...After reading “The Summer Day” by Mary Oliver, I realized how precious life is when you slow down and pay attention to the small details of life. Life is short when you are constantly focusing on what is happening tomorrow, or next week, or next month. But, when you slow down and soak in all the things that can be seen, touched, and felt in the present, life becomes richer and more meaningful. These small details of life last longer when more attention is paid to them. I think that the main character in the poem does not typically live in the moment and when she was out in nature, she realized how beautiful life is and decided that she needed to take a step back, take it all in and think about the significance her existence has. This segues...
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...In Mary Oliver’s poem “The Summer Day” the author ask the reader “What is it you plan to do with your one and precious life?” This question has perplexed thousands if not millions of people over the years, and even if someone thinks they know the answer they may find that they were wrong later on during their career. As most college aged students I immediately thought of a job title that I knew would make money and is seen as successful in society. During the course of this class I was forced to analyze my interest, skills, and personality in order to pin point what it was that I wanted to do with my one and precious life. Based on my research I have come to the conclusion that I am meant to lead people within the hospitality industry by working...
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...BIBLIOGRAPHY PMM 225 CHURCH YEAR Adam, Adolf. The Liturgical Year: Its History and Its Meaning After the Reform of the Liturgy. Pueblo, 1979. Alexander, J. Neil. "Advent, Christmas and Epiphany" Liturgy (Summer 1984), 9-16. Alexander, J.Neil. "A Sacred Time in Tension" Liturgy (Volume 13, Number 3), 5-10. Alexander, J. Neil. "Rejoicing in the Glorious Company of the Saints-the Origin of the Feast" Liturgy (Volume 14, Number 3), 1-15. Alexander, J.Neil. The Liturgical Meaning of Advent, Christmas, Epiphany: Waiting for the Coming. The Pastoral Press, 1993. Asendorf, Ulrich. "Luther's Sermons on Advent as a Summary of His Theology" in A Lively Legacy: Essays in Honor of Robert Preus Edited by Kurt Marquart et al. CTS Press, 1985. Babin, David. Week In-Week Out: A New Look at Liturgical Preaching. Seabury, 1976. Bainton, Roland. Martin Luther's Christmas Book. Augsburg Publishing House, 1997. Bainton, Roland. Martin Luther's Easter Book. Augsburg Publishing House, 1997. Bass, George. "An Introduction to Liturgical Preaching" Response (Easter 1978), 29-32. Bass, George. The Renewal of Liturgical Preaching. Augsburg Publishing House, 1967. Baughman, Harry F. Preaching From the Propers. Board for Publications Of the United Lutheran Church of America, 1948. Beckwith, Roger. "The Origin of the Festivals of Easter and Whitsunday" Studia Liturgica 13 (1979-1980), 1-20. Bergerm Rupert and Hans Hollerweger (editors). Celebrating the Easter Vigil. Pueblo Publishing,...
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...War section of this book. I also am writing researching Mary Elizabeth Bowser, a free black woman. I will discuss what she during...
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...normal subject work (e.g. Physics Research and Analysis, English Phillimore, History Gibbon Prize etc); it may be on subjects which have no existing prizes; it may be on a subject which is not on the curriculum (e.g. Anthropology) or which is cross-curricular (e.g. English and History of Art); or it may have emerged from Cultural perspectives lessons, the Cultural Perspectives timed essay which you take at the end of this term, be inspired by Critical Thinking work or be a ‘further developed’ praebendum essay. You should state in a covering note how and why the essay came about. Of course, it may represent a completely new and independent study of a personal academic interest of your own. When is the deadline? The deadline is the first day of Play Term after...
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...Paradise Lost By John Milton John Milton Biography Early Years John Milton was born in London on December 9, 1608. His parents were John Milton, Sr. and Sarah Jeffery, who lived in a prosperous neighborhood of merchants. John Milton, Sr. was a successful scrivener or copyist who also dabbled in real estate and was noted as a composer of liturgical church music. The Miltons were prosperous enough that eventually they owned a second house in the country. Milton seems to have had a happy childhood. He spoke of his mother's "esteem, and the alms she bestowed." Of his father, Milton said that he "destined me from a child to the pursuits of Literature, . . . and had me daily instructed in the grammar school, and by other masters at home." Though the senior Milton came from a Catholic family, he was a Puritan himself. Milton's religion, therefore, was an outgrowth of family life and not something he chose at a later period in his maturity. Education Sometime, as early as age seven but perhaps later, Milton became a student at St. Paul's school, which was attached to the great cathedral of the same name. St. Paul's was a prestigious English public school — what would be called a "private school" in the U.S. Milton spent eight years as a "Pigeon at Paules," as the students were known, and came out a rather advanced scholar. He had studied the Trivium of Grammar, Rhetoric, and Logic and had probably been exposed to the Quadrivium of Mathematics, Geometry, Astronomy, and Music. He...
