...Around 1981, Francis Ford Coppola received a letter from a librarian at Lone Star middle school. The text stated, “ We are all so impressed with the book, The Outsiders by S.E. Hinton, that a petition has been circulated asking that it be made into a movie. We have chosen you to send it to. In hopes that you might also see the possibilities of a movie, we have enclosed a copy of the book.” The written document was signed by 110 little signatures who were eager for Coppola to make a film. Since he couldn’t resist it, he decided to make one. Two years later, on March 25 The Outsiders was released. As any film director should, he tried to keep the movie close to the original novel by S.E Hinton. However, movies and books are two different ways...
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...The two novels The Last Song and The Outsiders both display numerous characteristics of teenage rebellion, where as one is more modern while the other is in an era of irresponsible excess. The more modernistic novel, The Last Song, displays a different outlook, compared to the severity of The Outsiders. There are several reasons behind these teens rebellious outburst, such as abandonment, environment, and revenge. Also, the punishments these teenagers must face are more severe in the more classical novel compared to the more current novel. The rebellious actions shown throughout both novels are quite similar, while displaying the same actions with a modern twist. Overall, today's teens display less severity, compared to the volatile actions of the teenagers in The Outsiders. The severity of the rebellious actions varies between a more modernistic outlook, compared to a classical approach. Ronnie, the main character of The Last Song, rebels against her father by refusing to play the piano. She refuses to use her incredible piano playing skills purposely to hurt her father's feelings. Ronnie also hangs with the wrong crowd, which gets charges filed against her. Although, Ronnie seems like a troubled teen, she does not engage in usage of alcohol or any illegal substances. Ronnie's mother becomes angered with the incidents that continuously occur with Ronnie. “Mom probably believed that the louder she yelled about Ronnie's grades, or Ronnie's friends, or the fact that Ronnie continually...
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...Ellen and Charity Comparison After reading Summer a novel by Edith Wharton, and watching the movie Age of Innocence, a movie based Edith Wharton’s book, I found two characters from each to be very similar. Ellen from Age of Innocence and Charity from Summer are very similar in many ways, such as, they are both outsiders in the societies in which they live. Also, they are in secret romances that would be forbidden if ever caught. So throughout this paper I am going to talk about their similarities, and also the few differences they have, and how there societies shape the character they are. First, I am going to touch on the subject that Charity and Ellen both do not fit into their societies, and are considered outsiders. Ellen is in New York City in the 1870’s during this story. During this time era in New York City, the society consisted of wealthy and well respected families, who had special customs and ways of going about things. Ellen being from Europe was not aware of these customs, therefore making her an outsider, because many people looked down on her because she did not act the way that she was suspected to. An example of this would be Ellen was estranged from her husband, and although they were separated, they were still married, so Ellen ran around with a gentleman named Julius who was also married and that was unacceptable in this society. Another example would be that Ellen was talking about getting a divorce from her husband, and that was looked down upon for...
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...disillusioned rebellious young men looking for freedom and self-expression. It is a religious generation on a spiritual quest back and forth in the lands of America. A relatively small movement in terms of published literature, the Beatnik generation's literary sphere was dominated by three leading figures: Jack Kerouac, Allen Ginsberg, and William Burroughs. The writings of these figures generally focused on the major themes of the generation itself, advocating a modern bohemian hedonism far exceeding that of any other movement of the 20th century.The most prominent and famous writer of this Beat Generation, Jack Kerouac, portrays his journeys through America in his autobiographical novel On the Road. In the book, Sal Paradise, the literary equivalent of Jack Kerouac, is a writer outsider in the search of a place under the sun. He is bored, disillusioned, and unhappy. Upon meeting his hero, Dean Moriarty, Paradise goes on a journey through the lands of America and Mexico, experimenting with drugs, sex, and alcohol, hitchhiking, stealing, sleeping under the sun, starving, yet engaging in exuberant and memorable experiences. Both friends rebel against the conformist American dream and go on the road to break with conventions and rules, with heightened expectations of what life should be and what life could actually offer. As they follow through their travels, the way they interact or exist in the different places or towns they visit changes, as their choices affects them...
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...Kin Faat Chau (Lucas) Professor Gustafson ARLT 101 07/09/2013 Preface Compilation of this extract involved numerous connections of societal development realities whereby tangible sources that supported the document provided critical information, particularly on Los Angeles historical fundamentals. Civilization is the major aspect explored in this study; the supportive materials helped my writing with analogous information that clarified the encompassed perspectives of societal detrimental issues that indicates the need for improvement, as pointed out by Mennell (p. 2). I have to acknowledge these sources for laying a foundation that proved the societal view and responses towards creation of possible change through literacy basics in their perspective community based activities. Social and political class play critical role in shaping people’s life whereby in sometimes they can be destructive rather than constructive in the societies. The view of human nature as a basic reality received in diverse perspectives indicates the need for substantive measures in taking people’s consideration when the moral basics are involved. Formulation of substantial laws to provide governance prospects are areas that many of the authors relied on in this study have proved to require substantive corrections to guide the people who seem to encounter the hardships of accepting others, particularly with the illusive approaches on society well-being. In most cases, as seen in this study,...
