaches of the Italians. Rococo a late outgrowth of Baroque. Neo-Classic Painting – In the work of David, an idealizing style associated with the French Revolution, a heroic art looking back to classical ideals and values, and Renaissance like stability and balance of composition. In the work of his followers a less political, even conservative style. Romantic Painting – In the work of Gericault and Delacroix, the use of loose expressive brushstroke, vigorous color and light, and sometimes controversial contemporary...
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...CHAPTER 15 – Northern Europe, 1400 to 1500 The art of Northern Europe in the 15th century is typified by precision in rendering surfaces and a wealth of tiny details that came from a tradition of manuscript painting and a belief in the importance of every tiny creation of God's world. The technical development of oil paint provided a paint that dried slowly and was transparent so made possible rich, jewel-like colors and illusionistic textures through a build-up of layers of paint. Works to identify and know in depth: Artist Title Date Jan van Eyck Arnolfini Double Portrait 1400s (15-1) This painting is believed to be a portrait of the Italian merchant Giovanni Arnolfini and his wife, presumably in their home in the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art history. Both signed and dated by Van Eyck in 1434, it is, with the Ghent Altarpiece by the same artist and his brother Hubert, the oldest very famous panel painting to have been executed in oils rather than in tempera. The painting was bought by the National Gallery in London in 1842. Claus Sluter Well of Moses 1400s (15-2) The work was executed for Philip’s son, John the Fearless (1371-1419), in a style combining the elegance of International Gothic with a northern realism, but with a monumental quality unusual in either. It was carved from stone quarried in Asnières, France and consisted of a large crucifixion...
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... Westley Allen AP Literature Miss Gwaltney April 29, 2013 Through literary devices such as persuasion, sarcasm, and elegant rhetorics, Voltaire successfully composes possibly the most well-known satirical pieces of literature. Mad magazine, The Simpsons, and Saturday Night Live, examples of some of the comical staples that satiate our desire for humor. In our society, satire is among the most prevalent of comedic forms. This was not always true. Before the 18th century, satire was not a fully developed form. Satire, however, rose out of necessity; writers and artists needed a way to ambiguously criticize their governments, their churches, and their aristocrats. By the 18th century, satire was hugely popular. “Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own”. (Swift) Satire as an art form has its roots in the classics, especially in the writings of Voltaire. Satire as it was originally proposed was a form of literature using sarcasm, irony, and wit, to bring about a change in society, but in the eighteenth century Voltaire, Jonathan Swift and William Hogarth expanded satire to include politics, as well as art. The political climate of the time was one of tension. Any criticism of government would bring harsh punishments, sometimes exile or death. In order to voice opinions without fear of punishment, malcontented writers turned to satire. Voltaire’s Candide and Swift’s Modest Proposal are two examples of this new genre....
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...model for young girls, then perhaps in society’s eyes, repressing the desire to participate in physical activates due to outside interference is the first step in owning ones own white castle that comes complete with a diamond tiara. In order to raise the participation percentage back to a high, the idea that only non-feminist girls play sports needs to be drained from ones mind in the earlier stages of cognitive development. Thus, relating back to...
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...The Rubaiyat of Omar Khayyam: Summary & Analysis The Rubaiyat of Omar Khayyam presents an interesting challenge to any reader trying to sort through its heavy symbolism and not-so-obvious theme. Not only does the poem provide us with a compelling surface story, but a second look at the text can reveal a rich collection of seperate meanings hidden in the poem’s objective descriptions and sprawling narrative-which in the space of a few pages includes such disparate characters as the Moon, God, the Snake (and his traditional Christian neighborhood, Paradise), the “Balm of Life”, not to mention nearly every animal and sexual symbol the human mind can come up with. Obviously, on one level, the poem can present itself in a fairly straightforward manner in the vein of CARPE DIEM. In the third stanza, theauthor writes, “‘Open then the Door!/ You know how little while we have to stay,/ And, once departed, may return no more.” There’s several refrains to this throughout the poem, first in the seventh stanza: “Come, fill the cup. . ./ The Bird of Time has but a little way/ To flutter-and the bird is on the Wing.” The entire ninth stanza describes the summer month “that brings the Rose” taking “Jamshyd and Kaikobad away”, and so forth and so on ad nauseum. Again, in the fifty-third stanza: “You gaze To-Day, while You are You-how then/ Tomorrow, You when shall be You no more?” The poet seems to be in an incredible hurry to get this life going before some cosmic deadline comes due, and...
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