...Down by two with four seconds remaining in the district final game, I get fouled on a three pointer that barely misses the bottom of the net. Three shots. I shoot the first, and it drops through the nylon, making that beautiful swish sound. The second shot feels off when I let it go, and it clanks off the back of the iron and bounces in. Tie game. The away crowd feels the tension while the home crowd cheers with excitement. The referee passes me the ball for the third free throw. When the ball hits the tips of my fingers everything stops. I cannot hear the fans yelling or the stomping of the bleachers. I am laser focused. I can hear my heart pounding and the blood running through my body. I line up the last free throw and take a deep breath to calm myself and to ease the pressure. I go through my routine and release the ball at the perfect point. The rotation on the ball has the perfect spin. Watching the ball gliding through the air, everything looks perfect and I assured myself that I had made the shot. As the ball...
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...Three Point Shot: More than just changing the game The three-point line was first added to basketball in the ABL in the 1960’s before the concept folded a year and a half later. This idea was eventually added to the basketball’s premier league the NBA in 1979 for the 1979-1980 season. Once the three-point line was adopted by the NBA, all other levels of basketball decided to follow suit. This change would forever affect the spacing, strategy, and how the game was played. In 1994, the three-point line was extended from the initial distance set in the 1979 season. Though the three-point line has been around mainstream basketball for as many 35 years, the three point shot and the three-point line are still often debated by basketballs finest. It is brought up when comparing great teams and players. The “three pointer” is also put in a spotlight today due to current players shooting the shot more than any time up to date. These three point specialists would include, but are not limited to,...
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...Topics to Think About at Avengers Screening * The space of the theatre (lobby, marketing of food, design, technology, promotional material etc.) * Design, architecture forced to purchase * Constructive environment * Product placement in the film’ * Beats head phones individual experience of sound * Samsung S6 * Skype * Marvel’s Cinematic Universe (MCU) –Ironman led to Incredible Hulk, Iron Man 2, Thor, Captain America: The First Avenger, The Avengers. . .); consider cross-over, interwoven narratives; idea that characters in one film might share a universe with those in another, seemingly unrelated film * Characters back stories * Continuity within all the characters * A lot of popular culture reference within the film * Marvel’s recognizable brand * “Look” of the film (its mise-en-scene, for example) to graphic novels (comics) * Character backstories—use of flashbacks * Constructions of masculinity/femininity in the film (Black Widow’s character, in particular) * Celebrity billing/role of celebrity in creating the blockbuster film * Cameos (of celebrities and other superheroes) * Trailers/the para-film experience * Audience composition * Music—the film’s score * Engagements with issues of race/gender identity/sexuality * Power relations among the superheroes * b * Rating criteria (language, nudity, violence) * CGI/the ending * Director Joss Whedon’s celebrity status...
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...Hello and good morning/evening, what do you believe makes a relationship, is it love, friendship or is it established when you are born between your parents and siblings? How could this everyday phenomenon, which drives our will to live and excel, be so simple? “The Catcher in the Rye” by J.D. Salinger and “The Dark Knight” directed by Christopher Noland are my chosen examples to explore themes such as hatred, mortality and deceit, which consist of various factors affecting relationships like self-isolation, our psychological health and propaganda. “The Cather in the Rye” explores these themes in a Dark, cynical but somewhat compassionate tone, accompanied with moments of humor. “The Dark Knight” is similar and explores the themes in a dark and disturbing tone, with the addition of action. “The Catcher in the Rye” demonstrates the theme of hatred with Holden’s hate towards the adult world around him, however as a consequence this causes personal, social and mental isolation from the world and an inability to create meaningful relationships. This is the main factor for Holden’s isolation from the world, and is symbolized throughout the novel with Holden’s red hunting hat. The majority of the people he encounters are deemed as ‘phonies’ for Holden as they do not follow with his view of the world, this generalization further prevent him from making relationships and reflects upon his immaturity. The last page of the novel and more importantly the quote, “All I know is I sort...
