...to punish the gods by unleashing the Titans for ignoring his prayers to save his wife and children. Theseus (Henry Cavill) follows the visions of Phaedra the sibylline oracle (Freida Pinto). Phaedra has a vision of Theseus that he is the savior of the world and is the only one who can stop King Hyperion. Important characters are Theseus (Henry Cavill), King Hyperion (Mickey Rourke), Phaedra (Freida Pinto), Stavros (Stephen Dorff), Old Man (John Hurt), Zeus (Luke Evans), Ares (Daniel Sharman), Athena (Isabel Lucas), Poseidon (Kellan Lutz), Heracles (Steve Byers), Apollo (Corey Sevier), and Dareios (Alan Van Sprang). King Hyperion in Greek myth...
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...volunteered, or forced to fight and live that lifestyle until death. Each tribute, was volunteered to go and fight to the death; this reliving of a culture from hundreds of years shows the connection between the story Hunger Games, and the culture of the Roman Empire. In the story, there are 12 districts in the totalitarian government that once was the United States, of which two youths, otherwise known as a tribute, fight as gladiators once did until there is only one victor. This totalitarian regime has a strong resemblance to “The Myth of Theseus”, who was the son of both Aegeus, king of Athens, and of the god Poseidan, who both slept with his mother in the same night. The king of Crete, after defeating the Athenians in war, demanded that the Athenians send an annual tribute of seven of their handsomest youths and seven of their most beautiful maidens to Crete, where they were to be eaten by the Minotaur in the Labyrinth. Theseus, being against this practice of cruelty, volunteered himself as a tribute, as did the main character of the Hunger Games. In doing so, he traveled to through the Labyrinth and killed the Minotaur, saving the Athenians from having to sacrifice their youth. He...
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...The story of Theseus and the Minotaur is one of the most fascinating in Greek mythology. It is a story where man and beast break borders and create the unknown. The story begins when Poseidon, a mighty Greek god, gives a beautiful bull to the king of Crete. Expecting the bull to be sacrificed in the name of Poseidon, the king was infatuated by the beauty of the bull and kept it for himself. Enraged, Poseidon punishes the king by making the king’s wife fall madly in love with the bull. In result, the Minotaur was created: A half man, half bull cannibal. Mortified and disgusted, instead of killing this creature, the king created a labyrinth and locked up the Minotaur. Every nine years, to feed the Minotaur, the king would order Athens to choose seven boys and seven girls to be sent to the labyrinth. Because of the complicated architecture of the labyrinth, the youths would be helplessly lost until the Minotaur would find them and devour them. Why did Athens agree to do this? Why is the Minotaur so intimidating? Athens and the King of Crete could have treated the Minotaur as an individual, but instead they were captivated by fear. Although the Minotaur has many human features, we categorize him as a beast because we fear him: his abnormality, inscrutability and forbidden nature. The Minotaur, aside from being too big and a carnivore, was thrown into a never-ending maze mainly because of shame and chagrin. The Minotaur was never seen; only the king, the queen as well as the...
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...Week 2 – Phaedra Civilization 2: Renaissance Through Modern This is story of pain and tragedy involving the life of Theseus, King of Athens and Phaedra the Queen of Greece. This story follows the time-honored tradition that has plagued man since the beginning of recorded history and will continue with no end in sight far into our future. This is a story of unchecked passion between a man and a woman that has the potential to destroy both of their worlds. The story begins with Phaedra who is passionately attracted to her stepson Hippolytus. Although there were no blood relation between these two, there is something that is totally unacceptable and unnatural about the way that Phaedra feels about her stepson. This drive is so strong and totally consumes Phaedra. She is helpless and unable to stop these wretched emotions. As the Queen of Greece, there is much she could loose if these passions are found out so she struggles constantly to control these feelings. She is conflicted and she tortures herself because of the guilt she feels about these passions she has for her stepson. The story of Phaedra represents the evil that every human has carried since the beginning. In this story, Hippolytus has problems of his own; first of all, he has a father that has been an overpowering figure since his son’s birth. His father seems to be larger than life. A great warrior he is also known to be a “heroic womanizer” as he fight both human and non-human enemies (Douglas, et al., 2006...
