...O’Riyan L. 4th period April 13, 2016 Limitations to Happiness Fahrenheit 451 does society have true happiness? Society goes through different experiences to achieve happiness. Montag starts to question different aspects of life by what is deemed as unusual. Ray Bradbury shows that happiness is trying to be achieved through the banning and burning of books. The concept of technology and conformity shows how happiness can or cannot be achieved. Bradbury uses figurative language and symbolism to express the theme of technology. In the “Hearth of the Salamander” Montag expresses that there were “two machines really. One of them slid down into her stomach like a black cobra, an echoing well looking for all the old water and old time gathered there”...
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...Fahrenheit 451 Censorship Censorship has a major role in the book Fahrenheit 451. Ray Bradbury criticizes the censorship of the early 1950's by displaying these same themes in a futuristic dystopian novel called Fahrenheit 451. In the early 1950's Ray Bradbury writes this novel as an extended version of "The Fireman", a short story which first appears in Galaxy magazine. He tries to show the readers how terrible censorship and mindless conformity is by writing about this in his novel. Bradbury develops the theme of censorship by gradually introducing the ways in which society chose to neglect literature and the government's reasons for censoring intellectual thought.Initially, Bradbury describes how the government decided to censure knowledge by destroying books. As the novel progresses, Captain Beatty explains to Montag how society's wish for immediate entertainment and the population's distaste for criticism led to the censorship of books. Essentially, the dystopian society sought to eliminate any type. Ray Bradbury wrote "It didn't come from the Government down. Beatty explains that the censorship did not come from the government, it came from the people. People...
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...The book Fahrenheit 451 by Ray Bradbury has many themes, but one of them is conformity vs. individuality. This theme shows that conformity and individuality can never be associated together because they contradict each other. Conformity is an act of consenting with someone or something to the extent that the person agreeing has no say and just follows. Whereas, individuality is the separation of the crowd or means that their is one single personality present. Through the whole plot of the story, there happens to be many representations of this theme. One distinct character that has this particular theme written all over them is Clarisse McClellan. On page 26-27, there is a section of dialogue between Guy and Clarisse, one of her responses...
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...While conforming to society’s ideals are beneficial, it is also very harmful for the person to lose their sense of individuality. There would be no way to differentiate people from others as they would all think and act alike. These two themes of conformity and individuality recur throughout the three works: Anthem by Ayn Rand, Harrison Bergeron by Kurt Vonnegut, and Fahrenheit 451 by Ray Bradbury. These three works establish a society in which every citizen needs to conform to the society’s ideals and those who refuse to follow these are seen as outcasts and punished. Conforming to society's beliefs will cause and help fix some problems. If everyone chose to stick with society's ideals, there would be less fighting amongst people, everyone would be cooperative and helpful, but each person would lose their individuality. They would not be able to think for themselves, know what they believe in, or even form their own identity....
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...RAY DOUGLAS BRADBURY He was an American novelist, short-story writer, essayist, playwright, screenwriter, and poet. Although the genre of many of Ray Bradbury’s stories is fiction, he rejected being categorized as a science fiction author, claiming that the only story he has ever written that is a science fiction story is Fahrenheit 451. BIOGRAPHY Ray Douglas Bradbury was born on August 22, 1920, in Waukegan, Illinois. He enjoyed a relatively idyllic childhood in Waukegan, which he later incorporated into several semi-autobiographical novels and short stories. Bradbury's life revolved around magic, magicians, circuses, and other such fantasies. He decided to become a writer at about age 12 or 13. He later said that he made this decision to "live forever" through his fiction. His first official pay as a writer came for contributing a joke to George Burns's Burns & Allen Show. In 1937, he became a member of the Los Angeles Science Fiction League, whose help enabled him to publish four issues of his own science-fiction fan magazine, or "fanzine," Futuria Fantasia. He graduated from a Los Angeles high school in 1938. His formal education ended there because they had no money to send him to college due to the Depression. However, he became a "student of life," selling newspapers on L.A. street corners from 1938 to 1942. He published his first short story in a fan magazine in 1938. Bradbury says that he learned to write by recalling his own experiences. Many...