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...possibilities of an us-oriented life and refuse to play the them-dominated role of the victim. Much modern literature explores variations of this theme in different ways. I have chosen four works that illustrate the phenomenon: Freedom Writers - a movie directed by Richard LaGravenese based on teacher Erin Gruwell’s book The Freedom Writer’s Diary; The Sneetches - a classic children’s book by Dr Seuss; The Power of One - a movie directed by John Avildsen based on Bryce Courtenay’s popular novel of the same name; and The Wave - a young adult novel written by Todd Strasser who is also known by his pen name - Morton Rhue. At the beginning of the film Freedom Writers, Ms Gruwell is attempting to teach her first English class, Room 203, which is full of gang and racial tension. She knows that they need to learn tolerance so that they can reclaim their shattered lives and gain a voice of their own. She tries many different teaching approaches to connect with and engage her class. This shows that she was trying to establish equality in the classroom and make enemies friends in order to help them see each other as people, not as problems or enemies. This is illustrated when she introduces the Line Game, a tool used to highlight the similarities between all of the students. They look into each others eyes and see the pain that has been caused by the rivalry. From then on they begin the journey of reconciliation further showing Ms...
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...1. Logan's Run: The Story by Ken Sanes In 1976, Hollywood came out with a movie titled Logan's Run, which offered a vision of the future as a false paradise. In the movie, humanity is portrayed as having destroyed the earth's ecosystem by the 23rd century, through war, overpopulation and pollution, and retreated into a high-tech city enclosed in domes, full of futuristic buildings and public spaces that look like something out of a contemporary shopping mall. Inside, the inhabitants devote themselves to a life of indulgence while a computer with a vaguely seductive female voice controls the city and produces everything they need to live. They know nothing of the outside world, nor do they have any idea how to operate the machines that serve them. As in many similar works, the characters are portrayed as being much like children, dependent on the central computer to shelter them in their gilded cage. But the characters aren't only separated from the nature outside the city. They are also separated from the natural processes of life. They are incubated in nurseries, rather than being born, and they neither marry nor know their children. It is only natural, in their eyes, for sex to be purely a form of entertainment, unconnected to intimacy or procreation. Nor do they know anything of the natural process of aging. Because space is limited in the city, the computer simply does away with everyone on their 30th birthday. To lead these lambs willingly to their slaughter, it has given...
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...In examining Washington Irving’s “The Legend of Sleepy Hollow” alongside Tim Burton’s filmic adaption of the story, titled “Sleepy Hollow,” a number of fascinating similarities and differences emerge. Though elements of the characters and settings of Burton’s film borrow heavily from Irving’s text, the overall structuring of the film is significantly different, and representations of various elements are crucially re-imagined. Tim Burton’s “Sleepy Hollow” was released on November 19, 1999, a few months before the new millennium. Set in 1799, Burton’s film modifies the 1790 date that Irving’s text is set in, showing an acute concern with living out anxieties surrounding millennial change in the ‘safe’ formats of film and of established folk legend. Irving’s tale, written in 1820, also works with antiquity, but in a different manner: it lives out colonial cultural anxieties of Irving’s present, as he seems to be concerned with constructing archetypes of folk and with placing folk culture in the new American literary landscape. Examining the two versions of the tale, then, provides a fascinating peek into the transformation of concerns and values in America from Irving’s nineteenth century landscape to Burton’s twentieth (on the verge of twenty-first) century. Burton makes several significant moves that modify the basics of Irving’s tale, frequently at the cost of the folk elements of Irving’s version. The frame narrative of Irving’s story—the tale, part of a series titled...
