...HISTORY OF AFRICAN ART The earliest known form of African Art is rock paintings, drawn by the nomadic people of southern Africa and the Sahara. Of those paintings, some of the earliest have been excavated in Namibia in strata between 19,000 and 26,000 years old. The paintings are on portable pebbles and stones and are depictions of rhinoceros, half-human and half-animal forms. Surviving paintings and engravings on rock shelters are younger but more difficult to date accurately. Some probably date to Stone Age up to about 10,000 BC .The paintings show people dancing, skinning animals, medicine men performing rituals, animals being hunted, hands, bows and arrows and geometric patterns. The earliest 3D art come from Nigeria dating from 700-500 BC onwards. This is the famous ‘Nok’ sculpture, terracotta human and animal figures excavated from the tin mines near the village of Nok where pottery figures were first found. One extraordinary group of terracotta is the exception in a mainly West African story, in that they come from South Africa where they are the earliest known sculptures. They has seven heads, found at Lydenburg in the Transvaal.Modelled in brutally chunky style, they date from about the 6th C AD. Powerful terracotta figures in traditional style continue to be made in Africa in the 19th and 20th centuries, contemporary with the superb carved wooden figures which survive from the two centuries. There is archeological evidence that metallurgy existed as early as 3000...
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...African art history Every civilization throughout history has recorded their beliefs, history and ideologies through different mediums and artwork. Three core beliefs of African societies included honoring ancestors and animal deities, elevating rulers to a sacred status and consulting diviners and fortune tellers. You can see this in their artwork by the use of symbolism in the sculpture to portray how important someone was by making a rulers head oversized and the use of tame animals near the figure to show his power over all things. They also honored their ancestors by way of body decoration and modification, rituals and masks. Being firm believers in the spirit world, they made grand forms of architecture using brick and living rock to create places of worship. The early African people had a few ways of remembering and honoring their ancestors and family, like making sculptures for display in shrines or making pendants and jewelry depicting the likeness of those who perished. One example of this is the Waist pendant of a queen mother, from Benin Nigeria, ca. 1520, thought to portray the mother of Oba Esigie. The naturalistic ivory pendant symbolized the legacy of a dynasty and was made to honor the king’s mother. There are Portuguese heads on the top and bottom of the head. The Portuguese were thought of as people from the spirit world who brought wealth, power and prosperity to the king. Trade networks led to the wide spread of religion throughout early African...
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...Did you know, in the African culture that its history is based on a combination if African oral traditions. Celebrations of African arts have drawn international audiences. Africans erroneously and inadvertently conceptualize culture as “drumming and dancing” and therefore fail to see any contribution culture makes or made to the struggle for socioeconomic development. Creative expressions of African peoples are a complex blend of many media that each offers a unique perspective. Humanities that enrich life in each African community influence societies wherever peoples of African settled. African art has been of great importance in the 20th century development art in Europe. European materials and forms of art has influence Africans to...
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...Nina Wohl Columbia University Graduate School of Arts and Sciences AHIS W4855 African American Artists in the 20th and 21st Centuries Spring 2012 Research Paper – African American Art & the Great Depression The Great Depression was the worst economic downturn of the twentieth century. The federal government took unprecedented action to provide relief, recovery and reform. No group was harder hit by the Great Depression than African Americans. The New Deal was slow to deal with the unique situation faced by African Americans. The struggles of the Great Depression laid the foundation for the civil rights movement of the 1950s and 1960s. Art would play an important role in influencing the future. Despite its limitations, the New Deal, through the Works Progress Administration’s (WPA) Federal Arts Program (FAP), was responsible for reshaping the cultural agenda and “marked a significant turning point in the production of black culture.”1 The artists of the Great Depression built upon the work done during the Harlem Renaissance. New Deal art extended and affirmed art that translated “politics into cultural terms.”2 The FAP looked for a “new sense of authentic American culture – one that championed national values and traditions by celebrating regional and racial diversity.”3 As a result, many artists worked to place African Americans in the historical narrative of the United States while combating long held stereotypes. None were less important than Aaron Douglas...
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...(1934) is an art piece painted by Aaron Douglas. He was an African-American painter during the Harlem Renaissance movement. As the title suggests, the painting is a description of the history of African-Americans from slavery through reconstruction time. The art piece is divided up into different sections and highlights the racism toward African-Americans. On the left side of the painting you see black people with drums and a crop growing in the background. This section of the painting shows a time where Africans were free and not slaves. Moving a little to the right, we see oppression and slavery through the black people being hunched over in the painting. Towards the middle of the art piece we see a person standing up pointing and showing the desire to fight against slavery and to the right of him you see people with their fists up and ready to fight against the oppression and slavery. This piece of art explores Negro heritage from left to right. I like this piece of art because of the soft colors and the neutral appearance of the silhouettes of people. This painting describes African-American culture and their struggle to end slavery. Everything in this painting describes life of African-American and their struggle in the 1900’s. Historical Context Douglas’s painting Aspects of Negro Life: From Slavery to Reconstruction provided a big contribution during the New Negro movement known as the Harlem Renaissance. This movement increased awareness of black art and culture...
