...eroticism, sexual energy, danger, and suspense all at the same time. In my view, the genre of the novel can best be described as an erotic thriller. The novel present a strange intermixing of humans and other supernatural beings. Indeed, the writer follows the modern tradition of presenting vampires as a romantic, erotic and elegant species rather than some demonic creature. The character of Sookie Stackhouse is indeed a very intricate one the more I read about her and the more I become familiar with her personality the more she excites me. The most prominent themes apart from suspense and a thrilling plot are eroticism and issue related to sex and gender. The...
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...Zeus, events did not occur in isolation but in interdependence causing there to be a flux in the totality of events and the whole drama being played on a cosmic plane. The central theme of Zeus’s rule is the preservation of his “ oikos” or household management where the prevalence of order over Chaos is of utmost importance. In this paper, using the Odyssey as a case study, I will examine the thematic importance of the decisions taken by a hero in accordance to or defiance of self control and pietas and the consequences they lead to. These expectations are clearly marked out for the reader who waits in anticipation to garner the fate of the hero. I will analyse the themes of self control and pietas or duty in the Odyssey and discuss their special significance in this epic. I will then briefly talk about the Hindu concept of duty or Dharma with reference to the Ramayana. I however do not intend to use the concept of monomyth coined by Joseph Campbell also referred to as the hero's journey(which is a basic pattern that its proponents argue is found in many narratives from around the world.) in comparing these epics. The example of the Ramayana will only serve my purpose of highlighting the theme of duty in mythologies across the world. Lastly, I will conclude with the importance of inspecting these themes because of their significance to the plotline. Georg Wissowa notes that pietas was meant by the Romans as "the conduct of the man who performed all his duties towards the deity and...
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...Answers to Questions Student’s Name Institution’s Name Antigone The basic conflict in “Antigone” is a distorted understanding of the Justice. Unfortunately, the vengeance and justice can be confused in the minds of some self-centered individuals. Thus, Creon, the king of Thebes, was confident that his punishment of Antigone was justified, because she disobeyed not just the request of her uncle and future father-in-law, but she disrespected the direction of the supreme ruler of the state. Simultaneously, the Gods were not less entitled to punish Creon because he disobeyed the “natural order”, which from their point of view was above all. The consequence of such kind of justice was the death of innocent people, which has always been a case of the collateral damage of vengeance, not a result of justice. Considering that the divine law forbade leaving the body unburied, Antigone demonstrated not only the love towards her dead brother, but respect to the Gods; whereas Creon demonstrated the gross insult to the Gods by forbidding Polynices’ burial and leaving his body to rot. Antigone swore to give her brother a decent burial because she believed that her doing is righteous one and even the threat of death could not stop her. She was not thinking about herself. She knew that the Gods would not forgive those, who had broken their law, and that their punishment would be colossal. Hence, she was not just against the Creon’s wrongdoing; she was trying to prevent...
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...Marriage As Sacrament In a sacramental marriage, God's love becomes present to the spouses in their total union. When the Catholic Church teaches that marriage between two baptized persons is a sacrament, it is saying that the couple’s relationship expresses in a unique way the unbreakable bond of love between Christ and his people. Like the other six sacraments of the Church, marriage is a sign or symbol which reveals the Lord Jesus and through which his divine life and love are communicated. All seven sacraments were instituted by Christ and were entrusted to the Church to be celebrated in faith within and for the community of believers. The rituals and prayers by which a sacrament is celebrated serve to express visibly what God is doing invisibly. In a sacramental marriage, God’s love becomes present to the spouses in their total union and also flows through them to their family and community. By their permanent, faithful and exclusive giving to each other, symbolized in sexual intercourse, the couple reveals something of God’s unconditional love. The sacrament of Christian marriage involves their entire life as they journey together through the ups and downs of marriage and become more able to give to and receive from each other. Their life becomes sacramental to the extent that the couple cooperates with God’s action in their life and sees themselves as living “in Christ” and Christ living and acting in their relationship, attitudes and actions. Catholic teaching holds...
