...Atwood’s The Handmaids Tale along with Mamoru Oshii’s Ghost in the Shell both share feminist views. Together Atwood’s novel and Oshii’s film are part of the science fiction genre, which is set into the future. Both the novel and film share feminist views although the second wave of feminism in the novel The Handmaids Tale portrays a world where females with no rights and have been taken over for breeding, in contrast to the third wave of feminism in the film Ghost in a Shell where heteronormativity is separated by the blurring of boundaries between both males and females. Atwood’s award winning novel demonstrates the second wave of feminism through the power structure of Gilead where women had roles. Consequentially,...
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...The Handmaid’s Tale is a dystopian novel written by Margaret Atwood in 1985. It is set in the republic of Gilead which has a highly structured hierarchy and a strict set of rules. The story is narrated by a young handmaid named Offred. Atwood says, “that the novel isn't simply a vehicle for private expression, but that it also exists for social examination.” Which is exactly what the novel serves as when it makes us criticise and reflect on the cracks in our society such as the totalitarian regimes that still reign today, gender inequality and the brutality of people higher up in society. In Gilead there is an obvious totalitarian regime and through the narrative of Offred, Atwood gives us a clear idea of her opinion on that. Offred was once a happily married woman with a daughter but she has now been caught up in the new Gilead totalitarian regime which has taken all that away from her and turned her into a handmaid whose only purpose is to bear children for her commander. The society is so strict that Offred has basically been reduced to a childlike state, she can’t pick what she wears, eats or says, she isn’t allowed basic necessities like moisturiser and she can’t even go to the bathroom unsupervised. The Gilead regime has taken away all of her personal freedom. Societies like these make us reflect on those in our own world such as the situation in North Korea. North Korea is run by a totalitarian regime, it is so strict on the people and they are in a similar situation...
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...from a human being, their outlook on life becomes devious. Having a positive on life conceives comfort in many people’s lives. When an outside fury comes along and changes someone’s life, his or her attitude is going to change drastically. In three books I’ve read, “Night”, “The Handmaid’s Tale”, and “The Autobiography of Malcolm X”, each struggle with the society they are dealt with. To be more specific, each main character has to struggle for freedom in the society that is surrounding them. When someone is enforced to go against his or her accustomed state of life, a negative state of mind is most likely going to be perceived through that person’s actions. In Elie Wiesel’s novel “Night”, a gloomy conduct is shown towards freedom, faith, and life. One of the most important rights as a human being is the capability to live willingly. Freedom gives people the right...
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...The Handmaid’s Tale Societies throughout history have impacted the lives of its inhabitants. In “The Handmaid’s Tale” by Margaret Atwood the main character, Offred, is a Handmaid in the Republic of Gilead which is the new society that took over the United States. Offred experiences some truly horrific things. This society shaped the lives of the citizens into something far from our modern day human experience by societies using the idea of normality. In the Republic of Gilead people use diction to make things that are unusual seem normal. One example of this is calling women “Handmaids”, “Marthas” or “Wives”. These terms devised by the Republic are used to make the profession of women become their identity. They also do this by giving...
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...Atwood’s novel The Handmaid’s Tale. Taking place in a dystopian future, The Handmaid’s Tale depicts a totalitarian government under which women are harshly subjugated. Instead of accepting her current position as a handmaid. Offred longs to return to her previous life; however, in the Republic of Gilead, gender-based oppression is commonplace and often prevents Offred from achieving both her short and long-term aspirations. Similar to the painting Fair Rosamund by Arthur Hughes, Margaret Atwood’s The Handmaid’s Tale examines how sexual oppression leads to the loss of identity, shaming of...
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...Atwood’s Look into the Future Margaret Atwood used The Handmaid’s Tale to depict the possible future of the United States. Atwood takes current societal, economical, political, environmental and gender-related issues and uses them to create a possible future that is just as oppressive as the country’s past, leaving the reader to contemplate what they can do as a human being to protect this earth, and/or society from becoming a country “established by religious fanatics who have dismantled the republic, liquidated the opposition and replaced out present political system with a quasi-military infrastructure,” (Kendall 149). Atwood brings up such issues as money, a predominantly male government, the environment, and the value of a woman’s body throughout the text in an effort to bring to light some of the typical controversies of present time. “Yet the book just does not tell me what there is in our present mores that I ought to watch out for unless I want the United States of America to become a slave state something like the Republic of Gilead whose outlines are here sketched out,” (McCarthy 150). Atwood makes her warnings clear through the Tale she has written. Atwood uses a common middle class woman, in an effort to sympathize with the majority of women in the United States, also known as Offred, to paint the picture of the futuristic, or dare I say historical, times. “[Offred] is simply a warm, intelligent, ordinary woman who had taken for granted the freedoms she...
