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To What Extent Is Death a Driving Force of Hamlet

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Submitted By raphaeltiffou
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Whether death is a constant presence in Hamlet or not – one thing is for certain – death, or whatever it is supposed to represent permeates the play right from the opening scene, where the ghost of Hamlet’s father introduces the idea of death and its consequences. The ghost represents a disruption to the accepted social order – a theme also reflected in the volatile socio-political state of Denmark and Hamlet’s own indecision. This disorder has of course been triggered by the "unnatural death" of Denmark's figurehead, the King, and is soon followed by a whole range of murder, suicide, revenge and accidental deaths.

Hamlet is above all a story of individuality – and the search for it. This is why Yorick’s skull is so pivotal to the whole story. Previously, Hamlet has been appalled and revolted by the moral corruption of the living. Seeing Yorick's skull (someone Hamlet clearly loved and respected ‘I knew him, Horatio’ ‘fellow of infinite jest’ ‘how abhorred in my imagination it is! my gorge rises’) propels Hamlet's realisation that death eliminates the differences between people. His questioning of ‘Where be your gibes now? Your gambols? your songs? your flashes of merriment’ are a manifestation of his realisation. This, once hilarious, loving person is a conglomeration of bones. It is also difficult to not notice the sudden shift in age as important. When the play begins, Hamlet is a university student, and therefore presumable 18 to 25. By the time Hamlet makes it to the graveyard in Act V, he's apparently thirty years old (much older than the average university student). The First Clown says he's been a gravedigger in Elsinore since "the very day that young Hamlet was born" and a few lines later he reveals that he's been a "sexton" in Denmark for "thirty years" (i.e. working at the church and graveyard). Whilst Shakespeare is often incredibly incoherent with

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