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...Theatrical Realism Theatrical Realism is the attempt of playwrights to mirror reality on the stage. That is to say, these playwrights intend for the audience to see themselves on the stage without fanfare – a stripped-down form of theatrical arts. Realistic theatre does not possess the magical elements of theatre that preceded it, but this is the strength of realism. Anton Chekhov echoes this point, “I wanted to tell people honestly: ‘Look at yourselves. See how badly you live and how tiresome you are.’ The main thing is that people should understand this. When they do, they will surely create a new and better life for themselves”. Realistic playwrights stood on the shoulders of the giants of theatre who preceded them by continuing to look at their times and people, but shattered new earth by asking audiences to look in to themselves. Realism is theatre in which people move and talk in a similar manner to that of our everyday behavior. The style has been dominant for the last 120 years. It holds the idea of the stage as an environment, and not just an acting platform. Some of the ideas flourishing in realism’s formative years were Charles Darwin’s Origin of Species and Karl Marx’s Communist Manifesto. Both of these works profoundly impacted the intelligentsia. They called into question the foundations on which the people of the world had built their truths. Marx, especially, can be seen as an important figure of the realistic movement as he sought to awaken the working...
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...Love & Beauty John Keats: Keats is called the poet of beauty or some critics address him as ‘the worshiper of beauty’. Keats’s notion of beauty and truth is highly inclusive. That is, it blends all life’s experiences or apprehensions, negative or positive, into a holistic vision. Art and nature, therefore, are seen as therapeutic in function. Keats was considerably influenced by Spenser and was, like the latter, a passionate lover of beauty in all its forms and manifestation. This passion for beauty constitutes his aestheticism. Beauty, indeed, was his pole-star, beauty in Nature, in woman, and in art. He writes and defines beauty: “A think of beauty is joy for ever” In John Keats, we have a remarkable contrast both with Byron and Shelley. He knows nothing of Byron’s stormy spirit of antagonism to the existing order of things and he had no sympathy with Shelley’s humanitarian real and passion for reforming the world. But Keats likes and worships beauty. In his Ode on a Grecian Urn, he expresses some powerful lines about his thoughts of beauty. This ode contains the most discussed two lines in all of Keats's poetry: “Beauty is truth, truth beauty," - that is all Ye know on earth, and all ye need to know.” The exact meaning of those lines is disputed by everyone; no less a critic than TS Eliot considered them a blight upon an otherwise beautiful poem. Scholars have been unable to agree to whom the last thirteen lines of the poem are addressed. Arguments can be made...
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...catecheses from April 16 to December 10, 1980 3) St. Paul’s Teaching on the Human Body: Life according to the Spirit • 13 catechesis from December 17, 1980 to May 6, 1981 4) Marriage and celibacy in light of the resurrection of the body • 9 catechesis from November 11, 1981 to February 10, 1982 5) Virginity or celibacy for the sake of the Kingdom of Heaven • 14 catecheses from March 10, 1982 to July 21, 1982 6) The sacramentality of marriage based on Ephesians 5:22-33 • 27 catecheses from July 28, 1982 to July 4, 1984 7) Reflections on Humanae Vitae based on the redemption of the body and the sacramentality of marriage • 16 catechesis from July 11, 1984 to November 28, 1984 C. My aim is to summarize accurately and clearly the central themes that the Holy Father examines in each of the sections. This will help those who want to become familiar with the main ideas of the theology of the body to do so rather quickly — in...
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...Arthurian knights, rises to the challenge with the words, "'I beseech in plain speech / that this mêlée be mine (15.20-21).'" The rules of the game are simple: the Green Knight will allow whomever accepts his proposal to strike him with an axe, provided that the Green Knight be allowed to return the gesture in a year's time. This is the first scene in which the knight's immense bravery is displayed. He understands that the blow he will receive in a year may be fatal, but in order to preserve his honor and display his courage, he undertakes the challenge. Sir Gawain steps up and strikes against the Green Knight, successfully decapitating him. However, the Green Knight simply picks up his own head before going on his way, suggesting some supernatural power. Furthermore, Sir Gawain's chivalric values are challenged by the women in his life. Throughout the poem, women are used as pawns, enticing the hero and testing his gallantry. Sir Gawain, "But it is no wonder for a fool to run mad / and through wiles of woman be won to sorrow (97.8-9).” In the 14th century, society was extremely male-dominated. Much of the chivalric code was based on the idea of female weakness- that men, the assumed superiors, were to achieve on behalf of women, which was common at the time. Sir Gawain’s adherence to the beliefs of the chivalric code reflect the values presented in the 14th century. Stemming from the chivalric code, knights were also to follow the concept of courtly love, a conception not present...
