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The Searchers Essay

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The cinematography of The Searchers (1956) has earned a well deserved reputation as the best in the Western genre for its use of framing and lighting to develop an important juxtaposition between the outside and the inside, and on a deeper level to explore the connotations of this juxtaposition in relation to the issue of racism. Set within the confines of a typical Cowboy-Indian feud, this film uses the concept of “home” to explore what it means to belong to something, or to be on the inside of it. The film eventually uses key character development through cinematographic techniques to allow viewers to understand how the lines between outside and inside can be blurred. One of the most notable cinematographic characteristics of The Searchers …show more content…
For example, when Ethan is approaching the house at the beginning of the film, Martha steps outside to watch him come, and immediately shades her eyes from the sun. This physical reaction to the harsh lighting so different from the low-key lighting within the house clearly establishes that Martha belongs to the inside. Another example takes place when the search party is about to be surrounded by the Comanche tribe; the shots are suddenly much dimmer, with almost a bluish tint, that seems to suggest a sense of danger and urgency. It might appear that the scene is merely being shot at dusk, but the shadows of the actors betray that the sun is still singing brightly, and thus it was a deliberate cinematographic decision to darken these shots. The uncertainty this choice adds to the scene highlights that these men who belong to the inside are at a disadvantage outside where the Comanche reign. These contrasts of outside and inside continue to be challenged throughout the film right up to the climax, when Ethan’s character development is revealed by his decision to save Debbie instead of shooting her for living the Comanche ways. And at the very end, Marty who struggled to belong throughout the film, takes his place both outside thanks to Ethan’s teachings, and inside as he strides confidently into the house with Laurie. These images force the audience to also consider the two sides of the white-Native American feud, and realize that one is not necessarily right or better than the other, that there is validation for both, but not for the blind hatred of

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