...The Lesson Since the start of slavery there has been a large problem with poverty, equality, and social class with Caucasians and African Americans. African Americans have been through a rough past, for the most part they are generally looked down upon, and are said to be of lower class. They are the same people as you and I, but not in everyone’s eyes. In “The Lesson”, by Toni Cade Bambara, Miss Moore takes on the roll as the children’s teacher, or in other words their instructor. The one thing Miss Moore wanted out of all of it, was to teach the kids a lesson. She wanted the children to know that they need to be goal oriented and work hard in everything that they do, and that education will lead you to success no matter who you are, or where you come from. She wanted them to know that the race they were wasn’t going to change who they would be in the future, or lower their chances of success, because you can do anything when you work hard and set your mind to something....
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...Self-revelation can come to someone when they least expect it. When someone gets exposed, they begin to see the world around them differently. In a world of billions of people, some shared similar experiences. “A&P,” by John Updike is of a young man named Sammy, who works at an A&P grocery store and three young ladies who seem, upper class, intrigued him to venture outside of working at A&P. “The Lesson,” by Toni Cade Bambara is about a young girl named Sylvia, she is assertive in her neighborhood but when she was taking on a trip to an upscale toy store on Fifth Avenue she was timid, and left with a lot to think about at the end of the trip.“A&P” and "The Lesson" They both have a contemptuous male and female character who have a low socioeconomic...
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...Jaclyn Karpiak English 101 12 April 2012 Short Story Analysis: “The Lesson” Toni Cade Bambara, a Harlem-born author, embraces culture, community, and background through her short story “The Lesson”. She has the main character Miss Moore discuss the struggles African Americans have with Caucasians involving social class, poverty, and equality. For many years after the abolition of slavery, African Americans were still looked down upon and considered a lower social class in certain societies. Bambara uses language as a powerful tool for describing America during the 1960s through the eyes of a young girl named Sylvia, a proud, sensitive, tough girl who is far too smart to ignore the realities around her. Bambara uses language to establish a cultural setting and Miss Moore to teach her students how to be successful, no matter their race. This story reflects Bambara’s ethnic background and pride by using the same dialect that she used growing up in Harlem, New York. According to Bambara, she spoke African American Vernacular English (AAVE), a trait that imparts to Sylvia. African American Vernacular English adds realism and humor to Sylvia's narrative because it describes her ethnicity without directly expressing what it is. It is common for African-American writers to use AAVE to emphasize their political and social commentary, so it is appropriate for Sylvia to be speaking the dialect because the story takes place in the ghetto of New York where Sylvia spends her childhood...
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...The essay “Horatio Alger” by Harlon Dalton debates Alger’s idea of what it takes to make the American Dream a reality. Horatio Alger believes that success can be reached with “hard work, persistence and initiative.” Through his critical analysis of Alger’s pieces, Dalton explores Alger’s myth through social realities, like discrimination based on race and current economic standing. Taking “The Lesson” by Toni Cade Bambara into consideration, Dalton would praise Miss Moore’s teachings and tell Sylvia and her friends that they mustn’t listen to the classic “rags to riches” myths of most stories. In “Horatio Alger” by Dalton, Dalton argues that the myth of commercial success is not only false but socially destructive. Alger’s first claim is that “each of us is judged solely on his/her own merits.” Dalton proceeds to counter argue that this is only true when it pertains to white people. Dalton further believes that Alger’s formula for success is too optimistic and blind to the social and racial caste system of the world. When black people are only compared to people of the same race they cannot be held to the same standard as white people, which is true for other races as well. Stereotypes give society a basic conception of each race that is not based solely on their worth but on their position on the social scale and the color of their skin. This myth gives society the wrong expectation of each race and causes them to believe that certain races possess quality traits that others...
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...Katrina Nicholes-Shults Mrs. Livingston English 1102/S.E.1.3 February 6, 2014 Toni Cade Bambara’s The Lesson: The Impact of Poverty on Education Toni Cade Bambara’s short story The Lesson told in first person by a character named Sylvia. Sylvia is a poor student who resides in the ghetto of New York with her friends and family. The story begins in the summertime in New York, where the children are out of school, playing and having fun; but when a new neighbor Miss Moore move in, things change. Miss Moore is an educated African American woman, who embarks on an educational journey with the children. She realizes that the children lack experience and knowledge of a world outside of poverty, so she takes them on a trip outside their element. According to Marchino’s critical analysis, the goal is that they “realize wealth is unfairly and unequally distributed (2)”. In doing so, Miss Moore have the children figuring cab fare, tips, prices of toys, evaluating unnecessary spending, and diversity. Sylvia recalls her youth by stating “‘back in the days when everyone was old and stupid or young and foolish and me and Sugar were the only ones just right’” (Bambara 385). According to Sylvia, community elders did not know anything, but that she had all the answers. She appears to be an intelligent, smart mouth and disrespectful youth because of her tone throughout the story. Her foul language throughout the story appears distasteful and unwarranted. However, to someone who understands...
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...Textual Analysis: “The Lesson” by Toni Cade Bambara and “The Stolen Party” by Liliana Heker both story have some similarity and also have difference.Both stories give us the idea about the class difference in our world.Both stories have a child protagonist one is Silvia and another is Rosaura. In the two stories we can see that poverty makes our life horrible. Sylvia, who narrates “The lesson”, is a young girl living in a poor area of New York City. She and her friends are developing their strategies to cope with life as they know it. She has adopted the pose of a know-it-all who can figure out things for herself, and she tells herself that she resents and has no use for Miss Moore.After going there they can understand money is very essential to lead a happy life and there have many gaps between rich people and them. The story is about a young girl named Rosaura who has been invited to the party of a rich friend. Her mother does not want her to go because she will not fit in at a rich person’s more importantly to Luciana. When Ines paid her she realizes the class difference. In the two story the protagonists are faces same type of problem. The theme of the short stories is that we will always be what we come from. Social class is not that easy to overcome. In this case it is the difference between rich and poor. Money is the big issue in the two...
