...The Script The Man Who Can't Be Moved lyrics Going back to the corner where I first saw you Gonna camp in my sleeping bag, I'm not gonna move Got some words on cardboard, got your picture in my hand Saying if you see this girl can you tell her where I am Some try to hand me money, they don't understand I'm not broke I'm just a broken hearted man I know it makes no sense, but what else can I do How can I move on when I'm still in love with you 'Cause if one day you wake up and find that you're missing me And your heart starts to wonder where on this earth I could be Thinking maybe you'll come back here to the place that we'd meet And you'd see me waiting for you on the corner of the street So I'm not moving I'm not moving Policeman says son you can't stay here I said there's someone I'm waiting for if it's a day, a month, a year Gotta stand my ground even if it rains or snows If she changes her mind this is the first place she will go 'Cause if one day you wake up and find that you're missing me And your heart starts to wonder where on this earth I could be Thinking maybe you'll come back here to the place that we'd meet And you see me waiting for you on the corner of the street So I'm not moving I'm not moving I'm not moving I'm not moving People talk about the guy Who's waiting on a girl, oh whoa There are no holes in his shoes But a big hole in his world Maybe I'll get famous as the man who can't be moved And maybe you won't...
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...For example, one needs to kick or exert some pressure on a ball for it to move. Without any force of the object, it cannot move at all. Therefore, something must act upon it for the potentiality to reach actuality. Aquinas further argued that the object cannot move in its original object alone, but an action on it will enable it to change its position. One has to move his leg or hands on the ball so as to change its position. It is a chain that continues from there in a backward manner. He reckons that in the absence of the first mover, the cause and the effect of the chain by definition moves externally back. The idea remains absurd to a sober mind since it is not accompanied by observable evidence. However, a notion exists that there must be a first mover who does not need anything for him/her to move. The first mover needs to change his direction towards an infinite position that no man can get it right. The Aquinas idea is intellectually designed to prove the existence of a God but fails to reveal clearly the existence of biblical God. It is proof that it can easily be applied to Odin, Allah or Jupiter. However, God is the creator of all things in the...
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..."tramps". The world of this play is operating on its own set of rules, its own system. There nothing happens, nothing is certain, and there’s never anything to do. Vladimir and Estragon are waiting for Godot, a man or perhaps a deity. The tramps can’t be sure if they’ve met Godot, if they’re waiting in the right place, if this is the right day, or even whether Godot is going to show up at all. While they wait, Vladimir and Estragon fill their time with a series of mundane activities (like taking a boot on and off) and trivial conversations (turnips, carrots) scattered with more serious reflection (dead voices, suicide, the Bible). "We always find something," Estragon casually remarks in Act II, "to give us the impression we exist." The tramps are soon interrupted by the arrival of Lucky, a man/servant/pet with a rope tied around his neck, and Pozzo, his master, holding the other end of the long rope. The four men proceed to do together what Vladimir and Estragon did earlier by themselves: namely, nothing. Lucky and Pozzo then leave so that Vladimir and Estragon can go back to doing nothing by themselves. Vladimir suggests that this is not the first time he’s met with Lucky and Pozzo, which is surprising, since they acted like strangers upon arrival. Then again, Estragon can’t even remember a conversation ten lines after it happens, so we’re not going to depend on memory in this play. So the nothing is interrupted by the...
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..."tramps". The world of this play is operating on its own set of rules, its own system. There nothing happens, nothing is certain, and there’s never anything to do. Vladimir and Estragon are waiting for Godot, a man or perhaps a deity. The tramps can’t be sure if they’ve met Godot, if they’re waiting in the right place, if this is the right day, or even whether Godot is going to show up at all. While they wait, Vladimir and Estragon fill their time with a series of mundane activities (like taking a boot on and off) and trivial conversations (turnips, carrots) scattered with more serious reflection (dead voices, suicide, the Bible). "We always find something," Estragon casually remarks in Act II, "to give us the impression we exist." The tramps are soon interrupted by the arrival of Lucky, a man/servant/pet with a rope tied around his neck, and Pozzo, his master, holding the other end of the long rope. The four men proceed to do together what Vladimir and Estragon did earlier by themselves: namely, nothing. Lucky and Pozzo then leave so that Vladimir and Estragon can go back to doing nothing by themselves. Vladimir suggests that this is not the first time he’s met with Lucky and Pozzo, which is surprising, since they acted like strangers upon arrival. Then again, Estragon can’t even remember a conversation ten lines after it happens, so we’re not going to depend on memory in this play. So the nothing is interrupted by the...
