...Agent Bork: Chief, you know that guy whose camper they were whacking off in? Agent Fleming: Bork, you're a Federal Agent. You represent the United States government. Never end a sentence with a preposition. Agent Bork: Oh, uh... You know that guy in whose camper they... I mean, that guy off in whose camper they were whacking? Share this President Clinton: Beavis and Butt-head, on behalf of your fellow Americans I extend my deepest thanks. You exemplify a fine new crop of young Americans who will grow into the leaders of this great country. Butt-head: Huh huh huh huh. He said, "extend." Beavis: Oh, yeah. Share this Butt-head's Dad: Hey, one of you bastards got a match? Butt-head: Uh, yeah. My butt and your, uh, butt. Uh huh huh. Share this [after apprehending Butt-head] Agent Fleming: Agent Hurly, I want you to give this scumbag a cavity search. I'm talking Roto-Rooter. Don't stop until you reach the back of his teeth. Share this Hoover Dam Guide: Now, can anybody tell me how much energy it takes to power Las Vegas? Beavis: Yeah, I just have a question. Um, is this a God dam? Share this [walking down hallway of the White House, stops at picture of Nixon and stares at it] Beavis: Are you threatening ME? Share this Concierge: [leading Beavis and Butt-head into their room] I'm sorry about that little misunderstanding, gentlemen. We didn't realize you were registered guests. If there's anything we can do to... Beavis: [sees TV and remote attached to table, tries...
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...Grease – 41 – Grease ACT ONE GREASE IS THE WORD, IS THE WORD, THAT YOU HEARD, Scene 1 IT’S GOT GROOVE IT’S GOT MEANING SONG “GREASE IS THE WORD” ALL: I SOLVE MY PROBLEMS AND I SEE THE LIGHT, WE GOT A LOVIN’ THING WE GOTTA FEED IT RIGHT. THERE AIN’T NO DANGER WE CAN GO TOO FAR WE START BELIEVIN’ NOW THAT WE CAN BE WHO WE ARE GREASE IS THE WORD. THEY THINK OUR LOVE IS JUST A GROWIN’ PAIN, WHY DON’T THEY UNDERSTAND IT’S JUST A CRYIN’ SHAME THEIR LIPS ARE LYIN’ ONLY REAL IS REAL GREASE IS THE TIME, IS THE PLACE, IS THE MOTION AND GREASE IS THE WAY WE ARE FEELIN’ WE TAKE THE PRESSURE AND WE THROW AWAY CONVENTIONALITY BELONGS TO YESTERDAY THERE IS A CHANCE THAT WE CAN MAKE IT SO FAR WE START BELIEVIN’ NOW THAT WE CAN BE WHO WE ARE GREASE IS THE WORD GREASE IS THE WORD, IS THE WORD, THAT YOU HEARD IT’S GOT GROOVE IT’S GOT MEANING WE STOP THE FIGHT RIGHT NOW, WE GOTTA BE WHAT WE FEEL GREASE IS THE TIME, IS THE PLACE, IS THE MOTION GREASE IS THE WORD AND GREASE IS THE WAY WE ARE FEELIN’ Grease Grease – 43 – THIS IS A TIME OF ILLUSION, WRAPPED UP IN TROUBLE LACED IN CONFUSION, WHAT ARE WE DOIN’ HERE? GREASE IS THE WORD, IS THE WORD, THAT YOU HEARD IT’S GOT GROOVE IT’S GOT MEANING GREASE IS THE TIME, IS THE PLACE, IS THE MOTION AND GREASE IS THE WAY WE ARE FEELIN’ GREASE IS THE WORD, IS THE WORD, IS THE WORD, IS THE WORD Scene 2 The Greasers stalk off as the scene shifts to the high school cafeteria...
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...stay too long Sometimes I would Sometimes it frightens me Sometimes it would Sometimes I'm all alone And wish that I could One summer never ends One summer never begins It keeps me standing still It takes all my will And then suddenly Last summer And then suddenly Last summer One summer never ends One summer never begins It keeps me standing still It takes all my will And then suddenly Last summer And then suddenly Last summer Until suddenly Last Summer And then suddenly Last summer Until suddenly Last Summer in the summertime mungo jerry IN THE SUMMERTIME- written by Ray Dorset- as recorded by Mungo Jerry Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh, uh Chh chh-chh In the summertime when the weather is hot You can stretch right up and touch the sky When the weather's fine You got women, you got women on your mind Have a drink, have a drive Go out and see what you can find If her daddy's rich take her out for a meal If her daddy's poor just do what you feel Speed along the lane Do a ton or a ton an' twenty-five When the sun goes down You can make it, make it good in a lay-by We're no threat, people We're not dirty, we're not mean We love everybody but we do as we please When the weather's fine We go fishin' or go swimmin' in the sea We're always happy Life's for livin' yeah, that's our...
