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The Pursuit of Freedom

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Submitted By npocha
Words 1520
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Neelam Pocha
ENG-4U0
May 22nd, 2012
Ms. Shah

Neelam Pocha
ENG-4U0
May 22nd, 2012
Ms. Shah

The Pursuit of Freedom Martin Luther King once said, “Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.” With great relevance to many women who are striving for freedom around the world, the memoir Unorthodox: The Scandalous Rejection of my Hasidic Roots by Deborah Feldman portrays a young woman named Devoireh, struggling to grow and gain the freedom she deserves under all the restrictions and barriers laid upon her. Contained in these pages, are the examination of the primary and secondary sources such as: the movie Erin Brockovich directed by Steven Soderbergh, the memoir The Bite of the Mango by Mariatu Kamara, articles such as Norse Jewish Women Tells Of Holocaust from the New York Times and Judaism, the women’s version by Tamar Rotem which brings out the major themes like freedom, determination, struggle and courage. Within these primary and secondary sources a strong relation to the major archetypal figures are displayed through out the memoir such as: the crusader, the survivor and the innocent, the contexts of these sources depict Feldman’s interpretation of Devoireh.
There are many strong willed women who are told they are incapable of pursuing what they want because they are “women”. With many struggles and obstacles, in the film Erin Brockovich, the major character Erin displays herself as a remarkable woman who achieved what she desired most because she had a vision to pursue her goal. This plot unveils the theme determination from the memoir Unorthodox because in relation to Erin, Devoireh was in pursuit to set herself free from her Satmar community and with conviction she was successful. Devoireh believed her destiny was not to abide with the little Jewish community set in Williamsburg, Brooklyn because she felt her life was worth more. On the contrary, it is very archetypal when one is on the road to reach their destiny; there is always another who is like an obstacle. These obstacles were challenging Erin to reach her goal; this element of the movie truly brings out the major archetypal figure displayed by Devoireh. With relation to Erin, Devoireh portrayed herself as the crusader and the survivor. As a crusader and a survivor, she endured many obstacles thrown at her, for example she tolerated her unreasonable Zeidy’s (grandfather) image of the perfect Satmar grand-daughter and simultaneously figured out how to escape her manipulating life. Feldman displayed Devoireh as the archetypal figure of a crusader and survivor who learnt that no person could control her life and as a woman she can pursue anything with determination.
Along with the theme determination, the memoir by Kamara captivates all the major themes and archetypes of the memoir by Feldman. Mariatu Kamara and Devoireh did not anticipate having their lives controlled by someone else. In this story, they both struggle for freedom; Mariatu is the perfect example of the archetypal figure of a crusader because physically and mentally she faced many traumatic obstacles. Devoireh also experiences many obstacles and feels a great deal of pressure from the people around her; similarly, both characters display the archetypal figure of the Innocent. Mariatu Kamara accentuates the archetypal figure of the innocent in Devoireh; alone with no guidance and knowledge Mariatu fought against the impossible and freed herself from the layers of burden forced upon her. With no knowledge of the world outside her Satmar community, Devoireh still manages to unleash her true identity to the real world. The themes such as struggle, freedom and courage allowed them to break through all their barriers to learn and feel appreciated by what the world has to offer. As scene in picture 1 and picture 2, they both have symbolic images, which brings forth the theme and female archetypes. In picture 1, the loose hair signifies Devoireh’s freedom and rebellious characteristic because it was mandatory to wear a wig in her culture. In picture 2 the mango with the transparent hands signified Mariatu’s reality, the mango is a symbol of the bite of the forbidden fruit, where it signified the pleasure she felt eating something so sweet after hours of pain and struggle, however, also knowing it went against the rebels commands. The way Feldman interpreted Devoireh’s battles in each chapter, truly enhanced the depiction of the crusader, the innocent and the survivor. Approximately six million Jewish men, women