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...Lisk AP U.S. History 22 May 2024 The Harlem Renaissance: A Flourishing of African American Culture The Harlem Renaissance was a pivotal period in American history that spanned the 1920s, marked by an extraordinary outpouring of African American art, literature, music, and thought. This cultural movement not only redefined African American identity but also had a profound impact on the broader American cultural landscape. The movement was characterized by a newfound sense of racial pride and a desire for social and economic equality. This book explores the contributions of key figures in the Harlem Renaissance, the impact of their work, and the lasting legacy of this significant cultural awakening. ORIGINS OF THE HARLEM RENAISSANCE The Great Migration, which saw millions of African Americans move from the rural South to urban centers in the North, set the stage for the Harlem Renaissance. Harlem, a neighborhood in New York City, became the epicenter of this cultural explosion. The migration brought a concentration of talented individuals who sought to escape the oppressive conditions of the South and to find new opportunities in the North. The vibrancy and diversity of Harlem provided the perfect environment for a cultural renaissance....
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...each having their own purpose for African-Americans. White is an extraordinary artist who has changed history and affected many African-Americans for the better. Charles White Jr. was born in Chicago, Illinois on April 2, 1918 to the parents of Ethel Gary and Charles White Sr. At a young age, White realized his passion for art and it was only fueled more when one day after school he met art students from the Art Institute of Chicago who taught him how to mix paint. Not too long after did White begin to skip school because of...
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...Key to notes listed a = also approved for Analyzing the Natural World b = also approved for Understanding the Individual and Society c = also approved for Understanding the Past d = also approved for Understanding the Creative Arts e = also approved for Exploring World Cultures f = also approved for Understanding U.S. Society g = Indicated courses specifically designed for those majoring in areas other than science and mathematics h = LAS nonlaboratory courses Anthropology (ANTH) | 102 | Introduction to Archaeology | 4 hourscg | 105 | Human Evolution | 4 hourscg | 218 | Anthropology of Children and Childhood | 3 hoursbh | 238 | Biology of Women Same as GWS 238 | 3 hoursgh | | | | Biological Sciences (BIOS) | 100 | Biology of Cells and Organisms | 5 hours | 101 | Biology of Populations and Communities | 5 hours | 104 | Life Evolving | 5 hoursg | | | | Chemistry (CHEM) | 100 | Chemistry and Life | 5 hoursg | 112 | General College Chemistry I | 5 hours | 114 | General College Chemistry II | 5 hours | 116 | Honors General Chemistry I | 5 hours | 118 | Honors General Chemistry II | 5 hours | 130 | Survey of Organic and Biochemistry | 5 hours | | | | Computer Science (CS) | 100 | Discovering Computer Science | 3 hoursh | | | | Earth and Environmental Sciences (EAES) | 101 | Global Environmental Change | 4 hours | 111 | Earth, Energy, and the Environment | 4 hours | 200 | Field Work in Missouri | 2 hours...
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...The Harlem Renaissance The Harlem Renaissance was a 20th century movement of diverse art forms occurring in New York City. During the time this change was referred to as "New Negro Movement” (Johnston). The movement was responsible for giving new opportunities to African American artists. Additionally, the Harlem Renaissance empowered everyday black Americans that were discriminated against. During this time, there were several notable figures that helped lead and expand the movement. As a result, the Harlem Renaissance has made an enormous cultural impact in the United States. The initial emergence of the Harlem Renaissance can be traced back to 1865. During this time, African Americans were experiencing their first chance of freedom. After...
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...I am writing my paper on African Americans writing a letter to a friend that is not African American. Dear Anthony, I am writing this letter because I would like to share with you what it is like to be African American and the what we have experienced throughout history. Sometimes people think that because times have passed and things are better that we should be happy but that is not the case. So I just want to give you some insight on African American’s history in the Unites States. Black history has tremendously shaped the African American experience in the United States. For most of U.S history the African American experience developed outside the American culture. Black history’s impact on the African American experience resulted from influences of slavery and racial discrimination in the U.S. For most of U.S history, legal and social discrimination has denied African Americans access to education, literacy, and work. The Harlem Renaissance was one of the first and most important movements in black history. It was the first recognition of African American for their music, literature, arts, and poetry. The Harlem Renaissance was an important period of increased political involvement in black history. Another important movement for African Americans was the Black Arts movement. The Black Arts movement saw the rise of music and literature that embraced a pronounced political and racial consciousness. The Harlem Renaissance and the Black Arts movements are only two of...
