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Turn Of The Screw, Modernism

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EN1020: First Assessment – Secondary Sources
Guy Davidson, "'Almost a sense of property': Henry James's The Turn of the Screw, Modernism, and commodity culture", Texas Studies in Literature and Language, 53.4 (2011), 455-78.
In Davidson’s critical text, a relationship between a sense of belonging and property and the manifestations of the ghosts is presented. The way in which the Governess acts can be explained now through the idea of needing to find a sense of belonging on a world and home that isn’t hers. As a servant the Governess cannot feel at peace in a house, especially a house that has no male authoritative figure. Therefore it could be seen that the ghosts is her subconscious creating a Master to obey, i.e. through Peter Quint, and …show more content…
Renner proposes ‘a profound conflict between their natural sexual impulses and the repression of sexuality required by society’ (p.179) suggesting that the sexual hysteria found in The Turn of the Screw is a manifestation of James’s view on the oppression of women and the treatment of women’s feelings. In making the Governess’s hysteria manifest into a physical terror in the ghosts it makes the reader see the effect of the hysteria. As a modern reader this is hard to believe, but readers at the time of publication would have seen this as more realistic and probable as the idea of women being hysterical would have been more common at this time. Moreover, Renner addresses the way in which the Governess describes Peter Quint to Mrs Grose. He suggests ‘what has actually happened is that the attractive figure she first imagines is transformed in her own mind into the frightening male figure she subsequently projects’ (p.178). This suggests that within the Governess’s subconscious the feelings she has towards the handsome man she creates in her own mind manifests and changes into a horror due to having to repress these feelings. The ghosts she creates are her way of making sense of her feelings and it is the societal constraints that lead her to the horrors she imagines in her own mind. Overall, Renner’s interpretation of The Turn of the Screw is a psychologically driven one. He feels as if the Governess’s madness comes from a repression of feelings and her subconscious fighting against the strict rules of a Victorian society. This restriction put upon women in this era, is the reason, for Renner, why he believes the ghosts are actually a manifestation of strict sociality

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