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...Bradbury’s writing career officially started in 1939 when he was publicized in a magazine for his short story “Pendulum” (Literary 30). Fahrenheit 451 is among one of Bradbury’s most famous works; it is mandatory reading in many high schools across the nation. It takes place in the future where the plot consists of a man who is employed to burn books, but develops a passionate love for reading and risks his life to save books from their extinction. Another famous work of Bradbury’s is The Martian Chronicles which is said to have established him a legitimate writer (Newsmakers). The Martian Chronicles is a novel that spans the time from 1999 to 2026, where humans have to colonize Mars because of an aftermath of a nuclear...
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...KEY LITERARY ELEMENTS SETTING The novel takes place in an unnamed futuristic city sometime in the 24th century. The atmosphere is fantastic, for technology has transformed society into a land of virtual reality and ultra- futurism. Television is totally interactive. Giant crematoriums collect and dispose of bodies in a monstrous, helicopter-borne contraption known as the Big Flue. Doors are programmed to announce visitors before they even arrive. Books are illegal, as is any true exercise of thought. Mankind has become lazy and stupid because of the excesses of technology. In fact, the people no longer know how to do simple things because some machine has been designed to do everything. Although there are some familiar things in this society, like neighborhoods, cars, and trees, there are also many fictional creations, like the Mechanical Hound, a robot designed to track and kill violators of the law once it has been programmed with their scent. Houses are so fireproofed that firemen start fires rather than put them out. Houses have built-in alarms that ring when someone has a book in his possession, alerting the firemen to go there and begin the burning. There are so many suicide attempts that traveling orderlies are always on hand to pump stomachs or stitch self-inflicted wounds. In the craziness of this futuristic world, it is comforting to find that beds still have to be made and breakfast still has to be eaten. In short, Bradbury has created a world alien enough to be...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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...Instructor’s Manual and Test Bank to accompany A First Look at Communication Theory Sixth Edition Em Griffin Wheaton College prepared by Glen McClish San Diego State University and Emily J. Langan Wheaton College Published by McGrawHill, an imprint of The McGrawHill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright Ó 2006, 2003, 2000, 1997, 1994, 1991 by The McGrawHill Companies, Inc. All rights reserved. The contents, or parts thereof, may be reproduced in print form solely for classroom use with A First Look At Communication Theory provided such reproductions bear copyright notice, but may not be reproduced in any other form or for any other purpose without the prior written consent of The McGrawHill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. PREFACE Rationale We agreed to produce the instructor’s manual for the sixth edition of A First Look at Communication Theory because it’s a first-rate book and because we enjoy talking and writing about pedagogy. Yet when we recall the discussions we’ve had with colleagues about instructor’s manuals over the years, two unnerving comments stick with us: “I don’t find them much help”; and (even worse) “I never look at them.” And, if the truth be told, we were often the people making such points! With these statements in mind, we have done some serious soul-searching about the texts that so many teachers—ourselves...
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...This page intentionally left blank Business Performance Measurement Drawing together contributions from leading thinkers around the world, this book reviews recent developments in the theory and practice of performance measurement and management. Significantly updated and modified from the first edition, the book includes ten new chapters that provide a comprehensive review of performance measurement from the perspectives of accounting, marketing, operations, public services and supply chain management. In addition to these functional analyses the book explores performance measurement frameworks and methodologies, practicalities and challenges, and enduring questions and issues. Edited by one of the world’s leading experts on performance measurement and management, Business Performance Measurement will be of interest to graduate students, managers and researchers who wish to understand more about the latest developments in this rapidly changing field. Andy Neely is Deputy Director of the ESRC/EPSRC AIM Research initiative, Professor of Operations Strategy and Performance at Cranfield School of Management, and Visiting Professor of Operations Management at London Business School. Business Performance Measurement Unifying theories and integrating practice Second edition Edited by Andy Neely CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge...
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...Synonyms and Antonyms, by James Champlin Fernald 1 Synonyms and Antonyms, by James Champlin Fernald Project Gutenberg's English Synonyms and Antonyms, by James Champlin Fernald This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: English Synonyms and Antonyms With Notes on the Correct Use of Prepositions Author: James Champlin Fernald Release Date: May 21, 2009 [EBook #28900] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH SYNONYMS AND ANTONYMS *** Produced by Jan-Fabian Humann, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net English Synonyms and Antonyms A Practical and Invaluable Guide to Clear and Precise Diction for Writers, Speakers, Students, Business and Synonyms and Antonyms, by James Champlin Fernald Professional Men Connectives of English Speech "The work is likely to prove of great value to all writers."--Washington Evening Star. 2 "The book will receive high appreciation from thoughtful students who seek the most practical help."--Grand Rapids Herald. "It is written in a clear and pleasing style and so arranged that but a moment's time is needed to find any line of the hundreds of important though small words which this book discusses."--Chattanooga Times. "Its...
