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The Masque of Red Death

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Edgar A. Poe begins his short story, “The Masque of the Red Death” by describing the setting of the scene. “The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there were wine. All these and security were within. Without was the “Red Death” (Poe 516). Poe is putting the reader in a fun mindset about the Prince’s Abbey but ends it with suspicion. Poe uses symbolism in the setting so the reader can understand the meaning of the story. The Castled Abbey is a secluded place. The prince lures the people in by throwing a masquerade ball. Once you are in there is no way out. “A strong and lofty wall girdled it in. This wall has gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither ingress nor egress” (“Poe 516”). The abbey symbolizes the prince’s power. He has people thinking they’re keeping the “Red Death” outside but, in all reality they are trapped in. The abbey included seven rooms. The rooms were arranged from east to west. East is usually the direction associated with the “beginnings,” and birth, because the sunrises in the east; west (the direction of the sunset) is associated with the endings, and death. ( “Shmoop”). Each room was a different color. The first one was blue ending with the seventh room which was black. These colors symbolize the stages of life from birth to death. “The blue room, which is furthest to the east, represents birth. The Johnson 2 color suggests the "unknown" from which a human being comes into the world. The next room is purple, a combination of blue (birth) and red (associated with life, intensity) suggests the beginnings of growth. Green, the next color, suggests the "spring" of life (youth), orange the summer and

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