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...An artistic movement whose influence on film has been as profound and enduring as that of surrealism or cubism on painting, the French New Wave (or Le Nouvelle Vague) made its first splashes as a movement shot through with youthful exuberance and a brisk reinvigoration of the filmmaking process. Most agree that the French New Wave was at its peak between 1958 and 1964, but it continued to ripple on afterwards, with many of the tendencies and styles introduced by the movement still in practice today… French New Wave The New Wave (French: La Nouvelle Vague) was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced by Italian Neorealism and classical Hollywood cinema. Although never a formally organized movement, the New Wave filmmakers were linked by their self-conscious rejection of classical cinematic form and their spirit of youthful iconoclasm. "New Wave" is an example of European art cinema. Many also engaged in their work with the social and political upheavals of the era, making their radical experiments with editing, visual style and narrative part of a general break with the conservative paradigm. Using portable equipment and requiring little or no set up time, the New Wave way of filmmaking presented a documentary type style. The films exhibited direct sounds on film stock that required less light. Filming techniques included fragmented, discontinuous editing, and long takes. The combination of objective realism...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...Special episodeOn April 5, 2007, Fuji Television aired a three hour special of the series set five years after Aya's death and focuses on Haruto Asō, who has now become a doctor at the same hospital Aya was treated in and Ako Ikeuchi, Aya's younger sister who is a nurse in training. Haruto is caring for a 14-year-old female patient, Mizuki, who was bullied in school because of her disease, the same one that Aya had. Because of the bullying at school, Mizuki-chan decides not to receive therapy of any sort that would make her better, because she has lost her will to live. Haruto remembers how Aya fought her illness and lived her life with her disease; therefore, he offers support to his patient. Aya reappears in the episode using a number of flashbacks from the series and in new scenes.[1] [edit]Main cast Erika Sawajiri - Aya Ikeuchi Ryō Nishikido - Haruto Asō (Aya's later love interest) [edit]Other cast Naohito Fujiki - Hiroshi Mizuno (Doctor) Hiroko Yakushimaru - Ikeuchi Shioka Takanori Jinnai - Ikeuchi Mizuo Riko Narumi - Ikeuchi Ako Yuma Sanada - Ikeuchi Hiroki Ai Miyoshi - Ikeuchi Rika Saori Koide - Mari Sugiura (One of Aya's best friends) Kenichi Matsuyama - Yuji Kawamoto (Aya's first love interest) Yuya Endo - Takeda Makoto (Yuji's friend in the Basketball club) Kana Matsumoto - Saki Matsumura Momosuke Mizutani - Kohei Onda Ryo Hashidume - Keita Nakahara Hiroshi Katsuno - Yoshifumi Asō (Haruto's father) Asae Onishi (大西麻恵...
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...CUSTOMER SERVICE ORIENTATION Definition: Customer Service Orientation is an ability to see things from both the customer’s and the organization’s viewpoint and a willingness to consider both, even when they conflict, in coming to decisions. It is the desire to help or serve others, to meet their needs. It means focusing one’s efforts on discovering and meeting the consumer or client’s needs. “Customer” includes internal and external colleagues, clients, consumers, or anyone that the person is trying to help. This Means... This Doesn’t Mean... • being patient and polite with others • providing efficient but impersonal service • taking responsibility to resolve a client’s problem even if it goes beyond the normal demands of the job • washing your hands of a client’s problem by passing it on to someone else • discussing with the client his or her needs and satisfaction with service delivered • assuming the client will let you know if there is a problem • taking ownership for correcting client concerns • giving someone else the responsibility for a difficult client problem • questioning the clients to better understand their needs and their concerns • saying as little as possible so that you can get this call over • using your knowledge to think through what would be best for the client organization, and acting accordingly • doing what is faster and easiest for you • understanding the viewpoint and objectives of different customers and why these can, at times, conflict...
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...3: Culture While this Hong Kong pedestrian appears not to notice the Nike billboard behind him, featuring NBA star LeBron James wearing the Air Zoom sneaker, the Chinese people certainly did notice. The Oregon-based Nike corporation was forced to pull its “Chamber of Fear” promotion, based on a Bruce Lee movie, after an outraged public objected to the image of a U.S. athlete defeating a kung fu master. In the global marketplace, cultural differences can undermine even the most elaborate promotional campaign. inside Culture and Society Development of Culture around the World Elements of Culture Culture and the Dominant Ideology Case Study: Culture at Wal-Mart Cultural Variation Social Policy and Culture: Bilingualism Boxes Sociology in the Global Community: Life in the Global Village Sociology in the Global Community: Cultural Survival in Brazil Sociology on Campus: A Culture of Cheating? “Nacirema culture is characterized by a highly developed market economy which has evolved in a rich natural habitat. While much of the people's time is devoted to economic pursuits, a large part of the fruits of these labors and a considerable portion of the day are spent in ritual activity. The focus of this activity is the human body, the appearance and health of which loom as a dominant concern in the ethos of the people. While such a concern is certainly not unusual, its ceremonial aspects and associated philosophy are unique. The fundamental belief underlying the whole...
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...BATMAN AND PHILOSOPHY THE DARK KNIGHT OF THE SOUL Edited by Mark D. White and Robert Arp @ WILEY John Wiley & Sons, Inc. To the memory of Heath Ledger (1979-2008) Copyright © 2008 by john Wiley & Sons, Inc. All rights reserved Published by john Wiley & Sons, Inc., Hoboken, New jerney Published simultaneously in Canada No part of this publication may be reproduced, stored in a reaieval system, or transmit ted in any fonn or by any means. electronic, mechanical, photocopying, recording, scan ning, or otherwise, except as pennitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written pennission of the Publisher, Clearance Center, 222 Rosewood Drive, Danvern, MA 01923, (978) 750-8400, fax (978) sion should be addressed to the Pennissions Department,john Wiley & Sons,Inc., III or authorization through payment of the appropriate per-copy fee to the Copyright 646-8600, or on the web at www.copyright.com. Requests to the Publisher for pennis River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.comlgo/pennissions. Limit ofLiabilirylDisclaimer ofWarranry:While the publisher and the author have used their best efforts in preparing this book., they make no representations or warranties with respect to the accuracy or completeness of the contents of this hook and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty...
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