...Divine Hypocrisy (A literary analysis of Chaucer’s use of satire to reach his audience) As you go through life you learn that many times most people do not agree with what you do. They all have their own interests as we have our own. People of all denominations perform many different jobs some even the same jobs, but others out do the others in their field. Chaucer is considered to be one of the greatest English poets of all time. Many refer to him as the father of the English language. Chaucer wrote one of the best known books titled Canterbury Tales. Chaucer’s literary work is one of the most famous books to ever be written. Within his book there are many smaller stories told by different characters told within it. All of the smaller...
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...In Geoffrey Chaucer’s The Canterbury Tales, the Wife of Bath presents her bold views throughout the course of her narration. Her prologue provides insight into her real-life experience with marriage, which she seems to view more as a game than as a consecrated relationship. Per the Pardoner’s request, the Wife of Bath shares her stance on marriage through a captivating tale, in which she highlights the idea of gentillesse in her vision of an ideal relationship. However, even though the Wife of Bath’s tale seems to go against the patriarchal society of the Middle Ages, further analysis of the text supports the fact that she views marriage as an opportunity for personal profit and not for equality. Thus, her tale and prologue not only support...
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...Tales Hansen, Elaine Tuttle. "The Wife of Bath and the Mark of Adam." Women's Studies 15.4 (1988): 399-416. JSTOR [JSTOR]. Web. 26 Oct. 2015. Hansen has two facets of her argument about The Wife of Bath from Chaucer’s Canterbury Tales. The first explains how important the Wife is to the feminist critic, while the second paradoxically argues that she can be looked at as antifeminist based on the fact that she is a speaker that in reality is the voice of a man. Her views are manipulated and characterized by a man, therefore they do not allow a true woman's voice to be heard. In part one of her argument she is in favor of the idea of the Wife of Bath...
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...The Wife of Bath. The Wife’s ability to manipulate and gain dominion over her husbands can be a result of her sexual and libidinous nature, as she uses this attraction to gain pecuniary and societal power. Furthermore, marriage is portrayed as a crucial tool in the gaining of power, as it plays an extremely important role in Alyson’s “wynning” of status and money, as without her husbands one would be without these fortunes. However, the Wife’s dominance and power is questioned by the raw youth of her later husbands, as one experiences the endearing aspect of her fifth husband, Jankyn, as he represents the power left in the patriarchal hegemony of the era, withdrawing all the previously gained power the Wife had obtained. Firstly, the gain and control of power in the Wife of Bath can be seen through the role of sex within the tale, as sex not only secures money and land for the Alyson, but also rewards her with great dominance within the patriarchal hegemony: “I wo lde no lenger in the bed abyde, If that I felte his arm over my syde, Til he had maad his raunson unto me; Thanne wolde I suffre hym do his nycetee. And therefore every man this tale I telle, Wynne whoso may, for al is for to selle.” Here, the Wife explains that whenever one of her husbands displayed some sort of misconduct, she would refuse to give him sex. The Wife’s sexual leverage gives her dominion over her husbands’ money and it makes her husbands subject to her every whim. By withholding sex, the Wife ensures...
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...The Wife of Bath: Professional Wife or Something Else? The Wife of Bath is a character described by the narrator, Geoffrey Chaucer, in a way that makes her appear as though she is only after pleasure. In the prologue the Wife of Bath is described as “having a gap in her teeth” and she is said to be wearing “red stockings.” Through the use of these descriptions the Wife of Bath becomes a character that is interested in one thing only which she later confesses in her tale. The narrator also describes her as someone who gets angry at women who get to the altar before her, which could mean she wants people to see how faithful she is, or she wants to make sure she is always the first one people see and remember.Through this description the reader...
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...early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the protagonists are Palamon and Arcite; in the Miller’s Tale, Nicholas and Alisoun; in the Wife of Bath’s Tale, the errant knight and the loathsome hag; in the Nun’s Priest’s Tale, the rooster Chanticleer. MAJOR CONFLICT · The struggles between characters, manifested in the links between tales, mostly involve clashes between social classes, differing tastes, and competing...
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...FACULTY OF FOREIGN LANGUAGES LINGUISTIC MEANS OF POTRAYING MAIN CHARACTERS IN “THE CANTERBURY TALES” BY GEOFFREY CHAUCER COURSE PAPER PRESENTED BY LILIA YAREMA a fourth year student of the English department SUPERVISED BY SPODARYK O. V. an assistant professor of the English department LVIV 2012 TABLE OF CONTENTS INTRODUCTION…………………………………………………………… 3-4 CHAPTER I. THEORETICAL ISSUES IN LINGUISTIC ANALYSIS…… 5-16 1.1 Linguistic analysis……………………………………………… 5-8 1.2 Discourse and Text analyses….…………….………………….. 9-11 1.3 Stylistic analysis ………………………………………………… 12-16 CHAPTER II. LINGUISTIC ANALYSIS OF CHAUCER’S CHARACTERS 17-28 2.1 “The Wife of Bath’s Tale” ……………………………………… 18-22 2.2 “The Pardoner’s Tale” ………………………………………….. 23-28 CONCLUSION………………………………………………………………. 29-30 REFERENCES...… ………………………………………………………….. 31-32 INTRODUCTION The theme of the course paper is “Linguistic means of portraying main characters in “The Canterbury tales” by Geoffrey Chaucer”. This paper intends to make an analysis of the language in the collection of stories “The Canterbury Tales”, written by Geoffrey Chaucer at the end of 14th century. We will analyze the language used to describe characters. It was based on the idea that every choice made by the author of a sentence is meaningful. Therefore, once we understand the choices the author makes when describing a character, we are able to have a better understanding of what this author...
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...THE ORIGINS AND DEVELOPMENT OF THE ENGLISH LANGUAGE This page intentionally left blank THE ORIGINS AND DEVELOPMENT OF THE ENGLISH LANGUAGE SIXTH EDITION ± ± John Algeo ± ± ± ± ± Based on the original work of ± ± ± ± ± Thomas Pyles Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States The Origins and Development of the English Language: Sixth Edition John Algeo Publisher: Michael Rosenberg Development Editor: Joan Flaherty Assistant Editor: Megan Garvey Editorial Assistant: Rebekah Matthews Senior Media Editor: Cara Douglass-Graff Marketing Manager: Christina Shea Marketing Communications Manager: Beth Rodio Content Project Manager: Corinna Dibble Senior Art Director: Cate Rickard Barr Production Technology Analyst: Jamie MacLachlan Senior Print Buyer: Betsy Donaghey Rights Acquisitions Manager Text: Tim Sisler Production Service: Pre-Press PMG Rights Acquisitions Manager Image: Mandy Groszko Cover Designer: Susan Shapiro Cover Image: Kobal Collection Art Archive collection Dagli Orti Prayer with illuminated border, from c. 1480 Flemish manuscript Book of Hours of Philippe de Conrault, The Art Archive/ Bodleian Library Oxford © 2010, 2005 Wadsworth, Cengage Learning ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including...
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