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...The Voice Of Truth By Casting Crowns Intro (Gtr 2, Capo 3, Replay during Chorus.) Dsus2 Dsus2 D Dsus5 xx0230,xx0230,D, xx0235 Verse 1 (gtr 1) F Dm Oh what I would do to have, The kind of faith it takes Bm F#m Bm To climb out of this boat I'm in, Onto the crashing waves F Dm To step out of my comfort zone, Into the realm of the unknown Bm F#m Bm where Jesus is, And He's holding out His hand C Bm F But the waves are calling out my name And they laugh at me C Bm F Reminding me of all the times I've tried before and failed C Bm Bm C Dm The waves they...
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...(Both) I’m lucky I’m in love with my best friend Lucky to have been where I have been Lucky to be coming home again Ooohh, ooooh, oooh, oooh, Oooh ooh ooh ooh (Both) They don’t know how long it takes Waiting for a love like this Every time we say goodbye I wish we had one more kiss I’ll wait for you I promise you, I will (Both) I’m lucky I’m in love with my best friend Lucky to have been where I have been Lucky to be coming home again Lucky we’re in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday (Jason) And so I’m sailing through the sea To an island where we’ll meet You’ll hear the music fill the air I’ll put a flower in your hair (Colbie) Though the breezes through trees Move so pretty you’re all I see As the world keeps spinning round You hold me right here right now (Both) I’m lucky I’m in love with my best friend Lucky to have been where I have been Lucky to be coming home again I’m lucky we’re in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday Ooohh, ooooh, oooh, oooh, Oooh, ooh, ooh, ooh Ooooh, ooooh, oooh, oooh, Oooh, ooh, ooh, ooh. Hinahanap-Hanap Kita “Adik sa ‘yo” Awit sa akin Nilang sawa na sa Aking mga kuwentong marathon Tungkol sa ‘yo At sa ligayang Iyong hatid sa aking buhay Tuloy ang bida sa isipan ko’y ikaw Sa umaga’t sa gabi Sa bawa’t minutong lumilipas Hinahanap-hanap kita Hinahanap-hanap kita Sa isip at panaginip Bawa’t pagpihit...
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...discrimination is used because I can't say that police officers do not focus more on the black community than the white because it is really happening right know I'm seeing it with my own eyes. I also see if you have money you can get away with anything, but if you are poor it is nothing they can do for you just like they look at the way you was raised and where you was raised at. Criminal justice is just like any other jobs you would get it's not about what you can do it's about who you know and the color of your skin and that is discrimination. These days they try not to discriminate because they want to seem like they still have racism, but you can't hide it at all. Criminal justice also has and shows the great differences, between people of all colors and that is disparity. It's when they see how you present yourself to them and what they can see and what you know. The different between disparity and discrimination is disparity is when something is not the same and unequal when discrimination is when someone shows prejudice against someone else that is the differences. The similarities between disparity and discrimination is because they both treat people unequal it's like they both show prejudice are not the same treatment. It's not treating people fairly. It's seems that the similarities and the differences are just alike I notice about the two why are they used in the criminal justice system. I can also understand disparity because you can't treat a murderer and a person...