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...forbearances of mixing comedy and tragedy, are major contraption on these neoclassical requirements. The plays have to feel real in neoclassical plays. Phaedra and Tartuffe both have perfect examples that show off how these plays are neoclassical. Each play must have 5 acts, that all must be done in one scene. In Tartuffe it was all done in Orgon house. In Phaedra it was done all in the royal palace at Trezene. Everything must be take place in a 24 hour span, it started when Orgon was talking about marrying his daughter to Tartuffe, then he gets arrested the following day by the king. In Phaedra it all starts when Hippolytus is talking about leaving in order to search for his father and then ending when everyone is pretty much dead and when Theseus pardons Aricia and adopts her as a his daughter. These rules must be followed to an exact or the play would not be pure. There must be one plot line, in Tartuffe, he is trying to achieve the estate of Orgon by cunning and acting. In Phaedra, its passion, love, lust, and wanting what they can’t have but will do anything to achieve it. One of the most interesting things about these plays is that you are able to see parallels with other works we have read in our class. You are able to see...
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...In many accounts the archetypical hero has been used time and time again. The heroic character has traits that are collectively inherited and admired by many. In Silence of The Lambs and the mythological story of Theseus an archetypical hero is used. The reason why mankind has steadfastly composed the archetypical hero is because it is found relatable. The hero is relatable because they are intriguing, impressive and inspirational. The archetypical hero is intriguing as he comes from an obscure or mysterious origin and he is also spiritually alone. Theseus is intriguing as his father is unknown. Theseus’ mother slept with two different men the night of his conception. These men were Poseidon, a god and Aegeus, a king. So Theseus could either be a demigod or the son of a king. Theseus begins his journey by collecting flying sandals and a sword from under a rock from (his could be father) Aegeus. By himself, Theseus set off to find his father as well as his maturity. In Silence of the Lambs, Clarice is an outsider in her field of work for the FBI, since she is a female in a man’s world. Her father dying when she was only 10 and her mother already deceased created an even more captivating past. Despite her difficult beginnings she prospered as the head of her class. She was then chosen for an important case even though she was still training in the academy. Clarice is an introvert to society and remains spiritually isolated, haunted by her past. After her father died she lived with...
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...displayed throughout the play as a destructive force or femme fatale not only to herself but to men. She is the queen of Athens and is married to the King Theseus. Theseus has a son Hippolytus but it is not Phedres son and she finds herself falling for him. Since she cannot seem to control herself she creates her own world of chaos. Since she is acting the way she is it causes the King to have issues and he ends up sending away his own son. It was Phedras fault she was despising Hippolytus and was causing tension so Theseus sent him away. After Theseus banished his son Hippolytus it was told to Phedre that Theseus was killed. In her relief she had decided to not kill herself but to try and run off with her dead husbands son. She was going to try and put her own son on the throne and run away with Hippolytus. This plan all fails after it is learned that Theseus is actually alive. Phedre then thinks she needs to kill herself again but Oenone then comes up with the lie. Phedre had told Theseus that Hippolytus was in love with her. He didn’t want to believe her but Oenone her hand maid lied and told Theseus that she witnessed it. Hippolytus denies all accusations and confesses he’s in love with Aricia who is Theseus rival because she is the only living person sworn to take the throne from Theseus. Despite Hippolytus confessions Theseus doesn’t believe him and banishes him anyway. Hippolytus ends up being killed by the gods...
