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Twentieth-Century Counterpart

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Submitted By mcoffik93
Words 1569
Pages 7
Mariana Offik
English 101; 065
Bellomy
December 6th, 2011
Twentieth-Century Counterpart John Edgar Wideman’s “Our Time” can be seen as a twentieth-century counterpart to
Guaman Poma’s “New Chronicle.” This connection is made if Wideman’s essay is reread with the qualities that Mary Louis Pratt portrays in “Arts of the Contact Zone.” It can be presented as an example of what she defines as an autoehtnographic text. She defines autoethnography as an inferior culture defining itself through the terms of a dominant culture when writing back to them. Transculturation produces autoethnography. Transculturation is the process by which a culture takes certain aspects of another. The interactions between different cultures, the point of view, and the suppression of the inferior culture portrays “Our Time” as a twentieth-century counterpart to the New Chronicle. Multiple cultures interact constantly in “Our Time”. Robby and John represent different cultures. Robby grew up surrounded by crime and violence. He also comes from a lower educational group. John, even though he is Robby’s brother, grew up to be a different culture than Robby. He went to college and people that were vastly different from Robby surrounded him. John describes his struggle with projecting Robby’s voice in the story because of their different cultural backgrounds. They grew to become two separate cultures that interacted with each other throughout the story.
3 1/2 - 4 pgs remove green part show 3 ways it is counterpart from thesis in para 1
Offik 1 One of the more apparent cultural interactions is the racial clash between blacks and whites. John describes multiple times where two cultures interact. When he describes the
Homewood community, he points out how it differs when it is the “old Homewood” the way that Robby’s mom describes it to when it changed to

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