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...ASPECTS OF MIDDLE ENGLISH LITERATURE (1066-1500) Middle English, Anglo-Norman, Anglo-Latin After the Conquest: dramatic changes in language and cultural temperament Old English literature: Middle English literature realistic,matter-of-fact,unromantic, growing audience, a panorama of most serious, often melancholic, diverse folk of many social classes (castle, monochrome gray, loyalty to the lord, barnyard, town); the appearance of leasure desperate courage in defeat, class and an audience of women rigorous adherence to the tribal code; new type of secular entertainment: major theme: agony of the lordless man, code continued but became chivalric social alienation, noble and heroic deeds; agony of alienation, physical hardships for audience: almost exclusively male;lords and the sovereign lady thanes - no mention of lower classes, strong courtly flavour, …So they duly arrived The sumptuous bed on which she lay in their grim war-graith and gear at the hall, Was beautiful. The drapes and tassel, and, weary from the sea, stacked wide shields Sheets and pillows worth a castle. of the toughest hardwood against the wall, The single gown she wore was sheer … And made her shapely form appear. … And the troops themselves She’d thrown, in order to keep warm, were as good as their weapons. Then a proud warrior An ermine stole over her arm, questioned the men concerning their origins: White fur with the lining dyed ...
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...Local Literature The Black Nazarene is a life-sized, dark-colored, wooden sculpture of Jesus Christ held to be miraculous by many people, especially its Filipino devotees. Its original carver is an anonymous Mexican carpenter, and the image was transported by galleon from Mexico. The image is currently enshrined in the Minor Basilica of the Black Nazarene in Quiapo, Manila, Philippines where novena celebrations are held every Friday throughout the whole year. Roman Catholic tradition holds that the Black Nazarene came from a boat that caught fire, turning it from its original white into black or charred complexion. The Black Nazarene is carried into the streets for procession in a "Caroza" or carriage. Alisa Pierson (2011) quoted that Most Americans are aware that the Philippines is comprised of Catholics, but Catholicism and spirituality in the Philippines extends beyond just being Catholic. In fact the way religion is practiced in the Philippines is very unique in comparison to the form Christianity takes in the west or other areas of the globe. Filipino Catholicism is practiced alongside and influenced by pre-colonial indigenous religions and indigenous Filipino concepts that are found in other areas of Southeast Asia. To understand how Christianity is practiced in the Philippines it is important to look at the unique ways Filipinos manifest their spirituality, how gender...
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...This is a good article. Click here for more information. The Tempest From Wikipedia, the free encyclopedia (Redirected from The tempest) This article is about the Shakespeare play. For other uses, see The Tempest (disambiguation). The shipwreck in Act I, Scene 1, in a 1797 engraving by Benjamin Smith after a painting by George Romney The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand. There is no obvious single source for the plot of The Tempest, but researchers have seen parallels in Erasmus's Naufragium, Peter Martyr's De orbe novo, and eyewitness reports by William Strachey and Sylvester Jordain of the real-life shipwreck of the Sea Venture on the islands of Bermuda, and the subsequent conflict between Sir Thomas Gates and Sir George Somers. In addition, one of Gonzalo's speeches is derived from Montaigne's essay Of the Canibales, and much of Prospero's renunciative speech is taken...