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...the play. This passage summarizes the entire play as Artemis describes the plans of the characters, going on to blame Phaedra, the Nurse, Aphrodite, and Theseus. (Halleran, 276) Through Artemis’ passage (Euripides, 1283-1312), the truth about Phaedra and Hippolytus, unknown and misunderstood by Theseus, finally surfaces. As Artemis reveals the plot to Theseus in the passage, the themes of honour and relationship between man and god are evident. Hippolytus’ relationship with the goddesses Artemis and Aphrodite, along with his honour and pride, are well established directly from the prologue, and further solidified in this passage by Artemis. Hippolytus is extremely devoted to the goddess Artemis, honouring her by choosing to remain sexually chaste. His ability to remain sexually chaste, along with his strong will to pursue hunting activities explains the relationship he has with the goddess. Artemis displays honour for Hippolytus in this passage, informing Theseus the reason for her presence is, “[…] to reveal [his] son’s mind/ as just, so that [Hippolytus] may die with a good reputation.” (Euripides, 1298-1299) Artemis begins by mentioning her primary reason for being present is a result of her desire for Hippolytus to die with a good reputation. Artemis further reveals Hippolytus’ honour and pride when she informs Theseus, “[Hippolytus], […], did not go along/ with these words, nor in turn, since he is pious by birth, / did he retract the pledge of his oath when he was abused/...
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...his tale with the story of Theseus, a prince, who married Hippolyta, the queen of Scythia, and brought her and her sister, Emelye, back to Athens with him after conquering her kingdom of Amazons. When Theseus returned home victorious, he became aware of a company of women clad in black who knelt at the side of the highway, shrieking. The oldest of the women asked Theseus for pity. She told him that she was once the wife of King Cappaneus who was destroyed at Thebes, and that all of the other women lost their husbands. Creon, the lord of the town, had simply tossed the dead bodies of the soldiers in a single pile and refused to burn or bury them. Theseus swore vengeance upon Creon, and immediately ordered his armies toward Thebes. Theseus vanquished Creon, and when the soldiers were disposing of the bodies they found two young knights, Arcite and Palamon, two royal cousins, not quite dead. Theseus ordered that they be imprisoned in Athens for life. They passed their time imprisoned in a tower in Athens until they saw Emelye in a nearby garden. Both fell immediately in love with her. Palamon compared her to Venus, and prayed escape from the prison; similarly, Arcite claimed that he would rather be dead than not have Emelye. The two fight over her, each calling the other a traitor. This happened on a day in which Pirithous, a prince and childhood friend of Theseus, had come to Athens. Pirithous had known Arcite at Thebes, and at his request, Theseus set Arcite free on the promise...
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...their own right. Theseus is the second self to Heracles. Due to this, as stated by Keppler, “The feelings and reactions of the first self are always in the foreground, those of the second self in the background.” Theseus’ purpose is not to necessarily entertain the audience, or add to the storyline as a prominent character. Instead, he exists only secondary to Heracles. For this reason, I would argue that Theseus, because he is Heracles’ second self, poses less as a character more as a prop in the Heracles of Euripides. Theseus...
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...face this monster.” People all around gasped at this sudden outburst. Confused whispers and murmurs could be heard as they all asked, “Prince Theseus?” “Can he save our children?” Theseus, the Prince of Athens, stood bravely and confidently in front of the people as the quiet whispers continued to grow louder. He slowly walked to the trembling young boy and told him to go to his parents. “I will sail to the island of Crete and save each of your children from death.” The people...
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...Prompt #3 2/9/2016 Phèdre’s Monsters Phèdre, the daughter of Minos and Pasiphae, is the half-sister to the illegitimate son of her mother and a bull: the Minotaur. Theseus, Phèdre’s husband and the king of Athens, seeks to kill monsters to protect his kingdom. The literal monsters that Theseus seeks to destroy exhibit the same features that are innate in his wife due to her monstrous blood line. Phèdre’s half-brother, the Minotaur, displays physical monstrousness and destruction, whereas Phèdre is destructive emotionally and mentally. Phèdre’s feelings for Hippolytus manifest in such a way that result in literal consequences, such as the ruin of her marriage and the betrayal of her kingdom. Although Theseus seeks to eliminate literal monsters, he fails to deal with, let alone take notice of the monsters that reside inside of his wife. However, due to the fact that he is constantly gone for his job, he is not necessarily given the chance to. Throughout this story, the characters are overwhelmed with concern over killing physical monsters, and they seem to turn a blind eye to the figurative monsters within. These monsters prove to be more destructive than a literal beast. After revealing her love to Hippolytus, Phèdre states: Your father was a hero, be like him, And rid the world of one more monster now. Does Theseus’ widow dare to love his son? Believe me you should not let her escape. Here is my heart. Here, where your hand should strike, It waits impatient to expiate Its...