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...在和老师同学说话的时候,语气词只要使用中文的再配合上面目表情,大家也就都会了 解。可是写email啊,短信啊,网上聊天啊,就麻烦了。我只会很简单的几个,剩下的,都不会,不能好好的表达自己的语气了,于是,依然为了方便自己,从 各个网站帖子转发上来英语语气词。重复不管,错误不管, 格式不管。= =。。。我只知道VV是个不负责任的转帖的童鞋。 英语拟声词和惊叹词 表达的感情或感觉或当时的情景 Ho 哦 Ah! 羡慕,满意 Aha! 满意,愉快,胜利 Ahem! 唤起注意 Alas! 遗憾,悲痛,不幸 Bah! 轻蔑,厌恶 Brrr! 寒冷 Darn!(Darn it!) 愤怒,失望 Eeeek! 害怕 For goodness sake! 惊奇,害怕 Gad! 惊奇,不赞同 Gee! 惊奇,赞美 God!(Good god! Great God! 惊奇,恐惧 My God! Oh, God!) Good gracious! 惊奇,恼怒 Goodness! 惊奇,害怕,恼怒 Gosh! 惊奇 Heaven forbid! 惊奇,害怕 Heaven help me! 惊奇,害怕 (Good) Heavens! 惊奇,害怕 Help! 求助 Hey! 惊奇,喜悦,疑问,或唤起注意 Hmmm! 思考 Ho(a)! 惊奇,满足,喜悦或唤起注意 I’ll be darned! 惊奇 Jesus(Christ)! 不满意,失望,痛苦,惊恐 Look out! 警告 Mmmm! 品尝满意 Mercy! 惊奇 Mercy me! 惊奇 My! 惊奇,羡慕 My,my! 惊奇 My goodness! 惊奇,害怕 My word! 惊奇 Oh! 惊奇,诧异,害怕,疼痛 Oh, boy! 激动,惊奇,惊喜(男女都可说) Oh, dear! 惊奇 Oh,my! 惊奇,羡慕 Oh, no! 害怕,惊奇,失望 Oho! 惊奇 Oh-oh! 遇到不顺心的事 Ouch 疼痛 Ow! 疼痛 Oh, well! 无可奈何 Psst! 唤起注意 Say! 唤起注意,或想起什么 Shit! 愤怒,厌恶,沮丧 Thank God! 宽慰,感谢 Thank goodness! 感谢 Tsk-tsk! 不赞同 Tut-tut! 不满,不耐烦 Ugh! 厌恶 Unbelievable! 惊讶 Watch it! 警告 Watch out! 警告 Well! 惊奇,宽慰 Well, I never! 惊奇,愤怒 Well,well! 惊奇 Whew! 如释重负 Whoopee! 高兴 Whoop! 欣喜,兴奋,或因手脚笨拙而感到尴尬 Wow! 诧异,惊讶,羡慕,快乐 Yuck 厌恶 ============================================================================================== Ah! 羡慕,满意 Aha! 满意,愉快,胜利 Ahem! / ə'hem / 唤起注意, 用咳嗽来引起注意,或表示怀疑 e.g. Ahem, I wonder if I can raise this problem with you now. 呃哼,我现在能否向您提及这问题。 Alas! [ ə'læs ] 唉, 遗憾,悲痛,不幸 e.g. Alas! He missed the train! 哎呀!他误了火车了! Bah! [ bɑ: ] 轻蔑,厌恶 ...