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...Art 100 Virtual tour of Washington DC area Siva and consort Uma SMITHSONIAN MUSEUM-Arthur M. Sackler and Freer Gallery of Art – SOUTH ASIAN AND HIMALAYAN ART Both the Sackler Gallery and Freer Gallery are located on the National Mall between the Capitol and Washington Monument. The hours of operation are 10.00 am to 5.30 pm except on December 25 and admission is free.Charles Lang Freer, the founder of the Freer Gallery of art expressed his enthusiasm by “I am over my head in love with India” after his first visit to the subcontinent. As I casually browsed the Freer Gallery, the beautifully decorated image of Buddha caught my attention. Also, on display were other masterpieces of Mughal and Rajput paintings along with richly decorated court arts and daggers used by Mughal emperors. I can clearly relate to this period of history because I am of Indian descent and also practice Hindu religion. I am well aware of this particular aspect of art and culture that we have covered during this course. During The Chola dynasty, the Hindu god known as Siva Nataraja (Lord of the Dance) was the perfect embodiment of Chola beauty. The Chola dynasty was one of the most dominant artistic, religious and political forces in south India from the ninth through the thirteenth century. Siva Nataraj was portrayed as the family diety because he was always seen with his consort Uma and their elephant headed son Ganesha, often referred to as the remover of all obstacles. According to the...
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...Faith Ringgold is a prominent African American, mixed media artist from Harlem, New York known for her painting, quilting, and activism. Ringgold’s artistic journey is intertwined deeply with her experiences as a black woman in America. Some of Ringgold’s most influential pieces are her narrative quilts. The designs, colors, and fabric are all woven together to represent the personal and historical stories from the African American perspective. Through her quilts, Ringgold brings attention to overlooked histories and celebrates the resilience of her community. Her artwork explores themes like race and gender, which challenge societal norms and advocates for equality. Born in Harlem, New York in 1930, Faith Ringgold was brought up in a community that embraced creativity. The Harlem Renaissance exposed her to many African-American artists, such as Duke Ellington and Langston Hughes. Additionally, art was very intertwined with her own family, particularly fiber arts. Her mother was a fashion designer who taught Faith how to sew and create patterns with fabric at a young age (Seiferle). Ringgold’s great-great-great-grandmother made quilts as...
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...Examination of Two African American Artists Name Title Unit Code Introduction Artist refers to broad spectrum wide ranging word that covers activities related to creative art, demonstrating art, and practicing art. Artistic works by the African American artists have played a great role in revolutionizing the scene of the American culture displayed to the outside world. Becoming an artist is an intensive process requiring talent and social recognition through provision of social support. In the early ages, artists in America were selected basing on their race. However, the beginning of the 19th century saw the establishment of Negro movement that advocated for social recognition of the black artists in America. This provided the artists with a platform for expressing their talents through music, writings, and visual artworks on issues related to social, political, and economic conditions facing the blacks in America. Therefore, this research paper will examine the life history of two famous African American artists in history. The analysis will consider their early lives, education backgrounds and their contributions that led to their social recognition. The research will end with the comparison of the two personalities and come up with a conclusion. The two personalities examined in the research paper are Henry Ossawa Tanner, and Romare Bearden. Romare Bearden’s Early Life Romare Bearden is one of the African American artist and writer...
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...20th Century Diversity in a Changing World ARTS/125 20th Century Diversity in a Changing World The diversity of the art world has had many changes throughout many years of different styles and cultures. The Chicago World's Fair in 1893 was one of the starting points for American art to be seen and enjoyed by the world (Doss, E 2002). The Chicago World's Fair displayed Neo-classical architecture and Neoclassical style of art the help reinforce cultural progress and leadership (Doss, E 2002). The architecture and art that was seen during this time were known as the Gilded Age Art. The art was flashy and extravagant and designed for the American with a big wallet (Doss, E 2002). There was some diversity when it came to the Gilded Age art, but a lot of the other great women and other ethnic culture artist got left out of the plan (Doss, E 2002). Throughout 123 years after the Chicago World's Fair, the world has been able to see the changes in America, good and bad through art. Art styles have changed drastically over the years as a way for many artists to express themselves about the planet that human beings inhabit. The American art world may have started off being dominated by a Caucasian male society, but within time other genders and ethnic groups' grabbed notary as well. Over time women began to demand equal rights to vote, gender, sexism, and to be seen as equals in the art world (Doss, E 2002). Also, other ethnic culture stood up for their rights to be treated as equals...
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...Nicole Cruz Professor Garver Philosophy 303 7 May 2014 The Works Progress Administration: How Federalism Enabled Social Reform Through Art Franklin D. Roosevelt once said, “The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little.” The Works Progress Administration, established by Franklin D. Roosevelt in 1935, aimed to provide an opportunity for both people and the American economy during a time of great struggle within the United States. What made the Works Progress Administration significant in United States history was the fact that it unintentionally stimulated social reform and progress within American society, even though its main purpose was to create jobs for artists and stimulate economic growth. An analysis of artwork from the Works Progress Administration, reveals that, through the United States’ involvement of creating jobs for artists, social, racial and gender barriers were disseminated, which allowed for progress in American society both economically and socially. After being elected into the presidency in 1932, Franklin Delano Roosevelt delivered his New Deal to the American people, which addressed the devastating effects of the Great Depression. A number of bills were passed as part of the New Deal that was meant to alleviate the poverty rate, reduce unemployment, and stimulate economic recovery. Historians consider the Works Progress Administration...
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