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...How far do you agree with the view ‘that women do not possess innate maternal desires’? Compare and contrast the presentation of motherhood in Top Girls with Atwood’s presentation of motherhood in The Handmaid’s Tale It could be argued that women possess innate maternal desires, however some would argue that women are socialised by their environment to be maternal. Churchill’s feminist play ‘Top Girls’ explores the idea of natural maternal instincts through characters such as Joyce and historical figures Lady Nijo and Patient Griselda. ‘Top Girls’ is set during Thatcher’s government and explores the role of motherhood, with an all female cast Churchill uses theatre of alienation and characterisation to constantly keep the audience aware that the play is not realistic, this technique is done purposely so the audience focus less on the plot and more on the political and social issues. Similar to the play, feminist author Atwood explores ideas of motherhood and how women treat each other within society through her cautionary tale; The Handmaid’s Tale, the fictive autobiographic novel presents characters such as Offred, Ofwarren and Serena Joy who all share problems with maternal identity. Most of the women presented in the texts have a desire to be a mother yet the societies they live within prevent them from successfully realising this desire. Top Girls is set in 1979 at the end of the decade and the beginning of Thatcher’s tenure. Marlene is representative of all of Thatcher’s...
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...‘Dystopian fiction is less about the powerful and more about the powerless’ To what extent is this true in The Handmaid’s Tale and 1984? Dystopian fiction usually revolves over a power struggle between an oppressor and the oppressed, alternatively this can be given the label of powerful and powerless. However, the exposure given to one of these groups is often inclined to be imbalanced. For example, The Giver by Lois Lowry has biased exposure towards the powerless due to the simple fact of the third person limited narrator perspective from Jonas, a member of the aforementioned sector of respective society. This is similar to the 1984 narrator where Winston is never truly aware of what goes on when he wasn’t physically present. But, it could be for this exact reason that in 1984 the dystopian genre inclines towards the powerful, highlighting the hold over the powerless. Contrary to this, The Handmaid's Tale (THT) has blurred lines as to whether the dystopian fiction prevalent in the novels are more or less about the powerful. This is majorly due to conflicting plotlines and enigmatic characters, significant in both of the books. For example, the character of Nick could be characterized for the powerful and powerless. Nick behaves with Offred in a manner which confuses the reader about his loyalties. Ultimately, this essay will aim to prove an option that is a fusion between the two rivals of dystopian fiction offering the complex concept of the powerful powerless. The powerful...
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...realize that they had been duped. The founders of Gilead took conservative ideas and implemented them to the extreme. Women’s rights are taken away. Reading is forbidden. Handmaids are introduced to bear children. The government takes over and a dystopia is born. They control almost every aspect of the people’s lives, down to the food that they consume. Though the totalitarian government of Gilead tries to break spirit of the women to control them and keep the people ignorant, it does not succeed in preventing the people from rebelling in their own small ways. The women are the key to the survival of Gilead. In order to ensure their survival, the founders of Gilead drew up a philosophy that they drilled into the women’s heads. They first broke down the women’s spirit by essentially re-educating them about what would now be accepted in society and would not be tolerated. "Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary" (Atwood 33). The Aunts drill this propaganda into the Handmaids’ heads to ensure that they will remember. This type of brain washing helped break down the Handmaids’ morals. Continuously being told that what they were being tasked was right made it easy for the Offred, the main character who is a Handmaid, to be impregnated by the Commander. She disregarded the Commander’s wife, not of spite but out of indifference. The propaganda spread by the government eventually...
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...Today’s society is composed of individuals who possess diverse characteristics and abilities. Our society as a whole, is somewhat special because it is known as being egalitarian, or in the least, it is supposed to be. Although we trust that our governmental constitution ensures that everyone is equal and we all have the same rights, some people believe that is not true in any way. We often are quick to accept this as a fact, but authors like Margaret Atwood show us that this is often an illusion. Through her dystopian novel she effectively explores themes of control and power and hope in a society that is no longer egalitarian. In order to illustrate the true value of equal rights and to show how women, no matter how often they’ve been subjugated, are powerful enough to reassure themselves time and again. Women play a great role in this dystopian city, but as a powerful symbol of less control. The new form of government presented in Margaret Atwood’s The Handmaids Tale, must leave women without freedom or choice, because in this way they can assure that their city will consist of their commands over woman and therefore, be successfully transformed into a society focused on traditional ideas. The diminutive control women experience in the Republic of Gilead does not make women feel that it distorts their individuality, even...