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...is set in a woodland forest surrounded by snow and tree trunks. It shows a wide shot of the forest with a dear in the far background. Non-diagetic sound appears when the dear starts to come closer towards the camera. The non-diagetic sound is of a man repeating a prayer. This builds suspension and makes the audience question why he is narrating a prayer. The camera then walks back, and soon focuses on a rifle gun, which is pointing towards the dear, as the non-diagetic sound of the prayer is still being said. This suggests to the audience that the dear is either going to get shot for pleasure, or for food. As soon as the non-diagetic sound of the prayer ends with an “Amen”, the camera comes behind the 2 men, which shows an over shoulder shot, and the gun then gets fired. Diagetic sound of the gunshot is loud and clear. The over shoulder shot, allows us to know who is firing at the dear, and shows us from behind there point of view. Diagetic sound of the dear dying, suggests its been killed in a miserable way. As soon as the rifle has been fired, non-diagetic music appears with a slow beat thud noise. This shows that it’s the ending of the scene. As the slow beat music is playing, the man with a rough looking beard faces towards the young teen that shot the dear, in a proud manner, and taps him on the back. A tapping on the back shows proudness, and a good job. The scene changes to a wide shot of a truck driving along the highway. Non-diagetic sound of the radio is playing...
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...costume, lighting, framing, photographic aspects, characters, editing, and cuts of the shot. Together these specific fundamental elements partake in the films that we watch providing dimension, mood, and style. The Big Combo is the epitome of film noir. Film noir’s visual style conceives a mood in a film with instability, double identities, and somewhat shifting values by using it’s techniques of darkness in shadows and night time scenes. In The Big Combo the main characters seem to have double identities “shadowed” upon them throughout the movie through silhouettes, shadows, and reflections, and not only do they have these double identities through mise-en-scene but also in the narrative. In the opening hospital sequence in The Big Combo, just as detective Diamond comes up the stairs and through the door we have a horizontal angle very slightly looking up (a low angle) into the hallway. As detective Diamond steps into the door past the officer the camera angle stays the same, both Mr. Diamond and the standing officer are in medium long shot. With the medium long shot we are able to make out the two nurses and reception desk in the back. In the hallway of the hospital the high-key lighting makes the contrast between the dark and lighter areas somewhat minimal but still noticeable. The two nurses in the back are standing in what seems to appear as a strong backlighting; in the medium long shot the nurses have attached shadows among them stretching down the floor of the hallway...
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...Bird------A commonly used term for the shuttle, the missile used in place of a ball Block-------Placing the racket in front of the shuttle and letting it rebound into the opponent's side of the court. Not a stroke. Carry-------Momentarily holding the shuttle on the racket during the execution of a stroke. Also called a sling or a throw. This is an illegal procedure. Center or Basic Position-Position in which a player stands in relation to the lines of the court, the net, the opponent, and the shuttle. The spot approximately in the center of the court to which a player tries to return after each shot. Clear-----Sometimes known as a "lob", this shot is hit high and deep to the back of the opponent's court. Court----Area of play. Although the size varied during the 1800's, it has been standardized since the 1930's. It is 20' by 44' for doubles, and 17' by 44' for singles. Crosscourt Shots---Shots hit diagonally from one side of the court to the other Deception---The art of deceiving or outwitting one's opponent. Accomplished in badminton with deceptive stroking by changing the direction and speed of the shuttle at the last minute. Double Hit---Hitting the shuttle twice in succession on the same stroke, An illegal procedure...
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...MONOLOGUE Ten seconds left. I can barely hear anything. I feel the vomit creeping up in my throat as the milliseconds go by. Everything is getting very blurry. Tension is rising. Who would have thought that we would be down by one point and I would be the one trusted to hold this basketball? Why did my coach want me to shoot the last shot in the first place? What do I bring on this court that is any different from what my teammates would bring? Every face on my bench is almost frozen, their eyes locked on to me and the ball. There are hundreds of people in the stands watching my every move. Deep breath. Every little thing has to be on point. Nine seconds. I just want to pass the ball away over to my teammate, get rid of it. Why not? Who cares what my coach says? He’s the one who put me in this situation anyways. Eight seconds left. Its just too embarrassing to miss THE final shot in THE final game of the season. I have earned every second I stepped foot on this court and worked too hard for this shot to be a miss. All the time spent practicing and all the injuries, I just cant let myself and everyone down. Seven seconds. I see everyone in the stands jumping up and down but can barely hear them. What do they want from me? i’m 18 years old for crying out loud! It’s not like I’m in the NBA here! I want to see them try and step foot in my shoes right now... Nonsense, focus. My defender looks really intimidating. His muscles contract as his thumbs rub against his fingertips...