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...Back to wizards and witches, and magical beasts,to goblins and ghosts and to magical feasts.It’s all that I love, and it's all that I need.HOGWARTS, HOGWARTS, I think I'm going back---I'll see my friends, gonna laugh 'til we crytake my Firebolt, gonna take to the skyNO WAY this year anyone's gonna die, and it's gonna be totally awesome.I'll cast some spells, with a flick of my wanddefeat the dark arts, yeah bring it on!And do it all with my best friend Ron, 'cause together we're totally awesome.Ron Weasley: Yeah, and it's gonna be totally awesome! Did somebody say Ron Weasley?They hug and ad lib greeting (i.e. hey man, what’s up? How ya doing’?) Ron: Hey, sorry it took me so long to get here. I had to go get some Floo Powder, but, uh, we gotta get going. Get your trunk and let’s go!Harry: Where’re we going?Ron: To Diagon Alley, of course!Harry: Cool!Ron: C’mon!Harry & Ron: (while flapping arms) Floo Powder power! Floo Powder power! Song continues-Ron It's been so long, but we're going backdon't go for work, don't go there...
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...And I, I really like it when the moon looks like a toenail And I love you when you say my name If you wanna know Here it goes Gonna tell you this The part of me that'll show if you're close Gonna let you see everything But remember that you asked for it I'll try to do my best to impress But it's easier to let you take a guess at the rest But you wanna hear what lives in my brain My heart, will you ask for it, for your perusing? At times confusing, slightly amusing Introducing me Doo doo, doo doo doo doo to Doo doo, doo doo doo doo to La la la la La la la la la la la la, da I never trust a dog to watch my food And I like to use to the word "dude" As a noun, or an adverb, or an adjective And I've never really been into cars I like really cool guitars and superheroes And checks with lots of zeros on 'em I love the sound of violins And making someone smile If you wanna know Here it goes Gonna tell you this The part of me that'll show if you're close Gonna let you see everything But remember that you asked for it I'll try to do my best to impress But it's easier to let you take a guess at the rest But you wanna hear what lives in my brain My heart, will you ask for it, for your perusing? At times confusing, possibly amusing Introducing me Well, you probably know more than you ever wanted to So be careful when you ask next time So if you wanna know Here it goes Gonna tell you this The part of me that'll show if you're close Gonna let you see everything But remember that you asked...
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...Elmer Ito ay bayan ni juan Hindi bayan ni run Dumating pa sa puntong Ang braso ay may bayanihan Bago magkalimutan Wag magsapilitan Walang papalitan Hindi 'to katatawanan ( chorus ) Wag kang maniniwala sa paligid mo (Hindi lahat ay totoo) Mga naririnig at nakikita mo (Isa-isang isipin 'to) Piliin mo ang iniidolo (Mga ginagawa't binibigkas) Dahil pag-usad ay hindi ganun kadulas Kung ika'y makata sa pinas Kamusta ka na idol Ako nga pala si Elmer Ikaw ang aking idol Ang idol ko na rapper Mula nang marinig ko Ang kanta mong simpleng tao Ako ay nabaliw nung Nilabas mo pa yung lando May bago ka bang album Penge naman ng kopya Meron ako nung luma Ang kaso nga lang pirata Sumusulat din ako Marunong din akong mag rap Gusto mo ipadinig ko sa'yo Wag kang kukurap Di lang ikaw ang idol ko Pati rin yung stickfiggas ...
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...other men during tense times of argument; better memory than # 4 about film title [5] * Juror #3: (Lee J. Cobb) Runs a messenger service (the "Beck and Call" Company), a bullying, rude and husky man, extremely opinionated and biased, completely intolerant, forceful and loud-mouthed, temperamental and vengeful; estrangement from his own teenaged son causes him to be hateful and hostile toward all young people (and the defendant); arrogant, quick-angered, quick-to-convict, and defiant until the very end [12] * Juror #4: (E. G. Marshall) Well-educated, smug and conceited, well-dressed stockbroker, presumably wealthy; studious, methodical, possesses an incredible recall and grasp of the facts of the case; common-sensical, dispassionate, cool-headed and rational, yet stuffy and prim; often displays a stern glare; treats the case like a puzzle to be deductively solved rather than as a case that may send the defendant to death; claims that he never sweats [10-11 - tie] * Juror #5: (Jack Klugman) Naive, insecure, frightened, reserved; grew up in a poor Jewish urban neighborhood and the case resurrected in his mind that slum-dwelling upbringing; a...