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...Agatha Christie Dame Agatha Christie DBE (15 September 1890 – 12 January 1976) was a British crime writer of novels, short stories, and plays. She also wrote romances under the name Mary Westmacott, but she is best remembered for her 66 detective novels and 14 short story collections (especially those featuring Hercule Poirot or Miss Jane Marple), and her successful West End plays. According to the Guinness Book of World Records, Christie is the best-selling novelist of all time. Her novels have sold roughly four billion copies, and her estate claims that her works rank third, after those of William Shakespeare and the Bible, as the most widely published books.[1] According to Index Translationum, Christie is the most translated individual author, with only the collective corporate works of Walt Disney Productions surpassing her.[2] Her books have been translated into at least 103 languages.[3] Agatha Christie published two autobiographies: a posthumous one covering childhood to old age; and another chronicling several seasons of archaeological excavation in Syria and Iraq with her second husband, archaeologist Max Mallowan. The latter was published in 1946 with the title, Come, Tell Me How You Live. Christie's stage play The Mousetrap holds the record for the longest initial run: it opened at the Ambassadors Theatre in London on 25 November 1952 and as of 2011 is still running after more than 24,000 performances. In 1955, Christie was the first recipient of the Mystery...
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...CONTENTS Introduction………………………………………………………………………...3 1 Nouns…………………………………………………………………………….5 1 Noun phrases……………………………………………………..........5 2 What makes a word a noun?....................................................................6 1. General characteristics of the Noun…………………………………..10 2. Subcategorization of the Noun…………………………………….....10 3. Grammatical categories of the Noun…………………………….…..13 4. Irregular Plural Nouns………………………………………………..19 2 The usage of derived abstract nouns in “Oliver Twist” by Charles Dickens…….22 Conclusion………………………………………………………………………....29 Bibliography………………………………………………………………………30 INTRODUCTION The word "noun" comes from the latin nomen meaning "name." Word classes like nouns were first described by Sanskrit grammarian Pāṇini and ancient Greeks like Dionysios Thrax, and defined in terms of their morphological properties. For example, in Ancient Greek, nouns can be inflected for grammatical case, such as dative or accusative. Verbs, on the other hand, can be inflected for tenses, such as past, present or future, while nouns cannot. Aristotle also had a notion of onomata (nouns) and rhemata (verbs) which, however, does not exactly correspond our notions of verbs and nouns. Expressions of natural language will have properties at different levels. They have formal properties...
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...OLD ENGLISH LITERATURE • Palaeolithic nomads from mainland Europe; • New inhabitants came from western and possibly north-western Europe (New Stone Age); • in the 2nd millennium BC new inhabitants came from the Low Countries and the middle Rhine (Stonehenge); • Between 800 and 200 BC Celtic peoples moved into Britain from mainland Europe (Iron Age) • first experience of a literate civilisation in 55 B.C. • remoter areas in Scotland retained independence • Ireland, never conquered by Rome, Celtic tradition • The language of the pre-Roman settlers - British (Welsh, Breton); Cornish; Irish and Scottish Gaelic (Celtic dialect) • The Romans up to the fifth century • Britain - a province of the Roman Empire 400 years • the first half of the 5th century the Angles, Saxons, and Jutes (N Germany, Jutland) • The initial wave of migration - 449 A. D. • the Venerable Bede (c. 673-735) • the Britain of his time comprised four nations English, British (Welsh), Picts, and Scots. • invaders resembling those of the Germans as described by Tacitus in his Germania. • a warrior race • the chieftain, the companions or comitatus. • the Celtic languages were supplanted (e.g. ass, bannock, crag). * Christianity spread from two different directions: * In the 5th century St Patrick converted Ireland, in the 7th century the north of England was converted by Irish monks; * in the south at the end of the 6th century Aethelberht of Kent allowed the monk Augustine...
