...Odysseus of Ithaca: Famed or Fraud? Homer’s Odyssey tells the tale of the Trojan War hero Odysseus’s return home to his land of origin, Ithaca. Homer describes Odysseus as being one of, or possibly the greatest hero in all of Greece’s history. He is characterized as being a fearless, heroic man, who, with divine assistance, bests even the greatest monsters, and overcomes the most troublesome and life-threatening situations that he encounters, or the gods throw at him. However, if not for the assistance given to him by Athena, or any other divine figure, Odysseus’s journey would most likely have not worked out in his favor as it did, and he most likely would have perished within the very first books of The Odyssey. If divine assistance is what gave Odysseus his spark, courage and abilities, then are his abilities really justified? Who is the real Odysseus of Ithaca? Throughout many instances of The Odyssey, Odysseus is seen as this “almighty figure of excellence,” that can “never be beat or conquered.” However, despite the recognition that Odysseus deserves for accomplishing most of his feats, most of the work and assistance given to him was crafted by the goddess Athena; who constantly monitors Odysseus’s every move and protects him throughout the course of the tale. For example, on page 175 of the text, when Odysseus confronts the Phaecian princess Nausicaa, Athena personally makes him appear less menacing and worn. By doing this, Athena guaranteed that Odysseus would...
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...Father-Son Relationship in The Odyssey The Odyssey introduces the theme of father-son relationships to exemplify how influential fathers were at the time. Fathers act as role models to their sons and can determine their actions even if there is a physical and psychological space and difference between them, like Odysseus and Telemachus. The reader is able to gain greater insight into the nature of ancient Greek society by analysing these father-son relationships for their complexities and circumstances of their familial ties. With each father-son relationship shown, Homer offers a unique perspective about the roles that were available to both father and son. Book 1-4 Throughout the Telemachia, we learn that Telemachus has been forced to grow up without the influence of his father and has been directly affected by Odysseus’ absence. When he confides in Athena under the guise of Mentor, he proclaims that he does not have solid proof that he is in fact Odysseus’s son and doubts that he is still alive. However, the dialogue between both Athena and Telemachus initiates Telemachus’ spiritual development. So, when the pre-economy of Odysseus and Telemachus re-uniting is fulfilled – Telemachus will be in the position to assist his father in killing the suitors and to restore the natural order in the Ithacan society. Telemachus first asserts his male privilege by ordering Penelope from the public rooms of the palace, indicating to the suitors of his intention to assert his claim...
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...Kshithi Bhanu Singh Second English St. Stephen’s College What are the constituent attributes of a Greek Epic Hero? Explicate with reference to Odysseus and Achilles. The definition of an epic hero is very wide and varied. It includes a lot of attributes and criterions, but for a particular hero to reach the epic stature, it isn’t really necessary to fulfill all the demands and to come up to all the standards. In a very conventional sense, an epic hero is supposed to possess these qualities or is supposed to come up to these standards: 1. Is an important figure from history or legend. 2. Is usually favored by Gods or even partially descended from Gods i.e. semi-divine nature. 3. Takes part in a cyclical journey or quest, faces adversaries and returns home with significant transformation. 4. Illustrates traits, performs deeds and exemplifies certain morals that are valued and held dear by the society/ culture from which the hero comes. 5. Usually embodies cultural and religious beliefs of the people. 6. Has no superpowers, but is smart, brave and has fears too; which he must overcome to protect his friends, family and / or nation. 7. Can also be a warrior of some sort who performs extra-ordinary tasks that most find difficult. 8. Is also a polished speaker who can address councils of chieftains or elders with eloquence and confidence. Literature is replete with examples of epic heroes. Classical Greek literature in particular has produced...
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...U MYTHOLOGY U GODS AND GODDESSES IN GREEK MYTHOLOGY Michelle M. Houle Copyright © 2001 by Michelle M. Houle All rights reserved. No part of this book may be reproduced by any means without the written permission of the publisher. Library of Congress Cataloging-in-Publication Data Houle, Michelle M. Gods and Goddesses in Greek Mythology / Michelle M. Houle. p. cm. — (Mythology) Includes bibliographical references and index. Summary: Discusses various Greek myths, including creation stories and tales of principal gods and goddesses. ISBN 0-7660-1408-8 1. Mythology, Greek—Juvenile literature. [1. Mythology, Greek.] I. Title. II. Mythology (Berkeley Heights, N.J.) BL782 .H68 2000 398.2’0938’01—dc21 00-028782 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 To Our Readers: All Internet Addresses in this book were active and appropriate when we went to press. Any comments or suggestions can be sent by e-mail to Comments@enslow.com or to the address on the back cover. Cover and illustrations by William Sauts Bock CONTENTS Chart of Major Gods and Goddesses . . . . . . . . . . . . . . . . . . . . Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 6 8 1 2 3 4 5 6 7 8 9 Creation . . . . . . . . . . . . . . . . . . . . . . . . . . 17 The War Between the Titans and the Olympians . . . . . . . . . . . . . . . . . 26 Prometheus and Earth’s First Inhabitants . . . . . . . . . . . ....
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...500 extraordinary islands G R E E N L A N D Beaufort Sea Baffin Bay vi Da i tra sS t a nm De it Stra rk Hudson Bay Gulf of Alaska Vancouver Portland C A N A D A Calgary Winnipeg Newfoundland Quebec Minneapolis UNITED STATES San Francisco Los Angeles San Diego Phoenix Dallas Ottawa Montreal ChicagoDetroitToronto Boston New York OF AMERICA Philadelphia Washington DC St. Louis Atlanta New Orleans Houston Monterrey NORTH AT L A N T I C OCEAN MEXICO Guadalajara Mexico City Gulf of Mexico Miami Havana CUBA GUATEMALA HONDURAS b e a n Sea EL SALVADOR NICARAGUA Managua BAHAMAS DOMINICAN REPUBLIC JAMAICA San Juan HAITI BELIZE C a r PUERTO RICO ib TRINIDAD & Caracas N TOBAGO A COSTA RICA IA M PANAMA VENEZUELA UYANRINA H GU C U G Medellín A PAC I F I C OCEAN Galapagos Islands COLOMBIA ECUADOR Bogotá Cali S FR EN Belém Recife Lima BR A Z I L PERU La Paz Brasélia Salvador Belo Horizonte Rio de Janeiro ~ Sao Paulo BOLIVIA PARAGUAY CHILE Cordoba Santiago Pôrto Alegre URUGUAY Montevideo Buenos Aires ARGENTINA FALKLAND/MALVINAS ISLANDS South Georgia extraordinary islands 1st Edition 500 By Julie Duchaine, Holly Hughes, Alexis Lipsitz Flippin, and Sylvie Murphy Contents Chapter 1 Beachcomber Islands . . . . . . . . . . . . . . . 1 Aquatic Playgrounds 2 Island Hopping the Turks & Caicos: Barefoot Luxury 12 Life’s a Beach 14 Unvarnished & Unspoiled 21 Sailing...
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