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... Kill Neman Lion 2. Kill Hydra 3. Catch the Hind 4. Boar 5. Stables 6. Bird 7. Bull 8. Horses 9. Belt 10. Cattle 11. Golden Apple 12. Cerberus -> Heracles= defender of evil, brings victory //Samson killed lion Theseus - Kills serial killers like they kill people (major theme) 1st – Kills him with a club PERIPHETES 2nd – Ties his feet to a tree and lets it go – tears apart people’s legs SINIS 3rd – Killed the Crommyonian Sow 4th – Pushed him off a cliff to the sea SCIRON 5th – Wrestling CERCYON 6th – Ties him to a moving bed, if too big, chops off body parts to make it fit PROCRUSTES Minotaur - King Minos asked Poseidon for a snow white bull + kill it to show respect to Poseidon - Minos wanted to keep it because of its beauty and to sacrifice another bull - Poseidon enraged - Made King Minos’ wife fall in love with the bull - Wife asks famous craftsman to make a wooden hollow cow - Offspring = Minotaur - King Minos asked craftsman to build a labyrinth for the Minotaur = man-eating creature - King Minos’ son winning Panathena games in honour of Athena -> jealousy -> kill him - War between King Minos & Athens -> treaty -> 7 boys and 7 girls to be sent each year in the labyrinth so the Minotaur would be fed - Theseus volunteers - King Minos’ daughter falls in love with him and gives him a tread so he finds his way back - He kills the Minotaur and finds his way back - Some versions: goes back to Athens with the king’s daughter / others: she...
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...Theme of Revenge in Homer's Odyssey Homer’s The Odyssey is not just a tale of a man’s struggle on his journey home from the Trojan War, but of his struggle from the consequences of revenge. The Odyssey weaves in different characters’ tales of revenge from the gods and what impact revenge actually had on those characters. Revenge is an important underlying theme in The Odyssey because, in essence, it explains why Odysseus’ journey was so prolonged and treacherous. A few examples of revenge in the poem include Orestes’ revenge on Aegisthus, Zeus’ revenge on Odysseus and his men, and Poseidon’s revenge on Odysseus. These different examples of revenge in The Odyssey show the importance of the gods’ revenge in the epic journey of Odysseus. Orestes’ revenge is the first important example of the gods’ revenge in the poem. In Book 1, Hermes told Aegisthus, “’Don’t murder the man,’ he said, ‘don’t court his wife. Beware, revenge will come from Orestes…” (Homer 260). King Nestor delivers the story of Orestes’ revenge to Odysseus’ son Telemachus, while Telemachus is visiting Nestor to discover answers about his fathers’... The Character Medea's Revenge in Euripides' Medea Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is. I thought I was going to feel sorry for Medea, but that quickly changed as soon...
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...Helena loves Demetrius, but he wants nothing to do with her. Theseus is seen as the most powerful character in the play, so others look to him for advice. Hermia’s father goes to Theseus and asks for his opinion on his daughter’s future spouse. Theseus has changing views on love throughout the play. In the beginning, Theseus believes that love is supposed to be joyful and chosen by the father, but later he believes that it should be chosen freely. In the beginning of the play, Theseus is speaking to his fiancé, Hypolita, about their wedding. He complains that the moon isn’t moving fast enough. This means he wants time to pass faster so it will be their wedding day sooner. This shows that he is very in love with his bride-to-be. Readers are introduced to Theseus’s views on love later in the conversation. He says, “Turn melancholy forth to funerals. The pale companion is not for our pomp” (14-15). Theseus is explaining that sadness is only for funerals, and they don’t want it at their wedding. This line shows that Theseus thinks wedding celebrations should be very happy occasions. Therefore, he...
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