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...Engines roared. Tires screeched. Sirens blared. Then darkness. blank walls. My skin burns. Laughter. Everything is fun. Colors. The walls are blank and colorful. Black. I can move. Trying to release sound any sound, nothing comes. Beeping- the noise hurts my ears. Beep, beep beep beep. Then no noise. I think she is waking up Can you hear us? Who is talking?.. I think someone is talking. I feel unusually giddy. Where am I? Truck! There was a truck. My legs hurt. I jolt awake. It’s four months since the blank room and I still had pleasant nightmares. The sad, melancholic, but beautifully fascinating nightmares. Maybe they were delightful, I can't tell. I reach for the water next to me; I can't reach it. I don't want to get up. My legs hurt....
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...After he once more complained that he can’t speak of his child’s death, she says to him “You can’t because you don’t know how to speak./ If you had any feelings, you that dug/ With your own hand – how could you? – his little grave;/ Making the gravel leap and leap in air,/ Leap up, like that, and land so lightly/ And roll back down the mound beside the hole./ I thought, Who is this man? I didn’t know you” (71-78). She tries to blame him and make him the source of her mourning. Nearing the end of the poem, the husband has lost all his patience trying to get his wife to listen and understand him. He just states that she can go for now but that he will get her later. The last two lines of the poem are “Where do you mean to go? First tell me that./ I’ll follow and bring you back by force. I will! –“...
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...I call you sir?” “Call me Saul.” The man spoke his name. Saul recognized Aapelis name, not knowing where from; it seemed like he already knew who Aapeli was. Saul ignored the feeling knowing he hasn’t met this boy before, for he is to young. They went on with there way to Saul’s dwelling. “I want to explain to you now why I can’t be seen by the soldiers, so there isn’t further confusion for you.” Saul said to Aapeli. “What is it?” “Well first off, I myself, am Jewish.” Aapeli was comforted by those words. “Also, I was captured because I promised a favor to the soldiers long ago, and I failed to keep the promise. So, the deed was never done, and I’m wanted by the soldiers for an execution.” Aapeli was hoping that this man was wise enough to not get caught by the soldiers, for he didn’t want anything to happen to him. “What was the deed?” “Pardon?” Saul responded in confusion. “You said you had a deed that you failed to do, what was it?” “I refused to shoot the woman that I loved.” “Why would the soldiers want you to do that?” “For their own entertainment.” “What did they...
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...The moonlight shining through the Oval Office seems to land on a man with green hair, white skin, and what seemed to be a Secret Service uniform, with an orange shirt standing in front of the President of the United States. The smell of blood fills the room, coming from outside the room and the President’s whimpering is filling the room. The man has a gun in his hand and a wicked smile on his face. The Joker puts the gun against the President’s head and pulls the trigger but just a click comes out. “Russian Roulette is a funny game, Mr. President, isn’t it?” The Joker cackles, putting the gun against his own head and pulling the trigger again, with no bullet coming out. “Are you going to kill me?” the President asks. The Joker looks at him “Eventually.” “What are you waiting for?” the President hesitantly asks. “An old...
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...includes killing a little girl (who so happens to be the police commissioner’s daughter), but of cruelly kidnapping and molesting her as well. Perhaps because the dead little girl is the daughter of such a prominent man does the case fly through the courts without anything resembling due process, and it’s as if no one realizes that the perpetrator lacks the mental faculties needed to represent or stand up for himself when everyone is against him from the start—even including the policemen and lawyers whose job it is to assume his innocence. Instead, they work only to prove his guilt, because there’s literally nothing to stop them. Especially not the law. What follows is a story that takes place in two time periods. There’s the modern storyline, where the father’s grown-up daughter works as a lawyer to clear his name—though that takes up far less screen time than the flashback to 1997, the year that her father was accused and imprisoned in Cell No. 7. It was there that he met the cellmates who would become not only his friends but also family to him and his daughter after they devise an (admittedly improbable) plan to sneak her into the prison. Soon the entire prison population joins in the effort to try and save the innocent man from being executed, culminating in a heart-rending and revelatory masterpiece which manages to shine a spotlight on humanity at its best and at its unbelievable, infuriating worst. Ryu Seung-ryong plays YONG-GU, a man with the intelligence of a child...
