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Violence in Movies

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Violence in the Movies: Art Imitating Actuality
Brenda McCain
AIU Online

Abstract
This paper focuses on violence in the movies. It will address the psychological aspects of murders and domestic violence in the U.S. and the effects that are related to violent films. It will also concentrate on intimate partner violence on the silver screen.

Violence in the Movies: Art Imitating Actuality This paper will provide an overview of violence in the movies. It will address the effects of the killings and its association with the violence in art. It will also focus on how intimate partner violence has been one of the most omnipresent factors globally affecting women in public health. This paper will dissect the psychology and effects of murder and domestic violence and its depiction in popular movies. It will also reveal the obsessive violent nature that our society has embodied in motion pictures.

Dissecting Murder The first detection was the “crisis of violence,” in the psychology of murder. This is practiced and carried out so much on the silver screen that society has become desensitized by murder. Adams (1972), states, “That easy empathy with cinema slayings, together with a growing tolerance of real-life brutality suggests a dismaying conclusion: beneath the surface, Americans may be less alarmed by murder—and more attracted to it—than they care to admit” (p. 58, 4p). Though this has become reality as we know it, murder is still the crime executed by others: the human race will always detach themselves from killers by believing that all murderers in the movies are psychotic. Even with that being dually noted several educators believe that the effects of bloodshed in the arts is not a bad thing per se, in fact, it might be the best tool to inform society of its detrimental consequences and it can teach us a

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