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...Title: The Problem of Faith in 'Young Goodman Brown' Author(s): Leo B. Levy Publication Details: JEGP: Journal of English and Germanic Philology 74.3 (July 1975): p375-387. Source: Nineteenth-Century Literature Criticism. Ed. Juliet Byington. Vol. 95. Detroit: Gale Group, 2001. p375-387. From Literature Resource Center. Document Type: Critical essay Full Text: COPYRIGHT 2001 Gale Group, COPYRIGHT 2007 Gale, Cengage Learning [In the following essay, Levy examines Faith as a character, an allegorical figure, and a symbol.] Few of Hawthorne's tales have elicited a wider range of interpretations than “Young Goodman Brown.” The critics have been victimized by the notorious ambiguity of a tale composed of a mixture of allegory and the psychological analysis of consciousness. Many of them find the key to its meaning in a neurotic predisposition to evil; one goes so far as to compare Goodman Brown to Henry James's governess in The Turn of the Screw [Darrel Abel, in “Black Glove and Pink Ribbon: Hawthorne's Metonymic Symbols,” in NEQ 42, 1969]. The psychological aspect is undeniably important, since we cannot be certain whether “Young Goodman Brown” is a dream-allegory that takes place in the mind and imagination of the protagonist, an allegory with fixed referents in the external world, or a combination of these that eludes our ordinary understanding of the genre itself. The story is all three: a dream vision, a conventional allegory, and finally an inquiry into the problem of faith...
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...Introduction The familiarity with the love tradition makes it easily mistakable for a natural and universal phenomenon and even brings a laxity of enquiring into its origins. However, it is difficult of not impossible to show love to be anything more than an artistic phenomenon or construct- a literary per formative innovation of Middle Ages. Courtly love was a medieval European formation of nobly, and politely expressing love and admiration. Courtly love was secret and between members of the nobility. (Simpson). The term "courtly love" was first popularized by Gaston Paris in 1883. It has since come under a wide variety of definitions and uses, even being brushed off as nineteenth-century romantic fiction. Its understanding, beginning, and weight persist as an issue of significant question. Origin of the term ‘courtly love’ The term courtly love was given its original definition by Gaston Paris in 1883 in the journal Romania in the article "Études sur les romans de la Table Ronde: Lancelot du Lac, II: Le conte de la charrette" a treatise inspecting Chretien de Troyes's Lancelot, the Knight of the Cart (1177). The term courtly was derived from the term ‘amour courtis’ which according to Paris was an admiration and an ennobling discipline. The lover accepts the autonomy of his mistress and tries to make himself worthy of her attention by trying to act bravely and doing whatever deed she desires. In order to prove to her his passion and his unwavering commitment and, he...
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...Metaphysics From Wikipedia, the free encyclopedia Jump to:navigation, search This article is about the branch of philosophy. For the work of Aristotle, see Metaphysics (Aristotle). |Philosophy | |[pic] | |Branches[show] | |Aesthetics | |Epistemology | |Ethics | |Logic | |Metaphysics | |Social philosophy | |Political philosophy | |Eras[show] | |Ancient | |Medieval | |Modern | |Contemporary | |Traditions[show] | |Analytic | |Continental | |Eastern | |Islamic | |Marxist | |Platonic | |Scholastic | |Philosophers[show] | |Aestheticians | |Epistemologists...
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...Counseling Ethics Christin M. Jungers, PhD, LPCC, NCC is an Associate Professor of Counselor Education at Franciscan University of Steubenville. She obtained her doctoral degree in Counselor Education and Supervision from Duquesne University and has worked in the field as a counselor since 2000. Christin is a licensed professional clinical counselor, as well as a National Certified Counselor. Her clinical work spans a variety of issues and includes counseling with individuals, couples, and families. Currently, she offers pro-bono counseling services in Steubenville and Wintersville, Ohio through the Catholic Diocese of Steubenville. She is the editor of The Counselor’s Companion: What Every Beginning Counselor Needs to Know (co-written with Jocelyn Gregoire), as well as numerous articles. Christin also has conducted trainings abroad in the Seychelles Islands and in Mauritius, which have been aimed at providing consultation to emerging counseling programs. Jocelyn Gregoire, CSSp, EdD, LPC, NCC, ACS has been a Roman Catholic priest for 25 years and has been involved in the counseling field for many years. He is an Assistant Professor in the Department of Counseling, Psychology, and Special Education at Duquesne University in Pittsburgh, Pennsylvania. In addition to his doctorate in Education, he holds two other graduate degrees. Through his expertise as a professional counselor, Dr. Gregoire has helped thousands of people across the world in their journeys toward...
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