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...Comments on FUTURE SHOCK C. P. Snow: "Remarkable ... No one ought to have the nerve to pontificate on our present worries without reading it." R. Buckminster Fuller: "Cogent ... brilliant ... I hope vast numbers will read Toffler's book." Betty Friedan: "Brilliant and true ... Should be read by anyone with the responsibility of leading or participating in movements for change in America today." Marshall McLuhan: "FUTURE SHOCK ... is 'where it's at.'" Robert Rimmer, author of The Harrad Experiment: "A magnificent job ... Must reading." John Diebold: "For those who want to understand the social and psychological implications of the technological revolution, this is an incomparable book." WALL STREET JOURNAL: "Explosive ... Brilliantly formulated." LONDON DAILY EXPRESS: "Alvin Toffler has sent something of a shock-wave through Western society." LE FIGARO: "The best study of our times that I know ... Of all the books that I have read in the last 20 years, it is by far the one that has taught me the most." THE TIMES OF INDIA: "To the elite ... who often get committed to age-old institutions or material goals alone, let Toffler's FUTURE SHOCK be a lesson and a warning." MANCHESTER GUARDIAN: "An American book that will ... reshape our thinking even more radically than Galbraith's did in the 1950s ... The book is more than a book, and it will do more than send reviewers raving ... It is a spectacular outcrop of a formidable, organized intellectual effort ... For the first time in history...
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...Transactions and Strategies Economics for Management This page intentionally left blank Transactions and Strategies Economics for Management ROBERT J. MICHAELS Mihaylo College of Business and Economics California State University, Fullerton Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States Transactions and Strategies: Economics for Management Robert J. Michaels Vice President of Editorial, Business: Jack W. Calhoun Publisher: Joe Sabatino Sr. Acquisitions Editor: Steve Scoble Supervising Developmental Editor: Jennifer Thomas Editorial Assistant: Lena Mortis Sr. Marketing Manager: John Carey Marketing Coordinator: Suellen Ruttkay Marketing Specialist: Betty Jung Content Project Manager: Cliff Kallemeyn Media Editor: Deepak Kumar Sr. Art Director: Michelle Kunkler Frontlist Buyer, Manufacturing: Sandee Milewski Internal Designer: Juli Cook/ Plan-It-Publishing, Inc. Cover Designer: Rose Alcorn Cover Image: © Justin Guariglia/Corbis © 2011 South-Western, Cengage Learning ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means— graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, information storage and retrieval systems, or in any other manner—except as may be permitted by the license terms herein. For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support...
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...C h a p t e r 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reassuring to know that many professionals undergo these same strange compulsions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can labels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader,...
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...C O D E C ODE v e r s i o n 2 . 0 L A W R E N C E L E S S I G A Member of the Perseus Books Group New York Copyright © 2006 by Lawrence Lessig CC Attribution-ShareAlike Published by Basic Books A Member of the Perseus Books Group Printed in the United States of America. For information, address Basic Books, 387 Park Avenue South, New York, NY 10016–8810. Books published by Basic Books are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 11 Cambridge Center, Cambridge MA 02142, or call (617) 252-5298, (800) 255-1514 or e-mail special.markets@perseusbooks.com. CIP catalog record for this book is available from the Library of Congress. ISBN-10: 0–465–03914–6 ISBN-13: 978–0–465–03914–2 06 07 08 09 / 10 9 8 7 6 5 4 3 2 1 Code version 1.0 FOR CHARLIE NESSON, WHOSE EVERY IDEA SEEMS CRAZY FOR ABOUT A YEAR. Code version 2.0 TO WIKIPEDIA, THE ONE SURPRISE THAT TEACHES MORE THAN EVERYTHING HERE. C O N T E N T S Preface to the Second Edition Preface to the First Edition Chapter 1. Code Is Law Chapter 2. Four Puzzles from Cyberspace PART I: “REGULABILITY” ix xiii 1 9 Chapter 3. Is-Ism: Is the Way It Is the Way It Must Be? Chapter 4. Architectures of Control Chapter 5. Regulating Code PART II: REGULATION BY CODE 31 38 61 Chapter 6. Cyberspaces Chapter 7. What Things Regulate...
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