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...Economic Inequality in Toni Cade Bambara's The Lesson Essay on The LessonA short story by Toni Cade Bambara On Action and Change Toni Cade Bambara’s "The Lesson" revolves around a young black girl’s struggle to come to terms with the role that economic injustice, and the larger social injustice that it constitutes, plays in her life. Sylvia, the story’s protagonist, initially is reluctant to acknowledge that she is a victim of poverty. Far from being oblivious of the disparity between the rich and the poor, however, one might say that on some subconscious level, she is in fact aware of the inequity that permeates society and which contributes to her inexorably disadvantaged economic situation. That she relates poverty to shame—"But I feel funny, shame. But what I got to be shamed about? Got as much right to go in as anybody" (Bambara 604)—offers an indication as to why she is so hard-pressed to concede her substandard socioeconomic standing in the larger scheme of things. Sylvia is forced to finally address the true state of her place in society, however, when she observes firsthand the stark contrast between the rich and the poor at a fancy toy store in Manhattan. Initially furious about the blinding disparity, her emotionally charged reaction ultimately culminates in her acceptance of the real state of things, and this acceptance in turn cultivates her resolve to take action against the socioeconomic inequality that verily afflicts her, ensuring that "ain’t nobody gonna...
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...|[pic] |Syllabus | | |College of Humanities | | |ENG/125 Version 3 | | |Literature in Society | Copyright © 2010, 2008, 2006 by University of Phoenix. All rights reserved. Course Description This course introduces themes in literature and provides guided study and practice in reflecting on themes which describe the human experience across cultural and societal boundaries. The course includes readings from literature in different genres and cultures. Students study the literature in thematic units and are asked to make connections to their own lives and cultures. Policies Faculty and students/learners will be held responsible for understanding and adhering to all policies contained within the following two documents: • University policies: You must be logged into the student website to view this document. • Instructor policies: This document is posted in the Course Materials forum. University policies are subject to change. Be sure to read the policies...
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...1994. Harrold, Stanley. American Abolitionists. New York: Pearson Education, 2001. Youngs, J. William T. American Realities: Historical Episodes-From First Settlements to the Civil War. New York: Longman, 2000. Fanon, Frantz. The Wretched of the Earth. New York: Grove Press, 1963. COURSE DESCRIPTION: A survey of African American literature, introducing students to genres, trends, and major periods of African American literature, ranging from the 17th-, 18th- and 19th- century autobiographies and narratives to 20tth –century works. Authors include: Jupiter Hammon, Briton Hammon, Sojourner Truth, Nat Turner, Claude McKay, Zora Neale Hurston, Sterling Brown, Richard Wright, Lorraine Hansberry, Amiri Baraka, Toni Morrison, Haki Madhubuti, Ton Cade Bambara, and August Wilson. COURSE OBJECTIVES By the end of this course, you will: o be able to distinguish amongst genres of literature; o be familiar with various works by and about African American writers in various literary genres; o be familiar with the Black Aesthetic, as well as other literary theories; o gain...
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...Activities in the Classroom Incorporation of activities into lesson plans is critical to the successful implementation of the Louisiana Comprehensive Curriculum. The Comprehensive Curriculum indicates one way to align instruction with Louisiana standards, benchmarks, and grade-level expectations. The curriculum is aligned with state content standards, as defined by grade-level expectations (GLEs), and organized into coherent, time-bound units with sample activities and classroom assessments to guide teaching and learning. The units in the curriculum have been arranged so that the content to be assessed will be taught before the state testing dates. While teachers may substitute equivalent activities and assessments based on the instructional needs, learning styles, and interests of their students, the Comprehensive Curriculum should be a primary resource when planning instruction. Grade level expectations—not the textbook—should determine the content to be taught. Textbooks and other instructional materials should be used as resource in teaching the grade level expectations. Lesson plans should be designed to introduce students to one or more of the activities, to provide background information and follow-up, and to prepare students for success in mastering the Grade-Level Expectations associated with the activities. Lesson plans should address individual needs of students and should...
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...Resources for Teaching Prepared by Lynette Ledoux Copyright © 2007 by Bedford/St. Martin’s All rights reserved. Manufactured in the United States of America. 2 1 f e 0 9 d c 8 7 b a For information, write: Bedford/St. Martin’s, 75 Arlington Street, Boston, MA 02116 (617-399-4000) ISBN-10: 0–312–44705–1 ISBN-13: 978–0–312–44705–2 Instructors who have adopted Rereading America, Seventh Edition, as a textbook for a course are authorized to duplicate portions of this manual for their students. Preface This isn’t really a teacher’s manual, not, at least, in the sense of a catechism of questions and correct answers and interpretations. Because the questions provided after each selection in Rereading America are meant to stimulate dialogue and debate — to generate rather than terminate discourse — they rarely lend themselves to a single appropriate response. So, while we’ll try to clarify what we had in mind when framing a few of the knottier questions, we won’t be offering you a list of “right” answers. Instead, regard this manual as your personal support group. Since the publication of the first edition, we’ve had the chance to learn from the experiences of hundreds of instructors nationwide, and we’d like to use this manual as a forum where we can share some of their concerns, suggestions, experiments, and hints. We’ll begin with a roundtable on issues you’ll probably want to address before you meet your class. In the first section of this manual, we’ll discuss approaches to...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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