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The Journey of the Magi

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Running head: “The Journey of the Magi”

“The Journey of the Magi”
Tracy Smith
October 5, 2012
Liberty University

“The Journey of the Magi”

“The Journey of the Magi” is a poem dealing with mystical and mysterious, spiritual growth and revival, life and death. This poem also deals with conversion and redemption. Here Eloit show the struggles to explore the different seasons. Eliot shows that the “dead of winter” is a spiritual place of unbelief and isolation. He also shows how the “temperate valley” is a place of non-acceptance. Eliot shows a monologue to convey a sense of difficulty and danger to spiritual conversion. An old man which is one of the Magi’s recollections reviews and reflects on his past. This also highlights that this is a journey to meet Christ before his death. The Magi’s experiences are retold in an intimate conversation that differs from the pretty images associated with Christmas. The poem’s main focus is the sinful nature of the world before Christ’s Birth. T.S. Eliot shows how cruel their journey is because of sin.

This poem is in three parts. In the first stanza Eliot presents the hazards of the journey in such a way that they appear to be present day. He starts off talking about the foul weather, “ways deep”. The unreliable transport of the journey; “the camels sore-footed refractory,” He talks about the tourist prices as well. There is an enumeration of problems that Eliot mentions in the beginning of the poem that troubles the travelers while on this journey. Eliot uses “And” quite a bit in this poems showing the incantatory and rhythm of the poem. This shows a sense of frustrations from the travelers. This makes the Magi’s have some regrets and they began to second guess themselves, “the voices singing … saying that this was all folly”. They were used to their previous way of life and sensual pleasures of “the summer palaces”. This is similar to the transition in Christianity. When one converts and starts this journey it is easy to doubt and want to return to the old way of life.

The imagery, mood and the tone of the second stanza stands in contrast to the first stanza. It is also unusual because of Eliot’s uses of prolepsis in which the prophetic suggestions of future events. One event is the Crucifixion and other references to Christian symbolism that are given in an indirect and ambiguous way. The juxtaposition and uncertainty of images of water and baptism “running stream” wine and Eucharist “vine leaves”, death and resurrection “three trees…. pieces of silver” transposes images of life and death. This is one of Eliot’s key techniques, namely the blurring and super-imposing of time and place to remind us of the Magi’s personal journey. This also makes seems as if he is widespread and existential at the same time.

The last stanza of the poem records the Magi’s reflections on what they found. It is this section which gives the poem its power. Eliot’s questions reflect confusion and amazement, rather than conviction and faith and cut to the inconsistency of Christianity. Imposing that in order to find your life you have to lose it “To die is Christ and to live is Gain” Phil 1:21. Was it birth or death? He asks. The Magi struggle to understand the complexity of it all. We have no guarantees or definite signs other than what we believe when experiencing a new life in Christ. We can assume then that once we are in Christ we will never be the same and we are not comfortable with our old nature and mindsets. The Magi’s concede this amongst “alien people clutching their God’s” In other words to be apart from Christ is to be as an alien on this journey.

The poem ends with the admission from the Magi’s that “be glad of another death” which implies that he is waiting on his own death or for death to release him for his spiritual journey. The Magi’s realize that in order to live and have new life death is necessary. Eliot conveys in this poem that one must die to the old in order to be born into the new.

References

Eliot, T. S. (1974). Journey of the Magi. In Collected Poems 1909 – 1962 (pp. 109–10). London: Faber and Faber. Retrieved October 5, 2012, from Twentieth-Century English Poetry.

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