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...Billy Elliot Analysis template |Description of scene: Opening scene: Mood, direction of plot and characterisation is established. | |Scene numbers: One, two, three | |Link to Into the World focus: Billy’s natural world is established | |Action |Film techniques used |Meaning conveyed | |Billy puts record onto record player. He |Extreme close up. There is no sound. |There is a sense of anticipation. The | |begins playing the song. |Costume: Billy is dressed simply, |audience is waiting for something to happen| |( to 1 min; 14 secs) |predominately in a bright yellow singlet. |and wondering what it will be. | | |The singlet symbolises both childhood | | | |(children wear singlets) and his working | | | |class background (‘working class’ men | | | |stereotypically wear singlets). It is also | ...
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...Design Elements: Set it Off ENG 225 Design Elements: Set it Off From the beginning films have helped pinpoint different elements of design. Through these elements, both film critics and viewers have been able to identify with what the director is trying to convey. According to this week’s assignment, we are to choose a scene from movieclips.com and in a three to five page paper, analyze the mise-en-scène through the elements of design. This leads me to my chosen film, Set it Off. This movie is formed around an extreme bank robbery in which reveals the dwells upon the lives of four women. This film takes place the streets of Southern California and helps give inside as to how these women do any and everything just to get by and make it on their own. Because tragedy and poverty strikes the women’s’ lives, they matters into their own hands and turn to robbing banks to make an escape from the city and lifestyle they have been surrounded by for years. The key actors in Set it Off are the following: Queen Latifah played as Cleopatra Sims (Cleo), Vivica Fox played as Francesca Sutton (Frankie), Jada Pinkett played as Lida Newsom (Stony), and Kimberly Elise played as Tisean Williams (T.T). These four childhood friends felt that the series of unfortunate events that have constantly occurred in their lives were just enough to push them over the edge and into the world of bank robbery (Polluck & Gray, 1996). This story is set to touch those who have been...
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...SQUASH RULES AND REGULATIONS Scoring * Games are played to 21 points in first legs and in further round will be extended to 3 sets of 11 points. * Points are awarded to the winner of the rally, regardless of who served that point (think of it like volleyball or tennis scoring) * Games must be won by 2 points. Service * On a player's first serve, they may choose the side they will serve from * The serving player must alternate sides for each service beyond the first * The server must begin in the back half of the court with at least one foot in the service box for that side * Once struck, the ball must hit the front wall above the front service line (middle of the three lines painted at the front), and bounce behind the floor service line on the opponent's side of the half-court line (see figure) * If the ball hits on or below the service line, lands on or before the floor service line, or lands on the wrong side of the half-court line, the serve is ruled out * There are no "faults" or "re-serves" in squash (unless agreed upon by both players due to a distraction or someone not being ready) - If a serve lands out the point is awarded to the opponent * The serve may hit any walls (including the back wall) before bouncing, provided that it hits the front wall first * There are no restrictions to the service motion - you may hit the ball overhead, underhand, backhand, forehand, between-the-legs, or eyes-shut Rallies * Once a rally...