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...VII, Occupational disease: Berlin 1934. A ward in the Charité hospital. A new patient enters while the previous two patients ask if either of them knows him. The surgeon enters with three of his students. He tells his students that this patient suffers from the Raynaud’s Disease. The patient was a worker that worked with power tools and just started to treat him correctly. He ask is students what are the three things a good doctor has to able to do. They answer, ask questions, for all three. They move onto the next patient who has open wounds on abdomen and blood in his urine. They say he fell down the stairs. His hands are tied because he keeps trying to take off his clothing. The surgeon ask why but the first patient answers with a question, “ where has the patient come from and here is he going back to?”. The surgeon clear his throat tells the nurse to give him morphine if he acts up again and moves onto the next patient....
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...S TE VE HARVEY STEVE HAR V EY E R Y Denene Millner Act Like a Lady, T HINK LIKE A Man This book is dedicated to all women. My hope is to empower you with a wide-open look into the minds of men. Introduction Everything You Need to Know About Men and Relationships Is Right Here 1 1 T H E M I N D -SE T OF A M A N 1 What Drives Men 2 3 11 19 Our Love Isn’t Like Your Love The Three Things Every Man Needs: Support, Loyalty, and the Cookie 37 “We Need to Talk,” and Other Words That Make Men Run for Cover 49 4 2 W H Y M E N D O W H AT T H E Y D O 5 First Things First: He Wants to Sleep with You 61 6 Sports Fish vs. Keepers: How Men Distinguish Between the Marrying Types and the Playthings 69 7 Mama’s Boys 8 Why Men Cheat 3 85 95 T H E PL A Y BO OK : HOW TO W I N T H E G A M E 9 Men Respect Standards—Get Some 10 115 The Five Questions Every Woman Should Ask Before She Gets in Too Deep 129 11 The Ninety-Day Rule: Getting the Respect You Deserve 147 12 If He’s Meeting the Kids After You Decide He’s “the One,” It’s Too Late 163 13 Strong, Independent—and Lonely— Women 179 14 How to Get the Ring 193 15 Quick Answers to the Questions You’ve Always Wanted to Ask 205 Acknowledgments 231 About the Author Credits Cover Copyright About the Publisher V EVERY THING YOU NEED TO KNOW ABOUT MEN AND REL ATIONSHIPS IS RIGHT HERE I ’ve made a living for more than twenty years making people laugh—about themselves...
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...S TE VE HARVEY STEVE HAR V EY E R Y Denene Millner Act Like a Lady, T HINK LIKE A Man This book is dedicated to all women. My hope is to empower you with a wide-open look into the minds of men. Introduction Everything You Need to Know About Men and Relationships Is Right Here 1 1 T H E M I N D -SE T OF A M A N 1 What Drives Men 2 3 11 19 Our Love Isn’t Like Your Love The Three Things Every Man Needs: Support, Loyalty, and the Cookie 37 “We Need to Talk,” and Other Words That Make Men Run for Cover 49 4 2 W H Y M E N D O W H AT T H E Y D O 5 First Things First: He Wants to Sleep with You 61 6 Sports Fish vs. Keepers: How Men Distinguish Between the Marrying Types and the Playthings 69 7 Mama’s Boys 8 Why Men Cheat 3 85 95 T H E PL A Y BO OK : HOW TO W I N T H E G A M E 9 Men Respect Standards—Get Some 10 115 The Five Questions Every Woman Should Ask Before She Gets in Too Deep 129 11 The Ninety-Day Rule: Getting the Respect You Deserve 147 12 If He’s Meeting the Kids After You Decide He’s “the One,” It’s Too Late 163 13 Strong, Independent—and Lonely— Women 179 14 How to Get the Ring 193 15 Quick Answers to the Questions You’ve Always Wanted to Ask 205 Acknowledgments 231 About the Author Credits Cover Copyright About the Publisher V EVERY THING YOU NEED TO KNOW ABOUT MEN AND REL ATIONSHIPS IS RIGHT HERE I ’ve made a living for more than twenty years making people laugh—about themselves...
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