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...Study Guides and Literature Essays Editing Services College Application Essays Writing Help Q & A Lesson Plans Home : The Handmaid's Tale : Study Guide : Summary and Analysis of V: Nap - VI: Household The Handmaid's Tale Summary and Analysis by Margaret Atwood Buy PDFBuy Paperback V: Nap - VI: Household Summary This section begins with Offred simply sitting alone, waiting. She had not been prepared for all this stillness, all of this boredom. She thinks about experiments they used to do on animals, how they would give them something to distract them. She wishes she had something to distract her. She lies down on the floor and begins to do her exercises, tilting her pelvis back. She remembers how at the training center they had rest time every day from three to four. Now she thinks it was practice for all of the waiting. She remembers how Moira showed up, after she'd been there for about three weeks. They couldn't talk for a few days, but finally during a walk they were able to plan a meeting in the washroom. The first time was during Testifying, which Aunt Helena came for specially. That day, Janine was talking about how she was gang raped when she was fourteen and had to get an abortion, and the other women respond as they have learned to, chanting that it was her fault. Despite the surroundings, Offred was extremely happy to see Moira. Now Offred thinks about her body. She used to see it as an instrument of her will, but now she sees it only as a container...
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...Oppositely Attwood uses Offred as a mouth piece to denounce the unrealistic ideals that women faced in the previous 1980s American society but her conformity to the totalitarian regime allows Attwood to effectively condemn the new gender roles which have been assigned to the women. Conceivably women with in the 1980s enjoyed liberation added by the gains of the second wave feminist movement contrastingly the 1800s confined women to a domestic bubble where her only role was to fulfil their maternal duties. The 60s and 70s encapsulate the removal of conservative views and the emergence into a new age where women governed their own lives and experienced a sense of autarchy never seen previously. Attwood thus uses the hand maid’s tale to reassert the thoughts of whether the freedom is experienced is sustainable or rather an illusion devised in order to make women feel there are becoming increasingly socially mobile. Hand maids are initially restricted to the white wings and full ankle skirt Offred even sees her own nakedness as ‘strange and ‘immodest’. The full skirts are symbolic of the demure nature of the handmaids but are also evidence of how they must constantly fit in to Gilead’s frivolous ideals, this is closely...
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...Tennyson links public and private spaces and their promotion of female passivity to illustrate societal as well as psychological and domestic examples of passivity. In Mariana, the “rusted” and “crusted” atmosphere of decay is representative of Mariana’s psychological deterioration and the stagnant “blacken’d waters” and “moated grange” act as an obstruction to her integration with the outside patriarchal world. This reflects the wider Victorian attitude regarding the home as “the centre of virtue and the proper life for women” and brings to light the impact that passivity in the greater context of society has on the role she plays in her private relationship. This idea of external influences is echoed much less figuratively in ‘The Handmaid’s Tale’ where “decreased birth rates” stimulated a change in the functioning of the governmental system and the politically organised passivity of women, creating a dystopian vision of patriarchy. A change in societal structure resulting in female passivity is also present in ‘Othello’. Desdemona’s transition from an assertive female who “challenge[s] that [she] may profess...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...A618C90F-C2C6-4FD6-BDDB-9D35FE504CB3 First American paperback edition published in 2006 by Enchanted Lion Books, 45 Main Street, Suite 519, Brooklyn, NY 11201 Copyright © 2002 Philip Stokes/Arcturus Publishing Limted 26/27 Bickels Yard, 151-153 Bermondsey Street, London SE1 3HA Glossary © 2003 Enchanted Lion Books All Rights Reserved. The Library of Congress has cataloged an earlier hardcover edtion of this title for which a CIP record is on file. ISBN-13: 978-1-59270-046-2 ISBN-10: 1-59270-046-2 Printed in China Edited by Paul Whittle Cover and book design by Alex Ingr A618C90F-C2C6-4FD6-BDDB-9D35FE504CB3 Philip Stokes A618C90F-C2C6-4FD6-BDDB-9D35FE504CB3 ENCHANTED LION BOOKS New York Contents The Presocratics Thales of Miletus . . . . . . . . . . . 8 Pythagoras of Samos . . . . . 10 Xenophanes of Colophon 12 Heraclitus . . . . . . . . . . . . . . . . . . . 14 The Scholastics St Anselm . . . . . . . . . . . . . . . . . . 48 St Thomas Aquinas . . . . . . . 50 John Duns Scotus . . . . . . . . . 52 William of Occam . . . . . . . . . 54 The Liberals Adam Smith . . . . . . . . . . . . . . 106 Mary Wollstonecraft . . . . 108 Thomas Paine . . . . . . . . . . . . . 110 Jeremy Bentham . . . . . . . . . 112 John Stuart Mill . . . . . . . . . . 114 Auguste Comte . . . . . . . . . . . 116 The Eleatics Parmenides of Elea . . . . . . . 16 Zeno of Elea . . . . . . . . . . . . . . . 18 The Age of Science Nicolaus Copernicus . . . . . . 56 Niccolò Machiavelli...
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