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...is parallel with and five feet in front of the back edge of the short line. Service Zone Five foot area between the outer edges of the short line and the service line. Service Boxes Located at each end of the service zone and are designated by lines parallel with the side walls. Each box is 18 inches in width. Receiving Line A broken line parallel to the short line. The back edge is five feet from the back edge of the short line. Safety Zone The five foot area bounded by the back edges of the short line and the receiving line which is observed only during the serve. Faults * Short Serve - ball bounces in front of or on second solid line of the service area * Long Serve - ball carries to back wall before bouncing. * Three Wall Serve - any served ball that first hits the front wall and on the rebound, strikes both side walls before bouncing. * Foot Fault - player steps over the service lines during service. * Out of Court Serve - any served ball that first hits the front wall and before striking the floor, goes out of the court. * Screen Serve - a served ball that first hits the front wall and on the rebound passes so closely to the server that it prevents the receiver from having a clear view of the ball. Ace Serve Serve of any type that goes untouched by the receiver. Drive Serve Low, fast, powerful serve into either rear corner. Lob Serve High, slow, wall-hugging serve into rear corners. Often used as second serve. High Lob Z High,...
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...movements in the frame. Shot Types The amount of visual information included in the image depends on the distance of the camera from the action and on the focal length of the camera lens. Throughout the history of cinema, filmmakers have favored certain combinations of camera distance and focal length, or shot types. * Extreme long shot: Captures a scene in its entirety; used for establishing location in exterior shots. Used frequently in epic genres such as westerns and war films, it reduces human beings to mere dots on the screen. * Long shot: Accommodates at least the entire bodies of figures (if that is all the shot includes, it is called a full shot). Captures movement, background, and broad gestures and expressions. * Medium shot: Contains a figure from the waist or knees up. It is a functional shot, favored in classical Hollywood editing, often used for scenes with dialogue. * Close-up: Includes very little if any background, concentrating on an object or, if an extreme close-up, a fragment of an object, such as the human face. Close-ups often accord great significance and symbolic value to the objects they portray. * Deep focus shot: A variation of the long shot that keeps objects in the foreground, middle ground, and background in focus all at once. Realist filmmakers favor it because it preserves spatial unity and lets the viewer scan the image for meaning. * Shot-reverse shot and over-the-shoulder: Two types of shots used during dialogue scenes...
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...camera angle/movements and editing techniques, in order to capture the characters' motifs, expressions and esteem. The coming of age is a significant message conveyed in the film Stand By Me. This is scrutinized through the young boys Chris, Gordie, Teddy and Vern. This climax-near end scene is the convergence of the 'gangs' , where the two gangs are on the site of Ray Brower's body, a boy who was hit by a train. The scene between Ace, Chris and Gordie is imperative as it creates suspense, accumulated by the high-pitched diagetic sound of a violin, and has also transformed the rites of passage of each character. A diagetic sound of a gun blast was emit in the scene, and the camera cuts to a close up shot of Gordie holding a gun - "I'll kill you, I swear to God". This close up shot of Gordie holding a gun enforces that Gordie has purged himself of all child-like innocence and gullibility. Gordie and Chris have entered a new and...
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...In the movie, The Best Years of Our Lives is about three soldiers adjusting to life after coming home from the war (WWII). In the film director William Wyler used an array of techniques to capture different feelings and emotions of each protagonist in the movie, as they adjust to life at home. In the bar scene where Al Stephenson and Fred Derry met to discuss Fred’s relationship with Al’s daughter, Peggy. In a wide shot view at the beginning of the scene when Fred walks into the bar, the viewer can see Al sitting in the booth at Butch’s bar then Fred walks in, into the bar in the background. Fred eventually takes a seat with Al in the booth, when Al’s Face comes into view finally He's background is dark as if he is coming from the shadows, this is different because throughout the film Al has this bright aura to him. In an over-the-shoulder shot the camera focuses on Al asking his friend if he loved his daughter Peggy, then the camera focused back onto Fred in another over-the-shoulder shot as Fred tries to process what Fred is asking of Al. When Fred answers Al with a Yes, that he did love Peggy, the view becomes a two shot view. Now both Al and Fred are in the shot, and the viewer can see both recations form each protagnoist. After a profound and heated discussion among both men, the camera as another close up Al asking Fred what was he going to do about his relationship with Peggy. Al then tells Fred that he no longer wants his friend to see his daughter and to end everything...
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