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...Day Ditzy Doo's Dismally Derpy Day -------------------------------------------------------------------------------- It was a beautiful Spring morning in Ponyville. Birds were singing, clouds were drifting lazily through the sky, and a blonde-maned, blue-gray pegasus pony was arguing with a mailbox. "Open, you little rolled-steel reprobate!" she snarled while trying desperately to pry open its door from the left side, using the edge of her hoof as a wedge. But it was no use, it simply wouldn't budge. It felt like something was jamming it in place along the bottom, but she had felt down there repeatedly and couldn't find anything. She stepped back and took a deep breath, trying to think of another approach since brute force wasn't working. She held up the day's mail for the address on one upturned hoof, and said in the most charming voice she could manage, "Open up mister mailbox, it's time for your breakfast," before trying to gently open it one more time, and -- predictably -- failing. "GAH!" She was beginning to wonder it anyone would notice if she just didn't deliver any mail to Carousel Boutique today when the proprietress, Rarity, sauntered up beside her. At least she could just hand it off directly to her, now. "Lovely, isn't it?" Ditzy Doo turned and noticed the bolts of cloth Rarity had tucked neatly into her saddlebags, a delightful floral print on silk. "Oh, yes, quite." Ditzy never pretended to "get" fashion, it was full of endless complexities...
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...Transcripts of Carl Rogers' Therapy Sessions Edited by Barbara T. Brodley and Germain Lietaer Volume 12 Year Page Gloria Filmed Interview 1965 2 Sylvia 4th Interview (Filmed) 1975 21 Commentary interspersed throughout Sylvia 5th Interview (Filmed) 1975 39 Commentary interspersed throughout Kathy Filmed Interview 1975 53 Commentary 67 Dione 1st Filmed Interview 1977 68 Commentary interspersed throughout Dione 2nd Filmed Interview 1977 1977 85 Final Comments 109 These transcripts are available for purposes of research, study and teaching. They may not be sold. Throughout these interviews the responses of the therapist (T) (Rogers), and the client (C) are numbered for easy reference This transcript is available for purposes of research, study and teaching. It may not be sold. Throughout this interview the responses of the therapist (T) (Rogers), and the client (C) are numbered for easy reference. [Source: Shostrom, E. L. (1965). Three approaches to psychotherapy (Part I)[Film]. Orange, CA: Psychological Films.] GLORIA DR. CARL ROGERS PART I -- DESCRIPTION OF SYSTEM [Before the Interview] "From my own years of therapeutic experience, I have come to feel that if I can create the proper climate, the proper, relationship, the proper conditions, a process of therapeutic movement will almost inevitably occur in my client. You may ask, 'What is this climate? What...
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...Angela Sullivan, Dave Todd, Hamish Whyte, Kevin Williamson. Versions of the following stories have appeared in other publications: 'The First Day Of The Edinburgh Festival' in Scream If You Want To Go Faster: New Writing Scotland 9 (ASLS), 'Traditional Sunday Breakfast'in DOG (Dec, 1991), 'It Goes Without Saying' in West Coast Magazine No. 11, 'Trainspotting at Leith Central Station' in A Parcel of Rogues (Clocktower Press), 'Grieving and Mourning In Port Sunshine' in Rebel Inc No. 1 and 'Her Man, The Elusive Mr Hunt' and 'Winter In West Granton' in Past Tense (Clocktower Press). The second part of 'Memories of Matty' also appeared in the aforementioned Clocktower Press publication as 'After The Burning'. Contents KICKING – – * THE SKAG BOYS, JEAN–CLAUDE VAN DAMME AND MOTHER SUPERIOR; JUNK DILEMMAS NO. 63; THE FIRST DAY OF THE EDINBURGH FESTIVAL; IN OVERDRIVE; GROWING UP IN PUBLIC; VICTORY ON NEW YEAR'S DAY; IT GOES WITHOUT SAYING; JUNK DILEMMAS NO. 64; HER MAN; SPEEDY RECRUITMENT RELAPSING – – * SCOTLAND TAKES DRUGS IN PSYCHIC DEFENCE; 1 THE GLASS; A DISAPPOINTMENT; COCK PROBLEMS; TRADITIONAL SUNDAY BREAKFAST; JUNK DILEMMAS VO. 65; GRIEVING AND MOURNINQ IN PORT SUNSHINE KICKING AGAIN – – * INTER SHITY; NO NO AND OTHER NAZIS; THE FIRST SHAG IN AGES; STROLLING THROUGH THE MEADOWS BLOWING IT – – *...