and children were murdered in the year 1933. Between 1933 and 1945 was when the Holocaust occurred, from that gruesome genocide, watching their own suffer was when the Jews realized that they could not rely on anyone but their own. From the New York Times an article was published in the year 1961 about dejected widowed women who lost their husbands in the Holocaust. The idea of the Holocaust correlates with Zeidy’s constant need to satisfy their Higher Being, Zeidy felt that if God allowed such consequences to occur, it is only because the Jews had done something against God’s will. Even though the Holocaust took place from the year 1933, its repercussion was still a major obstacle for Devoireh to reach her freedom. The archetypal figure as the innocent is depicted through the Holocaust because in contexts of religion it is an exemplar of the effect it has on Jewish women. Devoireh’s major setback was her religions rules of behaviour; there were many modern activities she was excluded from because it was against her culture. Not only did the Holocaust affect all Jewish women at the time of the genocide, but also after. Being a female and hounded down is a typical standard many females face today, however, in this case it is because of fear that women like Devoireh cannot live life freely since it may bring upon another punishment from God. Regardless, if the Holocaust was almost eighty years ago, it is still the fuel to many Jewish females who portray the archetypal figure as the innocent.
The Jewish community is a very religious and supportive of each other, in specific the Satmar community is a branch of Judaism that are very spiritual to the extent where every decision made is judged by a Supreme Being. However, it is women who suffer the most in this culture. In Rotem’s article she discusses the sexist guidelines that Jewish women must bare. For example, many female Jews are excluded from certain religious contents such as holy texts, areas where they can sit in a synagogue (prayer house); in addition, women are excluded from certain religious customs. It appears as if Jewish women are not as equal as Jewish men; this article relates to the archetypal figure of every Jewish woman in this world, with attention to Devoireh. She was brought up to understand that there were certain things she was not allowed to touch, taste or hear, which is why she fits with the archetypal figure as the innocent. Devoireh was forbidden to read a sacred text, she was forbidden to eat non-kosher food (Satisfying the requirements of Jewish law) or to take part in society norms, which explains her roll as an outsider of the American society. This article has a connection with the theme freedom represented in the memoir by Feldman, since Devoireh was a part of the Satmar community, she was restricted from pursuing her strongest desires, which made her yearn for ultimate freedom. This article truly brings forth the literary theme of free will from the memoir Unorthodox.
The examination of the female archetypes through the primary and secondary resources by Soderbergh, Kamara, New York Times and Rotem argued that Devoireh from the memoir Unorthodox was an example of the archetypal figure of the crusader, innocent and survivor. The way, in which struggling Erin Brockovich unveiled the idea of determination, which depicted Devoireh to be an ultimate fighter for her non-ideal goals. With relation to the character Mariatu Kamara, the hardships that she has faced enhances the archetypal figure of the crusader in Devoireh, Mariatu was the perfect example of a young woman seeking for human rights, with relation to Devoireh. Likewise, the Holocaust explained the core reason behind why Devoireh was trapped within her Satmar community, Zeidy was afraid of displeasing God, which was why feeling pleasure by the American norms was disapproved. Along with the Holocaust is the fact that Devoireh is a female, which determines her role in the Jewish community. These primary and secondary sources support every aspect of Devoireh’s life, depicting her role as the crusader, the innocent and the survivor.

Picture 1 Picture 2

Works Cited
Erin Brockovich. Dir. Steven Soderbergh. Perf. Julia Roberts. Universal, 2000. Film.
"Judaism, the women's version - Haaretz Daily Newspaper | Israel News." Israel News - Haaretz Israeli News source.. N.p., n.d. Web. 21 May 2012. <http://www.haaretz.com/news/features/judaism-the-women-s-version-1.423892
Kamara, Mariatu, and Susan McClelland. The bite of the mango. Toronto: Annick Press ;, 2008. Print.
"Norse Jewish Women Tells Of Holocaust." New York Times [New York City ] 11 May 1961: 2. Print.

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