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...Your Troubles Romeo's Tune Blowin' In The Wind Artist RB Greaves Lesley Gore Bobbie Gentry Aretha Franklin Boris Gardiner Gallery John Paul Young Four Tops Gary & Dave Adrian Gurvitz Dan Hartman Stone Poneys/Linda Ronstadt Albert Hammond Harpo Delta Goodrem Henchmen Andy Gibb Norman Greenbaum R & J Stone Dobie Gray Enya Patrick Swayze Brenton Wood Sheena Easton Jon English Fairground Attraction Everly Brothers Charlene Al Stewart Yvonne Elliman Amii Stewart Hamilton, Joe Frank & Reynolds Fortunes Steve Forbert Peter Paul & Mary 965 964 963 962 961 960 959 958 957 956 955 954 953 952 951 950 949 948 947 946 945 944 943 942 941 940 939 938 937 936 935 934 933 932 931 930 929 Zoom The Twist Song For Guy Miracle Of Love Kiss You All Over Hold Me Close Lady What's Your Name Forever Autumn Lotta Love Lily Was Here Celebration Up Where We Belong Chuck E's In Love Green Tambourine If I Had Words Beach Baby A Hard Day's Night Play Me Sunny Afternoon Lonely Days Rock & Roll (I Gave You The Best Years Of My Life) Time After Time Telephone Line I Should Have Known...
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...Competitor analysis: Website & Thought leadership Report by Rashmi Singh (PGDM No: 10098) Work carried out at Tata Consultancy Services, Bangalore, Karnataka Submitted in partial fulfilment of the requirement of Summer Internship Programme Under the Supervision of Mr. Ashish Shetty, Marketing Lead, Insurance ISU, TCS, Bangalore SDM Institute for Management Development Mysore, Karnataka, India (June 2011) SDM IMD INSTITUTE CERTIFICATE This is to certify that Ms. Rashmi Singh, undergoing PGDM program 2010-12 at this institute has successfully completed the Summer Internship Programme on the project titled ―Competitor Analysis: Website and Thought Leadership‖ at TCS, Bangalore, from April 01, 2011 to May 31, 2011 as a partial requirement for completion of his PGDM curriculum. Prof. Govinda Sharma Internal Faculty Guide SDM IMD, Mysore. Date: 24/06/2011 Place: Mysore Summer Internship Project Page 2 SDM IMD Acknowledgement I take this opportunity to extend my sincere gratitude to our guides at Tata Consultancy Services, Mr. Ashish Shetty and Ms. Varsha Nair who spent a lot of time mentoring and guiding us. The insurance ISU was a completely new arena for us. We stumbled a few times, yet they have been very patient and supportive with us, always encouraging us to give our best. I also thank the Academic relationship manager, TCS, Mr. Chandra Koduru, for helping us with the joining formalities and induction program. I would also like to thank Prof. N. R. Govinda Sharma...
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...“Independent Project submitted in partial fulfilment of the requirements for the Degree BA (Hons) History, in the Department of History and Economic History, Manchester Metropolitan University”, 29 March 2014 Cultural Changes and the Growth of Christianity in Medieval and Early Modern England By Janine Scambler I certify that, apart from the guidance provided by my supervisor and the references cited in the text and bibliography, this dissertation is the sole work of Janine Scambler and has not been previously submitted as part of the assessment requirements for any academic reward. Signed: Contents Abstract 3 Introduction 4 Chapter 1: Visual Culture 8 Chapter 2: Ancient Practices 21 Chapter 3: Beliefs and Superstition 30 Conclusion 41 Bibliography 43 Appendix 56 Abstract This dissertation will demonstrate cultural changes in England through the period c.700-1660. The changes studied will focus on visual sources, or visual culture; ancient practices, or festivals and the cult of saints; and superstition and belief. It will show how changes occurred around political and religious change, and that different areas were affected by different factors. Introduction This dissertation will assess the extent to which ancient beliefs and practices survived the introduction of Christianity and their subsequent development in England. This will be achieved through the study of visual culture; the survival of ancient practices; and an investigation...
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...http://www.victorianweb.org/mt/theaters/pva234.html Theatres in Victorian London Philip V. Allingham, Contributing Editor, Victorian Web; Faculty of Education, Lakehead University (Canada) [Victorian Web Home —> Authors —> Music, Theatre, and Popular Entertainment —> Theatres] Much of the following information has been gathered from Frederick and Lise-Lone Marker's in "A Guide to London Theatres, 1750-1880" in The Revels History of Drama in English, Vol. VI: 1750-1880 (1975). They, in turn, consulted H. Barton Baker's History of the London Stage (London, 1904), Allardyce Nicoll's A History of English Drama 1660-1900 (Cambridge, 1966), E. B. Watson's Sheridan to Robertson (Cambridge, Mass., 1926), and The London Stage (Carbondale, Ill., 1962-68). Phyllis Hartnoll's Concise Oxford Companion to the Theatre offers more detailed information about many of these 19th c. theatres. For supplementary texts, consult the "Reference List" below. Adelphi (Strand) Built in 1806 opposite Adam Street by merchant John Scott (who had made his fortune from a washing-blue) as the Sans Pareil to showcase his daughter's theatrical talents, the theatre was given a new facade and redecorated in 1814. It re-opened on 18 October 1819 as the Adelphi, named after the imposing complex of West London streets built by the brothers Robert (1728-92) and James (1730-94) Adam from 1768. The name "Adelphoi" in Greek simply means "the brothers." Among the celebrated actors who appeared on its stage...