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...said Eric, “Wait one second and let me put on my shirt” Eric added. The bus pulled up in front of the white picket fence house and Eric is still not ready so he grabs his comb, brush, and his book bag and rush onto the bus. Everyone on the bus starred at Eric as he walked up the three black and dirty stairs. “C'mon boy sit down so we can leave to head to school” the rude bus driver said. Eric didn't know who to sit by because he was new to the school and obviously he thinks no one is going to talk to the new kid. He walked down the hallway as these two light skin boys both wearing fitted jeans and an Hollister shirt one was wearing green and the other wearing a bright yellow color and both wearing all white jordans looking like a pack of sour skittles. As he passed them 1 they started laughing hysterically, as Eric looked at them with a little smirk on his face, one of the boys says to Eric “what are you wearing,them bad ahh reebok and them bad ahh cargos, school Boy”! Eric sat down by himself in the seat behind the two boys. They reached atthe huge, white school building. He got of the bus quickly as possible until then the two boys pushed him out of his way so they could walk he walked through. He had a mean mug on his face like he wanted to punch them in their faces but it’s the first day of school and he doesnt want to get in trouble. He brushed his shoulders off and walked through the black,tall doors of westward middle, there were alot...
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..."FOR COLORED GIRLS" By Tyler Perry Based on The Stage Play "For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf" By Ntozake Shange Goldenrod Revision - 8/03/10 Yellow Revisions - 7/02/10 Green Revisions - 6/30/10 Pink Revisions - 5/27/10 Blue Shoot Draft - 5/25/10 34th Street Films, LLC 2769 Continental Colony Pkwy. Atlanta, GA 30331 404/355-6870 This material is property of Tyler Perry Studios and intended for use by its personnel. No portion of this material may be performed, reproduced or used by any means, or quoted or published in any medium without prior written consent of Tyler Perry Studios. Distribution to unauthorized persons is prohibited. DO NOT DUPLICATE GOLDENROD REVISED 1. OPENING: 1 INT. COMMUNITY CENTER - YASMINE’S DANCE STUDIO - DAY 1 The community center is an old run down building with two floors and several different rooms. Built in the 50’s, it looks like it hasn't been kept up or painted in years. Water spots and old creaky floors line the hallway. The center is housed in a state funded facility with several other volunteer operations. Juanita’s free clinic and Yasmine’s Rhythms, a dance studio, are two of them. We enter the dance studio where Yasmine is dancing alone. We see soft shots of her hands and feet dancing about the room. The fabric from her yellow leotard move gracefully in the wind as she dances to the sound of a solo piano. The slow speed of the film catches her face in the light from the huge old dirty window. The...
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...highly agreeable romantic comedy.” —Kirkus Reviews Dedicated with infinite love to Colton and Connor, who make me feel like so much more than the sum of my parts. Special thanks to… my husband, Mark Parsons, who helps me feel the magic, and my excellent editor, Nancy Siscoe, for her care and insight (and for making me stick to a reduced-filler diet). Also, eternal gratitude to Tad Callahan and Patricia Gabel, who were on the ball when we needed it most. Finally, thanks to Jeanne Madrid and the staff at Casa De Vida—may you keep the spirit. CONTENTS Diving Under Flipped Buddy, Beware! The Sycamore Tree Brawk-Brawk-Brawk! The Eggs Get a Grip, Man The Yard Looming Large and Smelly The Visit The Serious Willies The Dinner Flipped The Basket Boys Diving Under All I've ever wanted is for Juli Baker to leave me alone. For her to back off — you know, just give me some space. It all started the summer before second grade when our moving van pulled into her neighborhood. And since we're now about done with the eighth grade, that, my friend, makes more than half a decade of strategic avoidance and social discomfort. She didn't just barge into my life. She barged and shoved and wedged her way into my life. Did we invite her to get into our moving van and start climbing all over boxes? No! But that's...
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...Instantly How to Connect Anyone with LEIL LOWNDES New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney Toronto Copyright © 2009 by Leil Lowndes. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. ISBN: 978-0-07-154586-0 MHID: 0-07-154586-7 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-154585-3, MHID: 0-07-154585-9. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. To contact a representative please visit the Contact Us page at www.mhprofessional.com. TERMS OF USE This is a copyrighted work and The McGraw-Hill Companies, Inc. (“McGraw-Hill”) and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act...
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