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...UNIVERSAL PICTURES and EMMETT / FURLA FILMS Present A MARC PLATT Production In Association with OASIS VENTURES ENTERTAINMENT LTD / ENVISION ENTERTAINMENT / HERRICK ENTERTAINMENT / BOOM! STUDIOS A BALTASAR KORMÁKUR Film PAULA PATTON BILL PAXTON JAMES MARSDEN FRED WARD and EDWARD JAMES OLMOS Executive Producers BRANDT ANDERSEN JEFFREY STOTT MOTAZ M. NABULSI JOSHUA SKURLA MARK DAMON Produced by MARC PLATT RANDALL EMMETT NORTON HERRICK ADAM SIEGEL GEORGE FURLA ROSS RICHIE ANDREW COSBY Based on the BOOM! Studios Graphic Novels by STEVEN GRANT Screenplay by BLAKE MASTERS Directed by BALTASAR KORMÁKUR –1– CAST Waitress Margie . . . . . . . . . . . . . . . . . . . . . LINDSEY GORT Roughneck #2 . . . . . . . . . . . . . . . . . HILLEL M. SHARMAN Robert “Bobby” Trench . . . . . . . . . DENZEL WASHINGTON Roughneck #3 . . . . . . . . . . . . . . . . . . . . . . . . AARON ZELL Marcus “Stig” Stigman . . . . . . . . . . . . MARK WAHLBERG Roughneck #4 . . . . . . . . . . . . . . . . . . . . . . . HENRY PENZI Deb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAULA PATTON CREW Earl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILL PAXTON Admiral Tuwey . . . . . . . . . . . . . . . . . . . . . . . FRED J. WARD Quince . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARSDEN Directed by . . . . . . . . . . . . . . . . . BALTASAR KORMÁKUR Papi Greco . . . . . . . . . . . . . . . . . EDWARD JAMES OLMOS Screenplay by . . . . . . . . . . . ...
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...library of around 200 volumes- a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: ANCIENT P H I L O S O P H Y Julia Annas THE ANGLO-SAXON AGE John Blair ANIMAL RIGHTS David DeGrazia ARCHAEOLOGY Paul Bahn ARCHITECTURE Andrew Ballantyne ARISTOTLE Jonathan Barnes ART HISTORY Dana Arnold ARTTHEORY Cynthia Freeland THE HISTORYOF ASTRONOMY Michael Hoskin ATHEISM Julian Baggini AUGUSTINE HenryChadwick BARTHES Jonathan Culler THE B I B L E John Riches BRITISH POLITICS Anthony Wright BUDDHA Michael Carrithers BUDDHISM DamienKeown CAPITALISM James Fulcher THE CELTS Barry Cunliffe CHOICETHEORY Michael Allingham CHRISTIAN ART Beth Williamson CLASSICS Mary Beard and John Henderson CLAUSEWITZ Michael Howard THE COLD WAR Robert McMahon CONTINENTAL PHILOSOPHY Simon Critchley COSMOLOGY Peter Coles CRYPTOGRAPHY Fred Piper and Sean Murphy DADAAND SURREALISM David Hopkins DARWIN Jonathan Howard DEMOCRACY Bernard Crick DESCARTES TomSorell DRUGS Leslie Iversen TH E EARTH Martin Redfern EGYPTIAN MYTHOLOGY Geraldine Pinch EIGHTEENTH-CENTURY BRITAIN PaulLangford THE ELEMENTS Philip Ball EMOTION Dylan Evans EMPIRE Stephen Howe ENGELS Terrell Carver ETH ICS Simon Blackburn THE EUROPEAN UNION John Pinder EVOLUTION Brian and Deborah Charlesworth FASCISM Kevin Pass mo re THE FRENCH REVOLUTION William Doyle FREUD AnthonyStorr GALILEO Stillman Drake GANDHI BhikhuParekh GLOBALIZATION...
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